New Books In Literary Studies

In Only Among Women: Philosophies of Community in the Russian and Soviet Imagination, 1860–1940 (Northwestern University Press, 2019), Anne Eakin Moss examines idealized relationships between women in Russian literature and culture from the age of the classic Russian novel to socialist realism and Stalinist film. Her book reveals how the idea of a community of women—a social sphere ostensibly free from the taint of money, sex, or self-interest—originates in the classic Russian novel, fuels mystical notions of unity in turn-of-the-century modernism, and finally assumes a place of privilege in Stalinist culture, especially cinema. Rethinking the significance and surprising continuities of gender in Russian and Soviet culture, Eakin Moss relates this tradition to Western philosophies of community developed by thinkers from Jean-Jacques Rousseau to Jean-Luc Nancy. She shows that in the 1860s friendship among women came to figure as an organic national collectivity in works such as Tolstoy’s War and Peace and a mo

Paola Bonifazio’s The Photoromance. A Feminist Reading of Popular Culture (MIT Press, 2020) is the first feminist reading of photoromances that examines both its industry and its fandom, arguing for their relevance as transmedia narratives in a transnational market. The photoromance, a form of graphic storytelling that uses photographs instead of drawings, reached a readership of millions in the 1960s. Despite its popularity, the photoromance was—and still is—widely scorned as a medium, and its largely female audience derided as naïve, pathetic, and uneducated. Bonifazio reframes and problematizes the “natural” association between this genre and the female readers, claiming that the photoromance is relevant to both feminism and media culture. She investigates how female readers powered the Italian photoromance’s industry success and discusses the photoromance as the precursor of the phenomenon of convergence culture—as in the case of Senso, a photoromance inspired by director Luchino Visconti’s Senso. Nicolet

Yomaira C. Figueroa-Vásquez pens towards decolonial freedom. Her recently published book, Decolonizing Diasporas: Radical Mappings of Afro-Atlantic Literature (Northwestern University Press, 2020), uses peripheralized (5) novels, visual/sonic works, poetry, essays, and short stories by diasporic and exiled Afro-Atlantic Hispanophone writers and artists towards “render[ing] legible what these texts offer to subjects who resist ongoing forms of colonialism…” (1). By centering the relationality of Equatorial Guinea, Cuba, Puerto Rico, and the Dominican Republic from the foundations of Ethnic Studies and Women of Color Feminist methodologies, Figueroa-Vásquez holds space for the different ways Afro-descendant peoples are racialized across the Atlantic while simultaneously attending to the anti-Blackness seemingly endemic to the modern world. But what does it mean to decolonize? For Figueroa-Vásquez, “In the contexts of the literature outlined in the texts, I pose that the lifeblood of these worlds takes the shape

In this episode, I interview Cassandra Falke, professor of English Literature ad UiT, The Arctic University of Norway, about her book The Phenomenology of Love and Reading (Bloomsbury Publishing, 2016). In the text, Falke situates herself within the current revival of the interest in ethics in literary criticism, which coincides with a rise in neuroscientific discoveries about cognition and emotion that similarly have been incorporated into literary studies. Aware of these recent developments, Falke argues that literary study must ground itself philosophically—rather than just scientifically—in order to speak convincingly about literature’s relationship(s) to our ethical lives. To do this, The Phenomenology of Love and Reading recasts French philosopher Jean-Luc Marion’s articulations of a phenomenology of love onto the event of reading. The Phenomenology of Love and Reading accepts Jean-Luc Marion's argument that love matters for who we are more than anything—more than cognition and more than being itself. F

Howard Sherman's Another Day's Begun: Thornton Wilder's Our Town in the 21st Century (Bloomsbury Publishing, 2021) provides a fascinating tour of contemporary productions of Wilder's great play.  Why does this play from 1938 continue to speak to contemporary audiences, and how does it speak differently in different settings? How is it both timeless and continually timely? And how have contemporary stagings dealt with its reputation as a wholesome, dull chestnut? Whether performed in a maximum security prison, at a hospital, or at prestigious theatres like Manchester's Royal Exchange Theatre, Our Town communicates a universal message about paying careful attention to the small details of life. The "our" of its title refers not just to fictional Grover's Corners, New Hampshire, but to all of us. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit meg

Charles Hirschkind’s lyrical and majestic new book The Feeling of History: Islam, Romanticism, and Andalusia (University of Chicago Press, 2020) represents a profound work of retrieval that launches and executes a stinging rebuke of an ontology of Europe that presumes its exceptionalism. The central focus of Hirschkind’s study is Andalucismo, or a discursive, aesthetic, and political tradition that seeks to disrupt the alleged cleavage between medieval and modern Spain by recovering the deep and penetrating imprints of Muslim Iberia on contemporary Spanish society. To engage Spain’s Muslim and Jewish past not as a bygone and irrelevant relic but as indelibly entwined to the present requires a form of attunement to the past that is activated by the sensoria and suspicious of historicist rigor. In the course of this poetically charged book, one meets a range of thinkers from across the political spectrum, and travels in unexpected avenues of inquiry such as the centrality of Flamenco to Andalucismo.  The Feelin

In his pathbreaking graphic novel, Berlin (Drawn and Quarterly, 2018), Jason Lutes creates a multifaceted exploration of urban life during the Weimar Republic.  The book contains a variety of mostly fictional characters, all of whom capture aspects of the political, cultural, and social life of Berlin during the final years of Germany’s first democratic experiment.  Beautifully drawn, this work provides a compelling alternative to readers used to reading only textual accounts of the period. Much the narrative revolves around two characters: Marthe Müller and Kurt Severing. The former is an art student from Cologne, spending time in Berlin. The latter is a journalist and keen observer of Weimar politics.  The journey of these two characters as well as many others reveals much about the specific situation in Germany during this era as well as elements of the human condition.  The novel appeals not only to the increasing number of graphic book readers, but also to anyone interested in the failure of Weimar democ

In their co-edited volume, Ms. Marvel’s America: No Normal (University Press of Mississippi, 2020), Jessica Baldanzi and Hussein Rashid focus on the superhero Ms. Marvel, Kamala Khan. The first Muslim superhero to headline her own series, the teenager Kamala Khan is also a second-generation Pakistani immigrant who lives in New Jersey. Her complex identities and storyline in the comic world of Marvel welcomes a multifaceted exploration, one that exists at the nexus of religion, gender, culture, race, and much more. By bringing together scholars from a range of disciplines including literature, cultural studies, religious studies, pedagogy, and communications, the edited volume engages in a fascinating conversation around the character of Ms. Marvel. The book contains accessibly written essays from and about diverse voices on an array of topics, such as fashion, immigration, history, race, and fandom. The volume also includes an exclusive interview with Ms. Marvel author and cocreator G. Willow Wilson by gender

Michelle Kundmueller, Assistant Professor of Political Science at Old Dominion University, presents a thoughtful analysis of both Homer’s Iliad and Odyssey in her analysis of how we might want to think about human excellence and human failings not only in classical literature, but in our own time. In Homer's Hero: Human Excellence in the Iliad and the Odyssey (SUNY Press, 2019), Kundmueller, a political theorist, brings together literary texts and classic political theory texts, most notably Plato’s Republic, to shape her reading of the heroes of the Iliad and the Odyssey. Kundmueller argues that we should read these two Homeric texts together, and that we can learn from both of them, given the distinct emphasis in each text on human excellence, but also on human failings, and how the texts emphasize the public and the private, and the attraction that each sphere holds. Homer’s Hero shows the intertwined relationship between the Iliad and the Odyssey, not as the continuation of a story per se, but as reflecti

What is the nature of place, and how does one undertake to write about it? To answer these questions, geographer and poet Tim Cresswell looks to Chicago’s iconic Maxwell Street Market area. Maxwell Street was for decades a place where people from all corners of the city mingled to buy and sell goods, play and listen to the blues, and encounter new foods and cultures. Now, redeveloped and renamed University Village, it could hardly be more different. In Maxwell Street: Writing and Thinking Place (U Chicago Press, 2019), Cresswell advocates approaching the study of place as an “assemblage” of things, meanings, and practices. He models this innovative approach through a montage format that exposes the different types of texts—primary, secondary, and photographic sources—that have attempted to capture the essence of the area. Cresswell studies his historical sources just as he explores the different elements of Maxwell Street—exposing them layer by layer. Brilliantly interweaving words and images, Maxwell Street

During the nineteenth century, the grand hotel emerged as a vital part of London life. Originally catering to elite visitors needing a place to stay in the short term, they soon came to perform a variety of roles in the social and cultural life of the city.  In Hotel London: How Victorian Commercial Hospitality Shaped a Nation and Its Stories (The Ohio State University Press, 2019), Barbara Black describes what these majestic establishments represented to those who worked in them and those who patronized them. As she explains, hotels embodied a convergence of various trends, as steam locomotives brought an increasing number of affluent travelers to the capital. What the grand hotels offered them was a temporary fantasy of luxury in an environment that was neither public nor private but one that offered a mixture of the two. For some, hotels were a place of mystery and potential danger; for others, a destination where they could engage in behavior that would otherwise be restricted in public. Though many of th

Matthew A. Vogan, who has published several books on the religious history and literature of seventeenth-century Scotland, and several editions of works by Covenanter preachers and theologians, talks today about his latest project. David Dickson’s sermons on the Old Testament book of Lamentations were recorded in manuscript by one of his listeners in 1628. Since then, the notes have remained in private hands, most recently in the possession of the library of the University of Glasgow, where Dickson taught.  In Sermons on Jeremiah's Lamentations (Reformation Heritage Books, 2020), Vogan (with Chris Coldwell) has edited these notes, presenting modern readers with an accessible and carefully annotated edition of an important sermon series from one of the most influential early modern Scottish theologians. Crawford Gribben is a professor of history at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Decades before he wrote his epic work Paradise Lost, John Milton was an active republican and polemicist. How Milton came to espouse such radical views is just one of the key themes of Nicholas McDowell’s Poet of Revolution: The Making of John Milton (Princeton UP, 2020), the first book of a projected two-volume biography of the famous author. The son of a prosperous scrivener, Milton enjoyed the benefits of a quality education heavily influenced by Italian humanism. This extensive instruction in foreign languages and classical authors was viewed by Milton as a necessary requirement for a career as a poet, one to which he dedicated himself during his time at university. Yet as McDowell demonstrates Milton’s Puritan faith also played an important role in his intellectual development, especially as he found his beliefs increasingly at odds with the emerging Laudian influence on the Anglican church. This motivated the young intellectual to write a series of pamphlets after his return from a lengthy trip to Franc

On this episode, I interview Mario Telò, professor of Classics and Comparative Literature at the University of California, Berkeley, about his new book, Archive Feelings: A Theory of Greek Tragedy, recently published by The Ohio State University Press. In the text, Telò examines how contemporary theorizations of the archive (especially Derrida’s Mal d’Archive) and the death drive (in Freud as well as Bersani, Butler, Edelman, Deleuze, Lacan, Rancière, and Žižek) can help us understand the aesthetic experience of tragedy. Archive Feelings: A Theory of Greek Tragedy locates the tragic genre's aesthetic allure beyond catharsis in a vertiginous sense of giddy suspension, in a spiral of life and death that resists equilibrium, stabilization, and all forms of normativity. In so doing, Telò forges a new model of tragic aesthetics. Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or

In his exciting and thorough book, The Golden Calf between Bible and Qur'an: Scripture, Polemic, and Exegesis from Late Antiquity to Islam (Oxford, 2020), Michael Pregill explores the biblical and Qur'anic episode of the golden calf as understood by various Jewish, Christian, and Muslim sources. The incident refers, of course, to when the Israelites created a golden calf in the absence of the Prophet Musa. Pregill shows that the episode's various interpretations across time reflect the cultural, religious, ideological, social, textual, and other contexts in which the issue was being discussed. Each community sought to legitimate its own existence, theology, and tradition through its interpretation. So, for instance, the episode is central to Jewish and Christian arguments over the inheritance of the covenantal legacy of Israel. Each community also appropriates and subverts the apologetic renderings and tropes of the other communities, not passively accepting or rejecting but strategically negotiating with it

Today I talked to Michael Gorra about his new book The Saddest Words: William Faulkner's Civil War (Liveright, 2020). This episode touches on two of William Faulkner’s novels in particular: The Sound and the Fury as well as Absalom, Absalom! It considers the role of memory and history, Faulkner’s alcoholism, the sexual exploitation practiced by plantation owners, and the greater presence of Nathan Bedford Forrest over Robert E. Lee in Faulkner’s fiction writings. Ties to today’s reckoning for racial justice is a part of the episode, too. The author of Portrait of a Novel, a finalist for the Pulitzer Prize, Michael Gorra is a Professor English Language and Literature at Smith College and the editor of the Norton Critical Editions of As I Lay Dying and The Sound and the Fury. Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com. Learn more about your ad choices. Visit me

Since the presidency of Ronald Reagan, John Winthrop's famous phrase, "We shall be as a city upon a hill," has become political creed and rallying cry for American exceptionalism. But for over three centuries the text of Winthrop's "Model of Christian Charity" was largely forgotten in the American textual canon. In a charming book of textual history, the Henry Charles Lea Professor Emeritus at Princeton University, Daniel T. Rodgers, tells a fascinating tale with surprising twists and turns about how an obscure Puritan treatise became indispensable political rhetoric for late-twentieth-century American politics and into the new millennium. As a City on a Hill: The Story of America's Most Famous Lay Sermon (Princeton University Press, 2018) traces Winthrop's model from its seventeenth-century context, through centuries of neglect and forgetfulness, to its unlikely and meteoric rise as a foundational text of the American idea. Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Pr

Forms, Formats and the Circulation of Knowledge: British Printscape’s Innovations, 1688-1832 (Brill, 2020) explores the printscape – the mental mapping of knowledge in all its printed shapes – to chart the British networks of publishers, printers, copyright-holders, readers and authors. This transdisciplinary volume skilfully recovers innovations and practices in the book trade between 1688 and 1832. It investigates how print circulated information in a multitude of sizes and media, through an evolving framework of transactions. The authority of print is demonstrated by studies of prospectuses, blank forms, periodicals, pamphlets, globes, games and ephemera, uniquely gathered in eleven essays engaging in legal, economic, literary, and historical methodologies. The tight focus on material format reappraises a disorderly market accommodating a widening audience consumption. Louisiane Ferlier, Ph.D. (2012, Université Paris Diderot), is the Digital Resources Manager at Centre for the History of Science at the Roy

In this interview, I talk with Dora Zhang, associate professor of English and comparative literature at the University of California, Berkeley, about her book Strange Likeness: Description in the Modernist Novel, published by the University of Chicago Press in 2020. While description has been “near universally devalued” in literary thinking, and particularly in Modernism, Zhang argues that descriptive practices were in fact a crucial site of attention and experimentation for a number of early modernist writers. She focuses on the works of Virginia Woolf, Henry James, and Marcel Proust to investigate how modernist descriptive techniques shift from a transcription of visuals to a translation and revelation of relations—social, formal, and experiential—between disparate phenomena. These writers maintained realism’s descriptive intentions to empirically document the world but expanded these commitments in new ways to render immaterial phenomena into language. In doing so, Zhang carries us beyond the classic dicho

Teaching in Times of Crisis: Applying Comparative Literature in the Classroom (Routledge, 2021) explores how comparative methods, which are instrumental in reading and teaching works of literature from around the world, also provide us with tools to dissect and engage the moments of crises that permeate our contemporary political realities. The book is written in the form of a series of classroom reflections—or memos—capturing the political environment preceding and proceeding the 2016 US presidential election. It examines the ways in which the ethics involved in reading comparatively can be employed by teachers and students alike to map and foster "lifelines for cultural sustainability" (to borrow the term from Djelal Kadir’s Memos from the Besieged City) that are essential for creating and maintaining a healthy multicultural society. Nyawalo achieves this through comparative readings of postcolonial films, LGBTQ texts, French slam poetry, as well as episodes from Star Trek: The Next Generation, among other