New Books In East Asian Studies

Red Creative: Culture and Modernity in China (Intellect Books, 2020) is an exploration of China’s cultural economy over the last twenty years, particularly through the lens of its creative hub of Shanghai. The research presented here raises questions about the nature of contemporary ‘creative’ capitalism and the universal claims of Western modernity, offering new ways of thinking about cultural policy in China. Taking a long-term historical perspective, Justin O’Connor and Xin Gu analyze the ongoing development of China’s cultural industries, examining the institutions, regulations, interests, and markets that underpin the Chinese cultural economy and the strategic position of Shanghai within it. Further, the authors explore cultural policy reforms in post-colonial China and articulate Shanghai’s significance in paving China’s path to modernity and entry to global capitalism. In-depth and illuminating, Red Creative carefully situates China’s contemporary cultural economy in its larger global and historical co

There are currently eleven million Uyghurs living in China, but more than one million are being held in so-called reeducation camps. A cultural genocide is taking place under the guise of counterterrorism.  In this profound and explosive book, Sean Roberts shows how China is using the US-led global war on terror to erase and replace Uyghur culture and persecute this ethnic minority in what has become the largest program of mass detention and surveillance in the world. In The War on the Uyghurs: China's Internal Campaign Against a Muslim Minority, Roberts contextualises these harms in the PRC's colonial legacy of the region. He demonstrates how the Chinese government was able to brand Uyghur dissent as a dangerous terrorist threat which had links with al-Qaeda. He argues that a nominal militant threat was a 'self-fulfilling prophecy'; the limited response to more than a decade of harsh repression and surveillance.  This is the humanitarian catastrophe that the world needs to know about now. Beyond the destruct

How does revolution literature help to engage Mongolia’s nomadic population with the utopia of a “new society” promised by the Mongolian People’s Revolution Party? In Politics and Literature in Mongolia 1921-1948 (Amsterdam University Press, 2020), Simon Wickhamsmith explores the relationship between literature and politics in the period between the 1921 socialist revolution and the first Writers’ Congress in 1948. He argues that the literature of this time “helped to frame the ideology of socialism and the practice of the revolution for those Mongolians who had little understanding of what it could offer them.” Through discussing the works of Mongolian writers such as D. Natsagdorg, S. Buyannemeh, Ts. Damdinsüren, and D. Namdag, who wrote on education, health care, religion, and labor, the book reveals how these writers represented the new Mongolia and the difficulties that accompanied with it. Wickhamsmith reminds us that although the period between 1921-1948 saw a sustained literary development in Mongolia

Sarah Kovner’s Prisoners of the Empire: Inside Japanese POW Camps (Harvard UP, 2020) is a nuanced look at the experiences, narratives―and the popular/historical memories of those experiences and narratives―of World War II-era Allied POWs in Japanese custody, especially in the English-language world. While never denying the horrors of war and the POW experience, Kovner finds less systemic and intentional cruelty by the Japanese camp commanders and guards than she does poor planning and preparation, and often outright neglect when it came to the fate of internees.  Simultaneously, the book is sensitive to how POWs’ experiences differed enormously due to their status in the eyes of the Japanese as well as the time and place of their captivity. In particular, Kovner contrasts the experience of white, mostly Anglophone POWs and Asians, who were more likely to be subjected to systematically poor treatment. In addition, Prisoners of the Empire also explores the ways that Japan “was present even when it was absent” i

Nineteenth-century Japanese literary discourse and narrative developed a striking preoccupation with ninjō—literally “human emotion,” but often used in reference to amorous feeling and erotic desire. For many writers and critics, fiction’s capacity to foster both licentiousness and didactic values stood out as a crucial source of ambivalence. Simultaneously capable of inspiring exemplary behavior and a dangerous force transgressing social norms, ninjō became a focal point for debates about the role of the novel and a key motor propelling narrative plots. In Licentious Fictions: Ninjō and the Nineteenth-Century Japanese Novel (Columbia UP, 2019), Daniel Poch investigates the significance of ninjō in defining the literary modernity of nineteenth-century Japan. He explores how cultural anxieties about the power of literature in mediating emotions and desire shaped Japanese narrative from the late Edo through the Meiji period. Poch argues that the Meiji novel, instead of superseding earlier discourses and narrati

What were the stories of modern China-India relations in the age of empires? How did India and China engage with each other beyond pan-Asianist and anti-colonialist interactions? In Beyond Pan-Asianism: Connecting China and India, 1840s-1960s (Oxford UP, 2020), fifteen diverse scholars attempt to answer these questions through analyses on literature, religion, diplomacy, intelligence, political activism, nationalism, and more. Together, the chapters of the book argue for a need to understand China-India relations in the period between 1840s to 1960s beyond idealist perceptions of Asian unity. They question the use of fixed periodization and geographically constrained understandings of China-India interactions, at the same time reminding us of the complexities of political transitions and the various roles of mediators. This edited volume also actively engages with existing frameworks for understanding China-India relations, such as ‘Pan-Asianism’ and ‘China/India as method’ in different ways. Some contributor

Compiled around 1235, the Ogura Hyakunin Isshu, or Ogura's 100 Poems by 100 Poets, is one of the most important collections of poetry in Japan. Though the poets include emperors and empresses, courtiers and high priests, ladies-in-waiting and soldier-calligraphers, the collection is far more than a fascinating historical document. As the translators, James Hadley and Nell Regan, note in A Gap in the Clouds: A New Translation of Ogura Hyakunin Isshu (Dedalus Press, 2020), "these beautiful poems have endured because their themes are universal and readily understood by contemporary readers". Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

The texts that are examined in this study move in and out of different languages or are multilingual in their origins. Texts and authors do not move randomly; rather, they follow routes shaped by the history of contact between different nations of the transpacific. As these texts move into and out of the Chinese language or become multilingual, they necessarily do not always remain Sinophone. The works of the authors discussed are refracted out of Chinese literature into American, Malaysian, and Japanese literatures and, in some cases, back into Chinese again. Following their paths through multiple languages makes visible the ways that these trajectories are informed by, are arrested by, and bend around historical and geopolitical barriers across the Pacific. To this end, examining the path that these texts from a transpacific perspective allows for the possibility of not only multilingual but multidirectional movement. The transpacific trajectories discussed in this book give rise to a number of different ve

The Russian cultural presence in Japan after the Meiji Revolution was immense. Indeed, Japanese cultural negotiations with Russian intellectuals and Russian literature, art, theology and political thought, formed an important basis for modern Japanese transnational intellectual, cultural, literary, and artistic production. And yet, despite the depth and range of “Japan’s Russia,” this historical phenomenon has been markedly neglected in our studies of modern Japanese intellectual life. This absence may be attributed to the fact that “Japan’s Russia” as idea and cultural expression developed outside the logic of Western modernity. There has been an interconnected logic behind this ignorance, a systematic lacuna in our historiography that tied method to historical actors, concept to theory. Olga V. Solovieva and Sho Konishi's Japan's Russia: Challenging the East-West Paradigm (Cambria, 2021) seeks to depart from this logic in order to identify thoughts and practices that helped produce a dynamic transnational c

Reflecting the Past: Place, Language, and Principle in Japan's Medieval Mirror Genre (Harvard UP, 2020) is the first English-language study to address the role of historiography in medieval Japan, an age at the time widely believed to be one of irreversible decline. Drawing on a decade of research, including work with medieval manuscripts, it analyzes a set of texts—eight Mirrors—that recount the past in an effort to order the world around them. They confront rebellions, civil war, “China,” attempted invasions, and even the fracturing of the court into two lines. To interrogate the significance for medieval writers of narrating such pasts as a Mirror, Erin Brightwell traces a series of innovations across these and related texts that emerge in the face of disorder. In so doing, she uncovers how a dynamic web of evolving concepts of time, place, language use, and cosmological forces was deployed to order the past in an age of unprecedented social movement and upheaval. Despite the Mirrors’ common concerns and c

In Utopian Ruins: A Memorial Museum of the Mao Era (Duke University Press, 2020) Jie Li traces the creation, preservation, and elision of memories about China's Mao era by envisioning a virtual museum that reckons with both its utopian yearnings and its cataclysmic reverberations.  Li proposes a critical framework for understanding the documentation and transmission of the socialist past that mediates between nostalgia and trauma, anticipation and retrospection, propaganda and testimony. Assembling each chapter like a memorial exhibit, Li explores how corporeal traces, archival documents, camera images, and material relics serve as commemorative media. Prison writings and police files reveal the infrastructure of state surveillance and testify to revolutionary ideals and violence, victimhood and complicity.  Photojournalism from the Great Leap Forward and documentaries from the Cultural Revolution promoted faith in communist miracles while excluding darker realities, whereas Mao memorabilia collections, facto

In Transnational Identities on Okinawa’s Military Bases: Invisible Armies (Palgrave MacMillan, 2019), Johanna Zulueta considers the role of civilian workers on U.S. bases in Okinawa, Japan and how transnational movements within East Asia during the Occupation period brought foreign workers, mostly from the Philippines, to work on these bases. Decades later, in a seeming “reproduction of base labour”, returnees of both Okinawan and Philippine heritage began occupying jobs on base as United States of Japan (USFJ) employees. The book investigates the role that ethnicity, nationality, and capital play in the lives of these base employees, and at the same time examines how Japanese and Okinawan identity/ies are formed and challenged. It offers a valuable resource for those interested in Japan and Okinawa, U.S. military basing, migration, and mixed ethnicities. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.

Mao Zedong’s Great Leap Forward campaign organized millions of Chinese peasants into communes in a misguided attempt to rapidly collectivize agriculture with disastrous effects. Catastrophic famine lingered as the global cholera pandemic of the early 1960s spread rampantly through the infected waters of southeastern coastal China. Confronted with a political crisis and the seventh global cholera pandemic in recorded history, the communist government committed to social restructuring in order to affirm its legitimacy and prevent transmission of the disease. Focusing on the Wenzhou Prefecture in Zhejiang Province, the area most seriously stricken by cholera at the time, Xiaoping Fang demonstrates how China’s pandemic was far more than a health incident; it became a significant social and political influence during a dramatic transition for the People’s Republic. China's Cholera Pandemic: Restructuring Society Under Mao (University of Pittsburgh Press, 2021) reveals how disease control and prevention, executed t

Ishikawa Sanshirō (1876-1956) was a journalist, intellectual, and self-proclaimed socialist active in early twentieth-century Japan. In Ishikawa Sanshirō’s Geographical Imaginations: Transnational Anarchism and the Reconfiguration of Everyday Life in Early Twentieth-Century Japan (Leiden UP, 2020), Nadine Willems follows the life and travels of this thinker, who has been known as a “radical anarchist” as well as “the conscience of Japan.” During his seven-and-a-half-year self-imposed exile in England, Belgium, and France following the High Treason Incident, Ishikawa Sanshirō mingled with thinkers and activists such as the English social philosopher Edward Carpenter (1844-1929) and lived with the family of Paul Reclus (1858-1941), the nephew of the French anarchist and geographer Elisée Reclus (1830-1905). Reclusian ideas of “social geography” as a politically engaged science that is mindful of the moral responsibilities of geography as a discipline were pivotal to the formation of Ishikawa’s own socio-politic

Winifred Bird’s Eating Wild Japan: Tracking the Culture of Foraged Foods, with a Guide to Plants and Recipes (Stone Bridge Press, 2021) is more than just a look at the culture and meanings of foraging in Japan complete with an eclectic collection of recipes and a guide for foragers, though it is certainly that. Eating Wild records the author’s encounters with quirky people―including a caldera dweller, a bear hunter, and a seaweed scientist―in surprising places―from snowy northern mountains to quiet Kyoto streets―and is animated by an obvious and effusive love of food, of travel, of people, and of the environment. Bird begins by observing that for many in contemporary Japan, wild forage is as much about “the pleasure of picking and the incidental beauty” as it is about “anything as practical as nutritional content,” but that this attitude is very much the product of particular historical and economic circumstances. Her sensitivity to this issue is foregrounded in chapters 2 and 3, on horse chestnuts and bracke

In The Sea and the Sacred in Japan: Aspects of Maritime Religion (Bloomsbury 2018), Fabio Rambelli invites various fifteen scholars of Japanese religions to reflect on a well taken-for-granted fact: although the sea has always been a critical source of religious inspirations for Japan, the study of Japanese religions has chosen to turn its attention away from the sea and in the process, became essentially continental and landlocked.  In fifteen chapters, this edited volume re-centers the study of Japanese religions on the coastal peripheries and calls for a geo-philosophy of the sea, or, a thalassosophy. Rambelli reminds us that "there is no sustained study in the intellectual history of the sea in Japan," and in fact, "we know very little about Japanese conceptualizations of the sea, not only in religious thought, but also in cosmology and premodern scientific discourses." This edited volume is thus an attempt to fill this knowledge gap and is the first book of its kind to focus on the role of the sea in Jap

Suyoung Son’s book Writing for Print: Publishing and the Making of Textual Authority in Late Imperial China (Harvard UP, 2018) examines the widespread practice of self-publishing by writers in late imperial China, focusing on the relationships between manuscript tradition and print convention, peer patronage and popular fame, and gift exchange and commercial transactions in textual production and circulation. Combining approaches from various disciplines, such as history of the book, literary criticism, and bibliographical and textual studies, Suyoung Son reconstructs the publishing practices of two seventeenth-century literati-cum-publishers, Zhang Chao in Yangzhou and Wang Zhuo in Hangzhou, and explores the ramifications of these practices on eighteenth-century censorship campaigns in Qing China and Chosŏn Korea. By giving due weight to the writers as active agents in increasing the influence of print, this book underscores the contingent nature of print’s effect and its role in establishing the textual aut

The remarkable life of history's first foreign-born samurai and his astonishing journey from Northern Africa to the heights of Japanese society. When Yasuke arrived in Japan in the late 1500s, he had already traveled much of the known world. Kidnapped as a child, and trained into a boy soldier in India, he had ended up an indentured servant and bodyguard to the head of the Jesuits in Asia, with whom he visited India, China and the budding Catholic missions in Japan. From the volatile port city of Nagasaki to travel on pirate-infested waters, he lived it all and learned more every day. His arrival in Kyoto, however, literally caused a riot. Most Japanese people had never seen an African man before, and many of them viewed him as the embodiment of the black-skinned (in local traditions) Buddha or a local war god or demon. Among those who were drawn to his presence were Lord Nobunaga, head of the most powerful clan in Japan, who made Yasuke a samurai in his court. Soon, he was learning the traditions of Japan's

With over 100 million followers, Buddhism in the People's Republic of China now fosters the largest community in the world of individuals who self-identify as Buddhists. Although Buddhism was harshly persecuted during the Cultural Revolution under the leadership of Mao Zedong, Buddhist communities around the country were able to revive their traditions in various ways since the 1980s.  In the post-Mao era, Buddhism in China has been able to become a more visible, social, and cultural phenomenon. The editors of Buddhism after Mao: Negotiations, Continuities, and Reinventions (U Hawaii Press, 2020), Ji Zhe, Gareth Fisher, and André Laliberté observes: "Numerous temples and monasteries have received official permission and even encouragement to rebuild and expand, and the party-state has directly engaged Buddhist groups in activities to promote social welfare, national unity, and the PRC's soft power." Despite Buddhism's current size and influence in the PRC, the editors argue, it has received relatively little

Chelsea Szendi Schieder’s Co-Ed Revolution: The Female Student in the Japanese New Left and Naoko Koda’s The United States and the Japanese Student Movement, 1948-1973: Managing a Free World provide new insights into the postwar Japanese student movement. Koda, a scholar of diplomatic history and international relations, situates student activism within the larger context of the Cold War. Among its historiographical contributions, Managing a Free World pushes back the timeline of the student movement’s origins to occupation-era policies, explores the role of subsequent American cultural diplomacy in combating the Marxist bent of major student organizations, and spotlights the particular importance of Okinawa in the development and ultimate neutralization of leftist activism in postwar Japan. Koda highlights the Kennedy administration’s “Kennedy-Reischauer Offensive” and promotion of modernization theory amongst intellectuals on the one hand and effective promotion of American democratic ideals in driving fiss