Soundcheck

Guitarist, composer, and teacher Benjamin Verdery seems to know everybody who’s ever picked up the instrument. Ben is a classical guitarist himself, but his musical friends include Andy Summers of the Police, the fingerpicking virtuoso Leo Kottke, flamenco legend Paco Pena, guitarist Bryce Dessner of the indie rock band The National – the list goes on and on. Lots of contemporary composers have written works for him, and Ben himself has written a wide range of works. He’s filled a 40 year career with a wild assortment of collaborations and collaborators. Recently, Ben emailed to say he was retiring next year, so it seemed high time that we invite him back here before he jets off to Hawaii. Benjamin Verdery plays some of his own pieces from his collection called Some Towns and Cities, and yes, at least one of those towns is in Hawaii.  Set list: 1. Capitola, CA 2. Keanae, HI 3. Milwaukee, WI

Christopher Rountree is probably best known as the conductor of the LA-based new music ensemble known as Wild Up. Over the last 14 years he and that band have played with Bjork, done live film scores to movie screenings, and embarked on a multiyear recording project of the long forgotten and now rediscovered music of Julius Eastman. But Christopher Rountree is also a composer, and his latest work is called 3 BPM. It seems like it might be his reply to the rise of AI in music, because he describes the piece as “a musical framework for being together.” In an open score that could be part map, and part game, the ensemble performs the entirety of 3 BPM in-studio.  Watch "3BPM": The ensemble for this New York in-studio includes:  Christopher Rountree, voice / synthCatherine Brookman, voice / synth  Nadia Sirota, viola  Adam Tendler, pianoPhong Tran, electronicsTaylor Levine, electric guitarRachel Beetz, flute 3 BPM by Christopher Rountree with Wild Up | HOCKET | Nadia Sirota

Brooklyn native Bette Smith reconnects with her Memphis and Mississippi roots on her latest, "Goodthing", full of songs that show off her voice -rich and raspy- and her band’s vintage soul and blues-rock sound. But the album also speaks to Smith’s spiritual side, embracing the gospel music she heard in church and around the house every weekend – like Mahalia Jackson and Reverend James Cleveland. Bette Smith and her band play up that southern rock/soul sound, inspire determination, and offer a prayer, in-studio. Set list: 1. Whup 'Em Good 2. Darkest Hour 3. Eternal Blessings

The band called LA LOM is a trio of LA natives who play an instrumental blend of twangy guitar melodies over Latin rhythms like the cumbia and bolero, drawing on the sounds of their city. The band got their start as a hotel band playing soul covers, and morphed into warm, vibe-heavy rock that blends Mexican, Cuban, and Peruvian traditions alongside classic jazz, rockabilly, and soul. LA LOM – Los Angeles League of Musicians - who are Zac Sokolow (Guitar), Jake Faulkner (Bass), and Nicholas Baker (Drums/Percussion), play music that may touch on Cumbia, Chicha, and Americana, from their full-length self-titled album, in-studio. - Caryn Havlik Set list: 1. Danza de LA LOM 2. San Fernando Rose 3. Angels Point

Angélica Garcia has been on a journey – a musical journey – from “gothic storytelling, and swampy, blues-inflected rock” (Schaefer, 2016) to dance-floor Latin pop bangers with moody electronics, sung mostly in Spanish on her latest release, Gemelo. It’s a record that “untangles the Mexican and Salvadoran roots of the Californian-born artist, dismantles the cycles which help and harm, and calls upon the spirits of her ancestors for its power”, (Line of Best Fit). From throbbing, industrial rock that sounds like a sci-fi magic ritual to clublike textures couching empowerment anthems, Angélica Garcia performs her latest tunes, in-studio. Set list: 1. Juanita 2. Gemini 3. Paloma

Cinder Well is the musical project of singer and songwriter Amelia Baker, who is from California but who fell under the spell of Irish folk music and eventually moved to County Clare on Ireland’s west coast. Cinder Well’s music often has a haunted, nocturnal quality – her 2020 album No Summer was widely referred to as “doom folk” - where the drone, darkness, and space may overlap with that in the metal world. Her latest record, Cadence, is full of evocative, often elusive imagery and her quietly intense vocals.  Set list: 1. Two Heads, Grey Mare 2. Overgrown 3. From Behind the Curtain

The artist STEFA* is a classically-trained vocalist who combines punk, experimental rage-pop, loops, and somatic jazz as they channel their ancestors. Based in Queens and born to Colombian immigrant parents, STEFA*’s latest is an album called Born With An Extra Rib, which was released alongside a ritual performance film that they created as Artist-In-Residence at The Kitchen. STEFA* shares their spirit and song, along with their talented band, in-studio. STEFA* plays at Industry City at 6PM on Aug. 8. Set list: 1. 3COSAS! 2. Costillas 3. How Do I Cope? Born With An Extra Rib by STEFA*

Although he’s based in Iceland, singer/songwriter John Grant is American, and his experience growing up gay in a conservative religious family in Colorado has colored his music since he began releasing solo records in 2010. A former member of the Denver-based alternative rock band The Czars, he’s recorded with the Texan folk rock group Midlake, collaborated with countless others, and is also a festival curator, noted polyglot, author, and translator. Grant’s own songs range from bangers to ballads, usually shot through with sharp streaks of mordant wit. That’s the case with his latest record The Art of the Lie which also features lots of electronics and some processing of the voice. John tells stories and performs unplugged versions of his tunes, in-studio. Set list: 1. Grey Tickles Black Pressure 2. Touch and Go 3. Zeitgeist

The duo of Marc Ribot, the New York guitarist, and Leyla McCalla, the New Orleans cellist and banjo player, may seem unlikely at first. Ribot is known for his work with Tom Waits, Elvis Costello, his own avant-noise trio Ceramic Dog, and much more; McCalla writes songs that draw on the African-American string band tradition, Cajun music, and her own Haitian heritage. But Ribot was also a student of the Haitian classical guitarist/composer Frantz Casseus, and the two musicians share a strong genre-agnostic streak. Together they play a set at the 25th Annual New York Guitar Festival, recorded in June of 2024 at Kaufman Music Center and co-presented by the World Music Institute.  Set list: Kamen Sa Ou Fe (trad Haitian); Petro (Frantz Casseus); City Called Heaven (trad American); Lavi Vye Neg (Gesner Henry); Sun Without The Heat (Leyla McCalla); Non Fon Bwa (Casseus); Peze Café (trad Haitian); Tree (Leyla McCalla) Marc Ribot has released over two dozen records on his own, ranging from Cuban dance music to free ja

Akusmi is the name of the recent project by the French-born London-based producer, composer, and multi-instrumentalist Pascal Bideau. His work blends the churning rhythms of minimalism with the sounds of jazz and, occasionally, the gamelan music of Indonesia. Mostly he plays sax and piano, but in a pinch he’ll play bass guitar, flute, synthesizer or percussion too. Some Akusmi songs can be ethereal and atmospheric, but more often they’re pulsating and almost danceable. In live performance, Akusmi becomes a band, in this case a trio with violinist/composer Christopher Tignor and trombonist Rick Parker. They play in-studio. Set list: 1. Divine Moments of Truth 2. Oblique 3. Concrescence

The vintage sounds and energy of Cuban dance music of the mid-20th century live on in the music of Orquesta Akokán, a group of Cuban and American musicians who made a big splash with their debut record just six years ago. The band’s name, Akokán, is from Africa; it’s a Yoruba word meaning “from the heart.”  And this group’s collective heart beats to the rhythms of Havana (and Miami, and Brooklyn), which means salsa, rumba, and soul in addition to mambo. Orquesta Akokán has a brand new album called Caracoles, and it brings the band back to our studio to play some of these new songs.  Set list: 1. Con Licencia 2. Pan con Tibiri 3. Caracoles 4. Suave Suave

Sample collaborative music by Pulitzer Prize-winning vocalist/composer Caroline Shaw and the versatile quartet Sō Percussion from their latest release, Rectangles and Circumstance, as played in-studio. Composer/vocalist/violinist Caroline Shaw, who has produced for Kanye West and Nas, won a Pulitzer Prize in 2013 for her Partita for 8 Voices, which was written for and performed with the vocal ensemble Roomful of Teeth; she also teaches at NYU. Brooklyn-based Sō Percussion (Eric Cha-Beach, Adam Sliwinski, Josh Quillen, Jason Treuting) is a force of music and noise-making comprised of composer/percussionists/instrument builders/finders who beat, shake, bow, immerse, and rip all kinds of things – home goods and instruments - both acoustic and electric; they also compose.  Listen to some of these songs with contributions by Caroline Shaw, and with her band Ringdown, together with Sō Percussion, as played live, in-studio.

Cuban singer, percussionist, and bandleader Ivan Llanes is now based here in New York, and on his debut LP, called La Vida Misma, you hear a reflection of Ivan’s musical interests, which begin with Cuban salsa and go on to include R&B, Brazilian music and more. He's fluent in Latin, Caribbean, and jazz traditions and is a prolific composer and sideman. Ivan’s band is similarly expansive, an 8-piece ensemble who perform new music from Ivan's debut record, in the round, in-studio.    See Ivan Llanes and his band in Times Square on July 11 at 5PM Set list: 1. La Mejor Mujer 2. Cubahia 3. Respira y Siente

Boston-based Marissa Nadler writes intimate, sweeping dreamy and eerie songs, that shimmer with gothic melancholy. On her 2018 record, For My Crimes, she enlisted accomplished musicians: harpist Mary Lattimore, drummer Patty Schemel (Hole), experimental multi-instrumentalist Janel Leppin, and Eva Gardner plays additional bass. Guest vocals came from Angel Olsen, Kristin Kontrol (Dum Dum Girls), and Sharon Van Etten, plus saxophonist Dana Colley (Morphine) was also a collaborator. These bittersweet and sharp slow burning tunes have a piercing intensity, driven home by Nadler’s gripping voice. Marissa Nadler performs some of these songs in their stripped-down form, in-studio (from the Archives, 2018.) -Caryn Havlik Set list: 1. For My Crimes 2. Said Goodbye to That Car 3. I Can’t Listen to Gene Clark Anymore

The band called English Teacher is from the northern English city of Leeds, although as their debut LP This Could Be Texas suggests, one place is very much like another when it comes to how people treat each other, and themselves. One might expect a band with a name like English Teacher to be smart, and their songs are chock-full of literary and cultural references, as well as unexpected shifts in sound and mood. They play bright and crispy post-punk songs that combine  a talky, angularity with indie-prog, rock, and folk electronica, in-studio.  Set list: 1. Albatross 2.Nearly Daffodils 3. Albert Road

Composer, guitarist, and instrument builder Paolo Angeli is from the Italian island of Sardinia, and his instrument began as a chiterra sarda, a large, slightly deeper member of the guitar family. But over the years he has added multiple layers of strings: harp strings, sitar strings, motorized hammers, pickups, propellers, movable bridges, kalimba, and so much more – attached to the body of the guitar to help multiply the sonic possibilities. Then, there are the pedals! Paolo Angeli, as a one-man-orchestra with foot percussion, and traditional Sardinian vocals, performs new compositions from his latest, Nijar, in-studio.  Set list: 1. Monologo de la Luna 2. Nijar 3. Ramas de Suenos 4. Telon 5. A tour of the prepared Sardinian guitar

British singer, songwriter and guitarist Richard Thompson OBE was part of the groundbreaking folk rock band Fairport Convention in the 1960's, made records with his then-wife, Linda Thompson, and has many fan-favourite solo records as well. Rolling Stone lists him as one of the 100 greatest guitarists of all time and the LA Times called him the greatest living songwriter after Bob Dylan. The folk-shredder and troubadour Richard Thompson joins us to play some acoustic solo versions of songs from his 2018 album, called 13 Rivers. (From the Archives.) Watch the full session here:   

The NYC group Zelenaya mixes traditional folk music with heavy metal in ways that are both surprising and convincing. Haunting three part harmonies, doom-laden guitars, pummeling drums – somehow it all comes together in Zelenaya’s debut album, called simply, Folk Songs. The band has both confused and carried away audiences at campground diasporic folk festivals and at death metal shows; serving up music for those who are into Ukrainian choirs, Mussorgsky, math rock and Tuareg guitar bands, Black Sabbath, and Bolt Thrower. In what is likely the first instance of a blast beat and a wall of amps in the Soundcheck Studio, Zelenaya sculpts Eastern European folk tunes into doom metal-laden arrangements, sung in Ukrainian and Georgian, in-studio. (-John Schaefer/Caryn Havlik) Zelenaya plays a FREE show with Gamelan Yowana Sari, and Antinomie in Forest Park, Queens at the Seuffert Bandshell on June 23 at 4PM AND in Brooklyn on June 27 at Our Wicked Lady. Set list: 1. Hora Za Horoyu (Ukrainian) (Mountain Beyond Mounta

The Tuareg singer and guitarist Mdou Moctar is from Niger, and his music career began with his songs being shared across mobile phone trading networks in West Africa. Now, as an ambassador of the Agadez sound, he plays his songs on the world’s biggest music stages, including Coachella, and, coming soon, Bonnaroo and Glastonbury. Moctar and his band combine rock and psychedelia, often in the "Desert Blues" style of loping and sometimes accelerating threes. Mdou Moctar’s latest album is called Funeral for Justice, and features his most fiery guitar playing yet. He and his band are here, to stretch out and play this perhaps trancey music for staying lifted, in-studio.  They play at Bowery Ballroom on June 25 and at Warsaw in Brooklyn on June 26.  1. Imouhar 2. Modern Slaves 3. Imajighen

The duo called Ringdown makes what they refer to as electronic cinematic pop from Portland, Oregon. But there are also elements of folk and classical music in their songs, which makes sense given who they are. Ringdown is Caroline Shaw, Pulitzer Prize-winning composer and musician, and Danni Lee Parpan, folk-rock singer and songwriter. Together, they have a handful of Grammys, and a "Best Drum Major" Award  - and they have begun releasing songs about love, and heartbreak, and dancing. They present a preview of new music - using synths, violin, keyboard, voices, and processing - from their forthcoming EP, in-studio. Ringdown headlines the closing night celebration of ChamberQUEER 2024: Constellation, in Brooklyn on Sunday, June 16.  Set list: 1. Reckoning 2. Thirst 3. Two-Step