New Books In African American Studies

Rethinking Rufus: Sexual Violations of Enslaved Men (University of Georgia Press, 2019) is the first book-length study of sexual violence against enslaved men. Scholars have extensively documented the widespread sexual exploitation and abuse suffered by enslaved women, with comparatively little attention paid to the stories of men. However, a careful reading of extant sources reveals that sexual assault of enslaved men also occurred systematically and in a wide variety of forms, including physical assault, sexual coercion, and other intimate violations. To tell the story of men such as Rufus―who was coerced into a sexual union with an enslaved woman, Rose, whose resistance of this union is widely celebrated―historian Thomas A. Foster interrogates a range of sources on slavery: early American newspapers, court records, enslavers’ journals, abolitionist literature, the testimony of formerly enslaved people collected in autobiographies and in interviews, and various forms of artistic representation. Foster’s sus

Kimberly Welch is the author of Black Litigants in the Antebellum American South (University of North Carolina Press, 2018). Welch is Assistant Professor of History and Assistant Professor of Law at Vanderbilt University. Her book explores the history of free and enslaved black Americans use of local courts in the Cotton South. Largely focused on unpublished and unexplored lower court records from the Natchez district of Mississippi and Louisiana between 1800 and 1860, Dr. Welch’s study highlights the many ways black Americans were able to utilize a system, which was stacked against them, for their own benefit. Derek Litvak is a Ph.D. student in the department of history at the University of Maryland. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Good Booty: Love and Sex, Black and White, Body and Soul in American Music (Dey St. Books, HarperCollins, 2017), Ann Powers explores the rich and, at times, unexpected intersections of love, sex, race, gender, sexuality, and American popular music. This heavily-researched book features colorful stories about sex, eroticism, and American music, while engaging source material in the realms of African American and American history, black feminist and womanist theory, American dance, and more. Good Booty begins in the 19th century in New Orleans’ Congo Square, and it ends with a discussion of Britney Spears and Beyoncé as cyborg and avatar, respectively. In other chapters, Powers engages early 20th-century American music and dance, eroticism in gospel music, sexuality and teen-girl rock and roll fandom, rock groupie culture, popular music in the early years of the AIDS crisis, and more. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the Uni

If the prompt is “respond to a myth of Narcissus using thoughtful, meditative poems,” then jayy dodd gave us a beautiful answer. In The Black Condition Ft. Narcissus (Nightboat Books, 2019),  jayy dodd offers her own brilliant reflections on so many things: the contemporary moment, dystopia, her transition, and more. In this interview, jayy dodd shares poems from this collection, discusses the process of making the book come to light, and talks about her other projects. jayy dodd is a blxk trans womxn from Los Angeles, California who is now based in Portland, Oregon. She is a poet and a performance artist. You can also follow her on Twitter and Instagram at @deyblxk. Adrian King (pronouns: they/them/theirs) is a recently graduate of Brandies University’s Women’s, Gender, and Sexuality Studies MA program and is an incoming graduate student in University of Michigan’s American Culture PhD program. Learn more about your ad choices. Visit megaphone.fm/adchoices

During the civil rights era, Memphis gained a reputation for having one of the South’s strongest NAACP branches. But that organization, led by the city’s black elite, was hardly the only driving force in the local struggle against racial injustice. In the late sixties, Black Power proponents advocating economic, political, and cultural self-determination effectively mobilized Memphis’s African American youth, using an array of moderate and radical approaches to protest and change conditions on their campuses and in the community. While Black Power activism on the coasts and in the Midwest has attracted considerable scholarly attention, much less has been written about the movement’s impact outside these hotbeds. In Black Power in the Bluff City: African American Youth and Student Activism in Memphis, 1965–1975 (University of Tennessee Press, 2016), Shirletta J. Kinchen helps redress that imbalance by examining how young Memphis activists, like Coby Smith and Charles Cabbage, dissatisfied by the pace of progre

In this this interview, Carrie Tippen talks with Catherine Keyser about early twentieth century fiction and the role that modern food plays in literature as a language for talking about race and racial categories. In Artificial Color: Modern Food and Racial Fictions, published in 2019 by Oxford University Press, Keyser explores the ways that modern fiction writers responded to the theories and anxieties about race in the early twentieth century through related anxieties about modern industrial food. In each chapter, Keyser focuses on a few closely related authors and texts, linked by their common use of food for plot, imagery, and metaphor, each one shedding some light on how that food carried meanings of racial identity. Keyser uncovers the historical context around each food to help today’s readers see what it might have meant to the writers and their contemporary readers. Keyser examines the use of soda pop and syrup or images of effervescence in Jean Toomer’s Cane as a metaphor for inevitable racial inter

Allison Davis (1902-1983) was a pioneering anthropologist who did ground-breaking fieldwork in the Jim Crow south,  challenged the racial bias of IQ tests, and became the first African American to be tenured at the University of Chicago. And yet despite these contributions Davis's work is little read today. The Lost Black Scholar: Resurrecting Allison Davis in American Social Thought(University of Chicago Press, 2018) is the first full-length biography of Davis ever written. In it, historian David Varel documents Davis's remarkable life. In this episode in New Books in Anthropology we talk about Davis's collaboration with authors such as W.E.B. Du Bois, Edward Sapir, John Dollard, W. Lloyd Warner Warner, St. Clair Drake, and many others. We also discuss how Davis pioneered concepts such as structural racism and explored the relationship between race and class. David Varel talks about the choices he made as a White academic writing about an African American life, and the importance of widening intellectual gen

Early American libraries stood at the nexus of two transatlantic branches of commerce—the book trade and the slave trade. Slavery and the Making of Early American Libraries: British Literature, Political Thought, and the Transatlantic Book Trade, 1731-1814 (Oxford University Press, 2019) bridges the study of these trades by demonstrating how Americans' profits from slavery were reinvested in imported British books and providing evidence that the colonial book market was shaped, in part, by the demand of slave owners for metropolitan cultural capital. Drawing on recent scholarship that shows how participation in London cultural life was very expensive in the eighteenth century, as well as evidence that enslavers were therefore some of the few early Americans who could afford to import British cultural products, Seán Moore, Associate Professor of English at the University of New Hampshire as well as journal Editor for Eighteenth Century Studies, merges the fields of the history of the book, Atlantic studies, an

In this highly engaging book, fashionista and pop culture expert Tanisha C. Ford investigates Afros and dashikis, go-go boots and hotpants of the sixties, hip hop's baggy jeans and bamboo earrings, and the #BlackLivesMatter-inspired hoodies of today. The history of these garments is deeply intertwined with Ford’s story as a black girl coming of age in a Midwestern rust belt city. She experimented with the Jheri curl; discovered how wearing the wrong color tennis shoes at the roller rink during the drug and gang wars of the 1980s could get you beaten; and rocked oversized, brightly colored jeans and Timberlands at an elite boarding school where the white upper crust wore conservative wool shift dresses. Dressed in Dreams: A Black Girl's Love Letter to the Power of Fashion (St. Martins Press, 2019) is a story of desire, access, conformity, and black innovation that explains things like the importance of knockoff culture; the role of “ghetto fabulous” full-length furs and colorful leather in the 1990s; how black

In her new book, Collisions at the Crossroads: How Place and Mobility Make Race (University of California Press, 2019), Professor Genevieve Carpio considers tensions around mobility and settlement in the 19th- and 20th-century American West, especially California’s Inland Empire. In this wide-ranging study, the first academic work to draw on the Inland Mexican Heritage archives, Carpio examines policies and forces as disparate as bicycle ordinances, immigration policy, incarceration, traffic checkpoints, and Route 66 heritage. She shows how regional authorities constructed racial hierarchies by allowing some people to move freely while placing limits on the mobility of others. Highlighting the ways that people of color have negotiated and resisted their positions within these systems, Carpio offers a compelling and original analysis of race through spatial mobility and the making of place. Carrie Lane is a Professor of American Studies at California State University, Fullerton and author of A Company of One:

Annette Joseph-Gabriel talks with Tiffany Gill about the history of African American travel in the late twentieth century and its significance to Black communities across the lines of class and gender. Joseph-Gabriel is an assistant professor of French at the University of Michigan, College of Literature, Science and the Arts. Gill is an Associate Professor of Africana Studies & History and Cochran Scholar at the University of Delaware. She is the author of Beauty Shop Politics: African American Women’s Activism in the Beauty Industry and the co-editor (with Keisha Blain) of To Turn the Whole World Over: Black Women and Internationalism (University of Illinois Press, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Yuko Miki’s book, Frontiers of Citizenship: A Black and Indigenous History of Postcolonial Brazil(Cambridge University Press, 2018), was the recent recipient of LASA’s 19th-century section Honorable Mention for Best Book. Frontiers of Citizenship is a beautifully written book that integrates quite seamlessly the history black and indigenous peoples in 19th century Brazil. The book explores the intersections of race and ethnicity, borderlands studies, as well as the intersecting histories of citizenship, popular politics, national identity, emancipation, and labor. In the book, Dr. Miki explores the quandaries of citizenship in a multiracial society and challenges the idea that citizenship is an equally important and equally valued goal for everyone. The book not only demonstrates otherwise, but really helps the reader challenge these widely held assumptions in a compelling and grounded manner. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Suspect Freedoms: The Racial and Sexual Politics of Cubanidad in New York, 1823-1957 (NYU Press, 2017), Nancy Mirabal details New York Cuban diasporic history between the nineteenth and twentieth centuries with keen attention to how political debates about the potential future, visibility, and belonging in Cuba played out along issues of race and gender. By shifting moments of importance in Cuban and U.S. history, it becomes clear exactly how contentious the differing opinions on how to move the island away from Spanish colonial rule and the role it would come to play – if any – on the political, racial, and economic landscape of the United States. Mirabal utilizes vast archival material spanning club records, literary texts, newspapers, photographs, and oral histories to tell how exiled Cuban migrants formed, maintained, and disagreed within social clubs in New York. Her inclusion of labor history, intellectual history, political history, social history, and immigration history makes for an incredibly det

There's so much discussion in the contemporary United States about marijuana. Debates focus on legalization and medicalization. Usually, Reefer Madness, Harry Anslinger, and race are brought into the conversation. But a big part of the larger marijuana story is missing. In Chris S. Duvall's new book, The African Roots of Marijuana (Duke University Press, 2019), he tells a distinctly non-American story that nevertheless has important lessons for current debates. Duvall helps us understand cannabis as a crop, commodity, and tool in African culture and in the history of slavery. He showcases the plant-person relationship and offers valuable lessons about colonialism and rise of 'big marijuana' in 2019. Lucas Richert is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming

In Worldmaking: Race, Performance, and the Work of Creativity (Duke University Press 2018), Dorinne Kondo brings together critical race studies, affect theory, psychoanalysis and her critically keen awareness of the politics and potential of theatre production and reception to ask how theatre ‘makes, unmakes and remakes’ race. Building on over 20 years of experience as an ethnographer, dramaturg and playwriter, Kondo exposes the racial structures that are mutually constitutive of the theatre specifically, and the arts more generally. So doing, she attends to the economic forces and representational practices that have not only enabled the affective violence through which the theatre so often operates; she also draws attention to how these forces and practices can produce the grounds for theatre’s restorative and transformative potential. Dorinne Kondo is Professor of American Studies and Ethnicity and Anthropology at the University of Southern California. Her research focuses on cultural theory, performance,

The art and antics of rebellious figures in 1950s American nightlife―from the Beat Generation to eccentric jazz musicians and comedians―have long fascinated fans and scholars alike. In The Rebel Café: Sex, Race, and Politics in Cold War America’s Nightclub Underground(Johns Hopkins University Press, 2018), Stephen R. Duncan flips the frame, focusing on the New York and San Francisco bars, nightclubs, and coffeehouses from which these cultural icons emerged. Duncan shows that the sexy, smoky sites of bohemian Greenwich Village and North Beach offered not just entertainment but doorways to a new sociopolitical consciousness. This book is a collective biography of the places that harbored beatniks, blabbermouths, hipsters, playboys, and partisans who altered the shape of postwar liberal politics and culture. Throughout this period, Duncan argues, nightspots were crucial―albeit informal―institutions of the American democratic public sphere. Amid the Red Scare’s repressive politics, the urban underground of New Yo

Assisted Reproductive Technologies (ARTs) such as in vitro fertilization and surrogacy have been critically examined within philosophy, particularly by feminists and bioethicists, but the role of race—both in how the technologies are used and in the effects that they are having—has received less attention.  In The Assisted Reproduction of Race (Indiana University Press, 2018), Camisha Russell undertakes this critical analysis.  While there is a robust scientific consensus that there is no meaningful genetic basis for race, Russell’s analysis of the role of race in ARTs reveals that when it comes to producing kinship, race is still doing a great deal of work. Further, by arguing that race itself is a technology, Russell shows how race is both produced and productive, historically, as well as in everyday practices, techniques, and choices.  While this analysis focuses on what race does in the contemporary realm of ARTS, it illuminates the role of race, in the past and now, in constructing social reality. Learn

Think running an insurance company or a bank is hard?  Try doing it as an African-American woman in the Jim Crow South.  Shennette Garrett-Scott's new book, Banking on Freedom: Black Women in U.S. Finance Before the New Deal (Columbia University Press, 2019) tells the fascinating story of just such an endeavor, first the Independent Order of St. Luke, and then the St. Luke Penny Savings Bank, founded in Richmond in 1903.  Along the way, she tells the tale of force-of-nature strong women, particularly Maggie Lena Walker, who wouldn't take no for an answer as she built up a culture of business and entrepreneurship against incredibly long odds and never-ending efforts by regulators and competitors to thwart her efforts. It makes for gripping reading. Daniel Peris is Senior Vice President at Federated Investors in Pittsburgh. Trained as a historian of modern Russia, he is the author most recently of Getting Back to Business: Why Modern Portfolio Theory Fails Investors. You can follow him on Twitter @Back2BizBook

Marisol LeBrón’s new book, Policing Life and Death: Race, Violence, and Resistance in Puerto Rico (University of California Press, 2019), examines the rise of and resistance to punitive governance (tough on crime policing policies) in Puerto Rico from the 1990s to the present. As in the United States, LeBrón shows how increased investment in policing did not respond to a spike in crime. It actually emerged as a strategy to shore up the local political and economic establishment mired in the crisis of the archipelago’s postwar colonial development policy “Operation Bootstrap,” spiking unemployment, lack of U.S. investment, and a growing informal economy which included the drug trade. Puerto Rican elites hoped to reinvent themselves as models for tough on crime policing and gatekeepers for the United States to Latin America. Beginning with the mano dura contra el crimen (iron fist against crime) policy of commonwealth Governor Pedro Rosselló in 1993, police increasingly targeted lower income, predominantly Blac

There has been a recent trend in books that explore one year in detail: 1914, 1927, and 1968 have all received this treatment. E. Douglas Bomberger’s new book Making Music American: 1917 and the Transformation of Culture from Oxford University Press (2018) is new twist on this phenomenon. Rather than primarily trace historical events while touching on cultural matters as many of these books do, Bomberger follows the events in jazz and classical music during this crucial year while framing them within America’s entry into World War One. Written for the general public as well as a scholarly audience, each chapter puts the events of one month in conversation with each other, allowing readers to grasp the busy cultural landscape in the period. Bomberger focuses on eight key figures. Classical musicians Fritz Kreisler, Karl Muck, Walter Damrosch, Olga Samaroff, and Ernestine Schumann-Heink contended with the fallout from mounting anti-German feeling within the United States in different ways as audiences turned ag