New Books In African American Studies

Few social justice struggles have captivated recent political history like the broad Black Lives Matter movement. From the streets of Ferguson and Baltimore to campaign rally interruptions of leading politicians, we have seen people speak up in outrage about injustices of policing, racist violence, wealth inequality and much more. What does this cycle of struggle have to do with the history of capitalism? In addition to these questions, our guest today, Keeanga-Yamahtta Taylor, asks “Can the conditions created by institutional racism be transformed within the existing capitalist order?. Keeanga-Yamahtta Taylor is an Assistant Professor in the Department of African American Studies at Princeton University. Her book From #BlackLivesMatter to Black Liberation was recently published by Haymarket Books. Republished with permission from Betsy Beasley and David Stein’s Who Makes Cents?: A History of Capitalism Podcast, Learn more about your ad choices. Visit megaphone.fm/adchoices

While black men have been portrayed in film for over a hundred years, they have often been stereotyped or portrayed very badly. In her book Black Hollywood: From Butlers to Superheroes, the Changing Role of African American Men in the Movies (Praeger, 2015), Kimberly Fain reviews the changing aspect of these roles and the African American actors who played them. Going decade by decade, she chooses specific films that do a particularly good job of showing these shifts. She also talks about how African American men began to use their popularity in other entertainment fields to give them power in the film industry. Learn more about your ad choices. Visit megaphone.fm/adchoices

Steve Phillips is the author of Brown is the New White: How the Demographic Revolution Has Created a New American Majority (The New Press, 2016). Phillips is a senior fellow at the Center for American Progress. Several weeks ago, Matt Lewis came on the podcast to assess the state-of-affairs for conservatives. This week, Steve Phillips offers his new book on how progressives might reposition their electoral coalition in the future. Drawing on demographic data and the changing electoral map, Phillips argues for a shift from focusing on white swing voters to a new coalition of African American, Latino, and progressive white voters. The podcast is hosted by Heath Brown, assistant professor of public policy at the City University of New York, John Jay College and The Graduate Center. You can follow him on Twitter @heathbrown Learn more about your ad choices. Visit megaphone.fm/adchoices

This terrific book follows the itinerary of Eric Walrond’s peripatetic life. Born in Guyana in 1898, Walrond lived in Barbados, Panama, New York, Paris, London. As a writer and sharp observer of those around him, he produced trenchant critiques of racial dynamics, imperialism, and labor relations in short stories, journalism, essays, and historical narratives. His book Tropic Death (1926), a searing rendition of Caribbean life, was widely read. Yet he struggled toward the end of his life as he became increasingly isolated both professionally and socially. In Eric Walrond: A Life in the Harlem Renaissance and the Transatlantic Caribbean (Columbia University Press, 2015), James Davis draws on numerous and surprising sources to build a complex but eminently readable portrait of this man, his work, his friends and acquaintances in diasporic communities of the transatlantic Caribbean.   Learn more about your ad choices. Visit megaphone.fm/adchoices

George Whitefield was a complex man driven by a simple idea, the new birth that brought salvation. Because of such passion, Whitefield received both enthusiastic support, preaching to audiences numbering in the thousands, and bitter criticism for violating religious doctrine or political convention. As such, Whitefield remains someone who continues to stir debate and devotion even to this day. In her fascinating new book, Inventing George Whitefield: Race, Revivalism, and the Making of a Religious Icon (University Press of Mississippi, 2015), Dr. Jessica Parr explores the life and afterlife of George Whitfield, focusing particularly on how the conflict he spurred and the veneration he received have shaped memories of him. Parr’s work is fascinating and accessible, making it a good read for both the scholar of American religious history and for students in an undergraduate classroom. Learn more about your ad choices. Visit megaphone.fm/adchoices

Is hip hop defined by its artists or by its audience? In Home With Hip Hop Feminism, Aisha Durham returns hip hop scholarship to its roots by engaging in an ethnographic and autoethnographic approach to studying hip hop. Rooting her study in the Diggs Park Public Housing Project in Norfolk, Virginia, Durham examines what hip hop means to ordinary and everyday women who see themselves as hip hop, equals to the rappers and other artists who receive greater recognition and scholarly attention. By focusing on gender and social class, Durham explores the sexual scripts that women find and negotiate within hip hop and how hip hop continually navigates socio-economic boundaries. She also considers how the very act of studying and writing about hip hop can turn a hip hop “insider” into an outsider. The book spends considerable attention looking at Queen Latifah and Beyonce as key figures who both reinforce and interrogate dominant representations of African American women. Aisha Durham is Associate Professor of Com

In this podcast I talk with Eric Foner, DeWitt Clinton Professor of History at Columbia University about his book, Gateway to Freedom: The Hidden History of the Underground Railroad (W. W. Norton & Company, 2015). Per the book jacket, “More than any other scholar, Eric Foner has influenced our understanding of America’s history. Now, making brilliant use of extraordinary evidence, the Pulitzer Prize-winning historian once again reconfigures the national saga of American slavery and freedom. A deeply entrenched institution, slavery lived on legally and commercially even in the northern states that had abolished it after the American Revolution. Slaves could be found in the streets of New York well after abolition, traveling with owners doing business with the city’s major banks, merchants, and manufacturers. New York was also home to the North’s largest free black community, making it a magnet for fugitive slaves seeking refuge. Slave catchers and gangs of kidnappers roamed the city, seizing free blacks, oft

What does it mean to be free? How can paying attention to the relationship between freedom and slavery help construct a concept and practice of freedom that is “perpetual, unfinished, and rooted in acts of flight” (181)? In his book Freedom as Marronage University of Chicago Press, 2015), Neil Roberts (Africana Studies, Religion, and Political Science, Williams College) explores this and many other questions. Proceeding from and working with the concept and practice of marronage – modes of escape from slavery emerging from the Caribbean – Roberts articulates a theory of freedom that is historically specific while having trans-historical reverberations, and that is attentive to lived experiences of freedom and slavery. In doing so, he engages histories of the transatlantic slave trade, colonialism, diaspora, the Haitian Revolution, and American slavery. Arguing for the need to creolize political theory and philosophy, Roberts also takes up the thought and practice of W.E.B. DuBois, Hannah Arendt, Philip Petit,

In Suffer the Little Children: Uses of the Past in Jewish and African American Children’s Literature (New York University Press, 2013), Jodi Eichler-Levine, associate professor of Religion Studies and Berman Professor of Jewish Civilization at Lehigh University, analyses a theme in American religious history–suffering–through the lens of Jewish and African American children’s literature. In her analysis of works by authors such as Maurice Sendak, Julius Lester, Jane Yolen, Sydney Taylor, and Virginia Hamilton, Eichler-Levine deftly examines the ways in which historical narratives of suffering are used by religious communities to claim their status as citizens. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is hip? Can a piece of music be hip? Or is hipness primarily a way of engaging with music which recognizes the hip potential of the music? Or primarily a manner of being, which allows the hip individual to authentically engage with the hip artwork? Whatever the case may be, we know that the hip is meant to be authentic. We know that it is opposed to the square:all that is inauthentic, conformist, and authoritarian. And we know that attempts to understand hipness tend to locate it in the sonorous immediacy of musical experience. Phil Ford‘s, Dig: Sound and Music in Hip Culture (Oxford University Press, 2013) uses these attempts to understand hipness as an entry into the altogether more intractable problem of defining hipness itself. Ford traces the hip sensibility from its roots in the African-American subcultures that arose in cities such as New York and Chicago in the aftermath of the Great Migration, through its adoption (or appropriation) by the beat poets of the 1950s and the counterculture movement

In Carolina Israelite: How Harry Golden Made Us Care about Jews, the South, and Civil Rights (The University of North Carolina Press, 2015), Kimberly Marlowe Hartnett, a writer and former journalist, introduces us to the larger-than-life personality Harry Golden. A writer, publisher, and humorist, as well as activist, Golden used his popularity and incredibly wide network for a variety of causes, most notably the civil rights movement. Hartnett explores the ways Golden utilized his talents (he was, at his core, a salesman) to make America more equal and free. Learn more about your ad choices. Visit megaphone.fm/adchoices

Colson Whitehead’s fiction has drawn varied criticism. On the one hand, there’s the scholarship of the African diaspora, a tradition that takes the long view of Whitehead–extrapolating him from their existing canon (of Du Bois, Hurston, Ellison, etc.); on the other hand, there’s the conversation on Whitehead’s work that’s happening more in the literary main stream. On Kimberly Fain‘s view, the last word is somewhere in between, and in her Colson Whitehead: The Postracial Voice of Contemporary Literature (Rowman and Littlefield, 2015), she considers a more integral fiction: one both a product of a long history and of an intermediating pop culture. The big task of Colson Whitehead is to position the fictionist as a “postracial” figure–a figure who represents a changing attitude on the concept and reality of race. What would it mean to live a really, truly colorblind America? You can see inklings in Whitehead, especially in his latter work. And while it is clear from Whitehead’s own (critical) writing that pos

Daniel Geary is the Mark Pigott Associate Professor in U.S. History at Trinity College Dublin. His book Beyond Civil Rights: The Moynihan Report and Its Legacy (University of Pennsylvania Press, 2015) is a detail and illuminating analysis of the reception of Patrick Moynihan’s 1965 report The Negro Family: The Case for National Action. Geary argues that the report was neither a conservative or a liberal document but rather a conflicted one whose internal contradictions reflected the breakup of the liberal consensus and its legacy. The ambiguities of the report allowed multiple interpretations, from both the left and the right, and marked the emergence of neoconservatism. Conservatives used the report to rally against the liberal welfare state and promote African Americans self-help. Liberals saw in the document the need to go beyond legal equality to aggressive economic intervention through training programs, job creation and the family wage. The extensive and long debate over the report involved the issues o

In her wonderful new book Polygyny: What it Means When African American Muslim Women Share Their Husbands (University Press of Florida, 2015), Debra Majeed, Professor of Religious Studies at Beloit College, provides an analytically robust and moving account of the aspirations, paradoxes, and problems attached to polygyny in the African American Muslim community. By combining ethnography, history, and performance studies, Majeed seamlessly weaves together the theological, legal, and sociological dynamics of living polygyny. Readers of this book are treated to a riveting and incredibly lucid portrayal of a complicated phenomenon that brings together intimate individual stories and the broader historical and societal conditions that generate those stories in a remarkably effective fashion. In our conversation, we talked about the idea of Muslim Womanism, the methodology of dialogical performance, the Qur’an and polygyny, the paradoxes of polygyny, Imam W.D Mohammed’s teachings on polygyny, and the emotional and

Gregory E. O’Malley examines a crucial, but almost universally overlooked, aspect of the African slave trade in his new book Final Passages: The Intercolonial Slave Trade of British America, 1619-1807 (University of North Carolina Press for the Omohundro Institute, 2014). Although most work on the topic focuses on the “Middle Passage” – the shipping of enslaved Africans across the Atlantic Ocean – O’Malley chronicles the “final passages” that many captives faced from the Caribbean to ports scattered throughout the Americas. A significant percentage of enslaved people faced these added voyages, which could often be more brutal and unhealthy than the Middle Passage. O’Malley traces the effect of the intercolonial trade on African captives, as well its influence on the creation of an enslaved culture in the Americas. He also examines in great detail how this intercolonial trade shaped the markets of slavery in the Western Hemisphere, which in turn dramatically affected diplomatic relations between European power

Sonja D. Williams‘ book Word Warrior: Richard Durham, Radio, and Freedom (University of Illinois Press, 2015) connects its subject to some of the most important events and social movements of his time, including what we now call the Civil Rights Movement and the Great Migration. Durham’s life path, like that of many other African Americans born in the early part of the 20th century, goes from the Jim Crow South, to Chicago, where his family builds a solid middle-class existence founded on educational attainment and hard work. Durham’s writing career included poetry, newspapers, radio, television, and a celebrated biography of Muhammad Ali. Durham also played a significant role in the election of the first black mayor of Chicago, his high school friend, Harold Washington. In this engaging interview, Sonja Williams sheds important light on an unassuming man who was most comfortable quietly but forcefully serving the causes he believed in from behind the scenes. Learn more about your ad choices. Visit megaphone.

Leah Wright Rigueur is an assistant professor of public policy at the Harvard Kennedy School of Government. Her book The Loneliness of the Black Republican: Pragmatic Politics and the Pursuit of Power (Princeton University Press, 2015) examines how the Grand Old Party of Lincoln lost its position as the home of the African American vote. Covering more than four decades beginning in Roosevelt’s New Deal to Ronald Reagan’s presidential election, Rigueur examines the ideas and actions of black Republican activists, officials, and politicians to build and remain within the Party’s shrinking tent. Marginalized within their own communities and party, black Republicans fought political battles on two fronts. They continually sought to include black needs and interest in the changing formulation of conservatism. Their stories reveal an alternative approach to economic and civil rights within a party increasingly hostile to racially progressive ideas as it wooed the white vote. Rigueur introduces us to republican view

Following the Civil War, Memphis emerged a center of black progress, optimism, and cultural ferment, after a period of turmoil. Preston Lauterbach joins host Jonathan Judaken for an in-depth discussion in advance of the launch of Lauterbach’s latest book, Beale Street Dynasty: Sex, Song, and the Struggle for the Soul of Memphis (Norton, 2015). Robert Church, Sr., who would become “the South’s first black millionaire,” was a slave owned by his white father. Having survived a deadly race riot in 1866, Church constructed an empire of vice in the booming river town of post-Civil War Memphis. He made a fortune with saloons, gambling, and–shockingly–white prostitution. But he also nurtured the militant journalism of Ida B. Wells and helped revolutionize American music through the work of composer W.C. Handy, the man called “the inventor of the blues.” In the face of Jim Crow, the Church fortune helped fashion the most powerful black political organization of the early twentieth century. Robert and his son, Robert

In this podcast I talk with Laura F. Edwards, Peabody Family Professor of History at Duke University about her book, A Legal History of the Civil War and Reconstruction: A Nation of Rights (Cambridge University Press 2015). Per the book’s introduction, “[a]lthough hundreds of thousands of people died fighting in the Civil War, perhaps the war’s biggest casualty was the nation’s legal order. A Legal History of the Civil War and Reconstruction explores the implications of this major change by bringing legal history into dialogue with the scholarship of other historical fields. Federal policy on slavery and race, particularly the three Reconstruction Amendments, are the best-known legal innovations of the era. Change, however, permeated all levels of the legal system, altering American’s relationship to the law and allowing them to move popular conceptions of justice into the ambit of government policy. The results linked Americans to the nation through individual rights, which were extended to more people and,

Mia Bay is a professor of history at Rutgers University, and Director of the Center for Race and Ethnicity. She is co-editor of Toward an Intellectual History of Black Women (University of North Carolina, 2015). Bay and her co-authors have brought together a strikingly good collection of fifteen essays that presents us with a sampling of a neglected field of thought. All focus on black women of the diaspora in North America, the Caribbean and Africa as subjects of critical thought and articulators of ideas on a wide variety of subjects. The authors demonstrate how black women lived and thought at the intersection of both race and gender. As a distinct field, the growth of black women’s intellectual history has suffered from several handicaps including resistance within the field of intellectual history. As Black men are often the focus as defenders of their race, black women are often portrayed as activists; doers rather than thinkers. The informal nature of much of black women’s thought, the lack of formal e