New Books In African American Studies

Our guest today is Cedric de Leon, author of Freedom Train: Black Politics and the Story of Interracial Labor Solidarity (U California Press, 2025). In this book, de Leon explores the complex and often overlooked history of Black political organizing within the U.S. labor movement. Rather than presenting a simple story of unity, he highlights the tensions, debates, and internal conflicts within Black civil society that ultimately strengthened movements for interracial labor solidarity. The book traces key organizations, leaders, and events from early socialist influences in Harlem to the rise of labor coalitions and the Memphis sanitation strike; demonstrating how Black workers and leaders actively shaped strategies for liberation. By focusing on both cooperation and disagreement, de Leon argues that Black political agency is best understood through this dynamic interplay. Freedom Train ultimately reframes labor history by centering Black voices and showing how their activism was crucial in pushing forward

In his new book, The Castle Slaves of the Gambia River: A Creole Community in the Eighteenth Century Atlantic World (Brill, 2026) historian Dr. Michael W. Tuck examines life on James Island, now Kunta Kinteh Island, where enslaved Africans worked for European trading companies in the eighteenth century. These individuals were not plantation workers. They served as carpenters, sailors, soldiers, canoe workers, healers, cooks, mothers, and interpreters. They built forts, repaired boats, buried the dead, and maintained trading posts. Dr Tuck’s research demonstrates that, despite harsh conditions, Castle Slaves formed families, preserved African names, practised healing, held funerals, and resisted captivity through escape and daily acts of survival. Women played key roles as caregivers, cultural anchors, and healers, despite facing significant vulnerability and exploitation. The book also highlights the high number of escape attempts from James Island, challenging the idea that resistance in West Africa was

Currencies of Cruelty: Slavery, Freak Shows, and the Performance Archive (NYU Press, 2026) is a bold and incisive reconsideration of the relationship between enslavement, disability, and performance in 19th- and early 20th-century America; a time when transition from slavery to legal freedom became entangled with the spectacle of the freak show stage, where disabled and racialized performers became lucrative attractions. At the heart of this powerful study are conjoined twins Millie Christine McKoy, born into slavery and later emancipated, and the so-called “original Siamese Twins,” Chang and Eng Bunker, who navigated the freak show circuit not only as performers but also as enslavers. Their stories reveal how archival practices surrounding enslavement and performance labor worked in tandem, creating a system where unfree and newly freed bodies were simultaneously valued and devalued—exploited for their spectacle yet rendered abject within traditional labor economies. Blending historical analysis with innov

A Home Away from Home: Mutual Aid, Political Activism, and Caribbean American Identity (U Pennsylvania Press, 2024) examines the significance of Caribbean American mutual aid societies and benevolent associations to the immigrant experience, particularly their implications for the formation of a Pan-Caribbean American identity and Black diasporic politics.At the turn of the twentieth century, New York City exploded with the establishment of mutual aid societies and benevolent associations. Caribbean immigrants, especially women, eager to find their place in a bustling new world, created these organizations, including the West Indian Benevolent Association of New York City, founded in 1884. They served as forums for discussions on Caribbean American affairs, hosted cultural activities, and provided newly arrived immigrants with various forms of support, including job and housing assistance, rotating lines of credit, help in the naturalization process, and its most popular function—sickness and burial assis

Why did Langston Hughes's translations of Mexican and Cuban stories go unpublished for nearly a century? A landmark book—the first complete publication of Langston Hughes’s translations of thirty-three stories by eighteen Mexican and Cuban writers In late 1934, Langston Hughes, already established as a leading voice of literary Black America, traveled to Mexico City, where he stayed for more than five months and began translating short fiction by prominent Mexican and Cuban writers. These stories, as he wrote to a friend, explore “the revolutions and uprisings, sugar cane, Negroes, Indians, corrupt generals, [and] American imperialists,” and are “mostly all left stories, because practically all the writers down here are left these days.” But when Hughes proposed publishing the stories as a book, to be titled Troubled Lands: Stories of Mexico and Cuba as Translated by Langston Hughes (Princeton University Press, 2026), his agent discouraged him from further pursuing the project and it remained unpublished, un

Smell is a vital, if underappreciated, medium through which we inhabit and imagine the world. In Olfactory Worldmaking (University of Minnesota Press, 2026), Dr. Hsuan L. Hsu traces how olfactory experience communicates across visceral, material, and affective registers to offer new ways of relating, which challenge the extractive logics of racial and colonial capitalism. Blending environmental humanities, sensory studies, and critical ethnic studies, the book highlights how scent animates suppressed histories and marginalized memories. Dr. Hsu theorizes olfaction as a speculative, reparative practice. Examining projects from historical novels, memoirs, and speculative fiction to conceptual art and experimental perfumes, he reveals how these works mobilize scent to imagine alternative ways of sensing, relating, and creating more equitably livable worlds. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implemen

In 1760, following the largest slave revolt in the eighteenth-century British Empire, the Afro-Caribbean word Obeah first appeared in British colonial law. In Archival Irruptions, Katharine Gerbner traces how British authorities in Jamaica came to criminalize Obeah, a practice that was variously seen as a healing method, an Africana religion, a science, and a form of witchcraft. Gerbner shows that in the years directly preceding its criminalization, for enslaved Africans and Maroons, Obeah was a prophetic practice tied to healing and death rites. Drawing on Moravian missionary archives, Gerbner theorizes these descriptions of African religious beliefs, rituals, and concepts as "irruptions" moments when Africana epistemologies break the narrative of a European-authored archival document. In these irruptions, we see European assertions of authority through the lens of Obeah. Moreover, we find that the modern category of religion is rooted in the histories of slavery, rebellion, and the criminalization of Black

In this episode of High Theory, Gloria Fisk talks to Kim about Prolepsis. Defined by Gerard Genette in the 1970s, prolepsis is a flash forward, the opposite of analepsis, a flash back. Initially the province of high modernism, this rhetorical device has become a well-worn trope with a surprising aptitude for representing violence in our current moment. Fisk shows us how prolepsis dramatizes the workings of structural violence in narrative form. In the episode, Gloria references Stokely Carmichael and Charles Hamilton’s Black Power: The Politics of Liberation (Random House 1967) and Michael Dango's Crisis Style: The Aesthetics of Repair (Stanford UP 2021). The transcript lives here as a WordDoc and here as a PDF. Gloria Fisk writes about contemporary literature in a global context, with a particular interest in the novel. She works as an associate professor of English at Queens College, CUNY. Her areas of interest include the critical debates surrounding world literature in the U.S. as well as novel theory,

The Inattention Economy: How Women of Color Built the Internet (U Minnesota Press, 2026) by Dr. Lisa Nakamura challenges the widespread myth that the internet was born from the labor of a handful of white male entrepreneurs, recovering the uncredited and unpaid contributions of women of color. Focusing on three key inflection points in computing—the microchip era of the 1960s and ’70s, the rise of social media in the 2000s, and A.I.-fueled virtual reality in the 2020s—Dr. Nakamura illuminates these women’s instrumental roles in building new technologies and making them coherent to users. From the Navajo women who manufactured the first semiconductor circuits in New Mexico to Tila Tequila, the queer Vietnamese American refugee who became the first true internet influencer in the MySpace age, to Black virtual reality creators, Dr. Nakamura highlights how women’s gendered and racialized identities have uniquely positioned them to mediate the development and proliferation of new technologies. She exposes how the

Spanning the 1720s through the end of the Civil War, A Precarious Balance: Firearms, Race, and Community in North Carolina, 1715-1865 (UNC Press, 2025) explores how free and enslaved Black North Carolinians accessed, possessed, and used firearms—both legal and otherwise—and how the state, and white people, responded. Historian of slavery and freedom, Antwain K. Hunter reveals that armed Black people used firearms for a wide range of purposes: they hunted to feed their families and communities, guarded property, protected crops, and defended maroon communities from outsiders. Further, they resisted the institution of slavery and used guns both against white people and within their own community. Competing views of Black people’s firearm use created social, political, and legal points of contention for different demographics within North Carolina, and left the general assembly and white civilians struggling to harness Black people’s armed labor for white people’s benefit. A Precarious Balance challenges readers

On the eve of World War II, a handsome young scholar arrived in Paris. The queer, Black son of a housecleaner, who had nevertheless been decorated in the halls of Harvard and Columbia, Reed Peggram flirted with Leonard Bernstein, sat for portraits by famous artists, charmed minor royalty and became like a little brother to famed researcher and writer Jan Gay. Finally in Europe and on the same prestigious scholarship as literary luminaries Zora Neale Hurston and Langston Hughes before him, he ignored the increasingly alarmed calls to return home to a repressive, segregated America and a constrained life as a second class citizen. And as tensions grew and gas masks were distributed in the City of Lights, Reed turned instead to the new life he’d made: with Arne, a tall and dashing Danish scholar with whom he had formed a deep bond.Award-winning historian Ethelene Whitmire unearthed a trove of Reed’s letters when she met one of his descendants at a lecture, awed that she’d heard so little of this charismatic man

Black Power, Inc.: Corporate America and the Rise of Multinational Empowerment Politics, (U Pennsylvania Press, 2026), traces the rise of Black empowerment politics in the United States and Africa. On a cold January day in 1964, civil rights minister turned entrepreneur Rev. Leon Howard Sullivan declared to a group of supporters gathered to witness the launch of Sullivan’s latest venture, Opportunities Industrialization Centers, Inc., “The day has come when we must do more than protest—we must now also PREPARE and PRODUCE!” Occasionally linked with the movement for Black Power, Sullivan and others, including Coca-Cola vice president Carl Ware and Atlanta mayor Andrew Young, were in fact architects of Black empowerment—an intellectual and political movement that championed private enterprise as the key to Black people’s prosperity.Jessica Ann Levy traces Black empowerment’s rise in American politics—from early twentieth-century influences including Booker T. Washington and Marcus Garvey to the cities of postw

For fans of Dilla Time and The Chronicles of DOOM, a culturally connected celebration of the groundbreaking hip-hop group De La Soul, and how they changed the look, sound, and feel of Black America. Music artists and trends come and go, but every once in a while, a moment arrives that genuinely changes everything. In 1988, De La Soul, three young men from Amityville, Long Island, did exactly that. Their always innovative work pulled inspiration from artists of the past and popularized cutting-edge music sampling techniques to blend jazz, R&B, and rap as they created a sound unlike any the world had heard before. But the De La Soul experience didn’t end there. These weren’t just musicians—they were game-changers in so many ways. From the way they dressed, to the words they spoke, to the day-glo colors of their breakout 3 Feet and Rising, De La Soul rejected convention, refused to be talked back into the box, and left the door open for everyone behind them. Now, in Living in a D.A.I.S.Y. Age: The Music, Cul

In 1974, the Supreme Court issued a momentous decision: In the case of Milliken v. Bradley, the justices brought a halt to school desegregation across the North, and to the civil rights movement’s struggle for a truly equal education for all. How did this come about, and why? In The Containment: Detroit, the Supreme Court, and the Battle for Racial Justice in the North (FSG Press, 2025), the esteemed legal scholar Michelle Adams tells the epic story of the struggle to integrate Detroit schools—and what happened when it collided with Nixon-appointed justices committed to a judicial counterrevolution. Adams chronicles the devoted activists who tried to uplift Detroit's students amid the upheavals of riots, Black power, and white flight—and how their efforts led to federal judge Stephen Roth’s landmark order to achieve racial balance by tearing down the walls separating the city and its suburbs. The “metropolitan remedy” could have remade the landscape of racial justice. Instead, the Supreme Court ruled that

Brought to you by the BISA Environment and Climate Politics Working Group. Globally, Black people are among the most affected by the climate crisis, despite contributing very little to it. For a long time, the crisis was portrayed as yet another injustice for Black people to care about, on top of the day-to-day oppression they face. In Black Climates: Notes on Race, Our Environment, and Visions for Equitable Futures (Chatto & Windus, 2025), Selina Nwulu reframes the crisis to encompass our disconnection from each other and the world around us. She argues that the root of climate change lies in historical colonial violence and ongoing exploitation, making it inherently racist. Nwulu, former Young People's Laureate for London, uses her poetic and skilful voice to directly address Black British readers who have been previously ignored in mainstream environmental conversations. She includes interviews with a wide range of creatives and campaigners to explore a variety of subjects, including air pollution, pris

An insightful exploration that unveils the lesser-known dimensions of this legendary writer and her legacy, revealing the cultural icon's profound impact as a visionary editor who helped define an important period in American publishing and literature. A multifaceted genius, Toni Morrison transcended her role as an author, helping to shape an important period in American publishing and literature as an editor at one of the nation's most prestigious publishing houses. While Toni Morrison's literary achievements are widely celebrated, her editorial work is little known. Drawing on extensive research and firsthand accounts, this comprehensive study discusses Morrison's remarkable journey from her early days at Random House to her emergence as one of its most important editors. During her tenure in editorial, Morrison refashioned the literary landscape, working with important authors, including Toni Cade Bambara, Leon Forrest, and Lucille Clifton, and empowering cultural icons such as Angela Davis and Muhammad Al

A provocative new history of modern black liberalism Black Excellence: Atlanta and the Making of Modern Black Liberalism (U Pennsylvania Press, 2025) offers a provocative new history of modern black liberalism by situating the seemingly conservative tendencies of black elected officials in the post–civil rights era within neoliberal American politics and an enduring black liberal tradition. In the 1970s and ’80s, cities across the country elected black mayors for the first time. Just as these officials gained political power, however, their cities felt the full brunt of white flight and deindustrialization. Tasked with governing cities in crisis, black political leaders responded in seemingly conservative ways to the social problems that austerity worsened. Nowhere was this response more evident than in Atlanta. In the nation’s preeminent black urban regime, black leaders such as mayors Maynard Jackson and Andrew Young employed the power of policing and the private sector to discipline black Atlantans, hopi

Detroit seemed to experience an explosive rebirth following its bankruptcy, the largest in US municipal history. It was as if the slate had been wiped clean and the color line erased in the nation’s largest Black city. Detroit Never Left explains the relation between racism and space by analyzing the ways opportunities changed in the years leading up to and following bankruptcy.Based on a variety of data, including in-depth interviews with people who identify as “Latina/o/x” in their early 20s, ethnographic observation, and media coverage, in Detroit Never Left: Black Space, White Borders, Latino Crossings (NYU Press, 2026), Dr. Nicole E. Trujillo-Pagán shows how a dialectic between empty and concrete abstractions created new opportunities for outside investment, often at the expense of residents' fortunes. She reveals space is much more than a neutral backdrop; It is continually produced through abstractions that act like bordering and crossing practices to control resources and opportunities. With broad imp

Black Women's Bodily Autonomy, Sexual Freedom, and Pleasure: Explorations of the Hot Girl Movement (Routledge, 2025) explores scholarship, practice, and advocacy for Black women’s pursuit of bodily autonomy, sexual freedom, and pleasure. Inspired by Megan Thee Stallion’s song "Hot Girl Summer" and pleasure activism, Dr. Clarissa E. Francis ("The Real Hot Girl Doc") examines the cultural and social impacts of "hot girl" music and its transformative effects on Black women’s sexual liberation journeys. Francis introduces readers to the Hot Girl Movement, addressing intergenerational trauma, denial of bodily autonomy, and pleasure politics. This book offers a historical review and current documentation of Black women’s role in the evolving movement for sexual liberation in the United States, with a particular focus on Atlanta, Georgia. Chapters delve into the history of systemic oppression, presenting research on Black women’s experiences with gendered racism while demonstrating the socio-cultural influences sha

During the American Civil War, clothing became central to the ways people waged war and experienced its cost. Through the clothes they made, wore, mended, lost, and stole, Americans expressed their allegiances, showed their love, confronted their social and economic challenges, subverted expectations, and, ultimately, preserved their history. As the collections they left behind make clear, Civil War Americans believed clothing was not merely a reflection of one’s class, gender, race, military rank, political ideology, or taste. Instead, Northerners and Southerners alike understood that clothing—from the weave of a fabric to the style and make of a coat—had the power to affect people’s way of living through the war’s tumult.In A Nation Unraveled: Clothing, Culture, and Violence in the American Civil War Era (UNC Press, 2026), Dr. Sarah Jones Weicksel reveals the meanings clothing had for Civil War Americans. Contributing to the growing body of scholarship on the material culture of the Civil War, Dr. Weicksel