Song By Song

Scary, Martin & Sam return to Bone Machine for this Tom-Waits-Does-The-Ramones song about the frustrations of youth towards age. We take a look at ideas of inspiration, the evolution of punk in general and the Ramones specifically, and the value of our own childhood ambitions. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: I Don't Wanna Grow Up, Bone Machine, Tom Waits (1992) I Wanna Be Sedated, Road To Ruin, The Ramones (1978) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

We're at another anniversary, as guest host Scary Boots joins Sam & Martin for our bicentennial episode (muttermutter-onefromtheheart-mutter-nightonearth-muttermutter-whataboutthefilms-muttermutter) taking a look at this mournful ballad to locale and lost opportunity. Listening to the work of Tom Jans and thinking about what the dedication of a song means, we get a bit reflective about our own responses to music as an audience and a podcast. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Whistle Down the Wind, Bone Machine, Tom Waits (1992) The Eyes Of An Only Child, The Eyes Of An Only Child, Tom Jans (1975) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favouri

Creepy supernatural vibes dominate the track this week, as Mary, Martin & Sam discuss the terrifying figure who stalks through this track, as well as Waits's own intimidating vocal performance. We discuss the presence (and restraint) of Joe Gore, the mystery of Dr John, and the League of Extraordinary Musical Gentlemen that we'll be pitching to Alan Moore very soon. (Please note that this episode was recorded before the passing of Dr. John.) Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Black Wings, Bone Machine, Tom Waits (1992) Send His Love To Me, To Bring You My Love, PJ Harvey (1995) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or on

Waits jumps on the salacious rumour-mill with this topical true-crime tale from... 1800s Suffolk. Maybe. Mary Epworth returns for a second week of conversation with Sam and Martin, discussing the truth and fiction around the real-life events that took place in the red barn, how Waits does or doesn't engage with this story, and issues surrounding vocal engagement and strain. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Murder in the Red Barn, Bone Machine, Tom Waits (1992) Murder of Maria Marten, No Roses, Shirley Collins & The Albion Country Band (1971) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artis

Martin & Sam welcome Mary Epworth to the show, as Waits expresses his dream of heading (back?) to the coast to make it in the movies. With images of Hollywood by Waits in the wake of his experiences with Coppolla, as well as other west-coast imagery in our interval, Song by Song continues its journey through Bone Machine and beyond. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Goin' Out West, Bone Machine, Tom Waits (1992) California Dreamin', If You Can Believe Your Eyes And Ears, The Mamas & The Papas (1966) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using servi

For this bread-and-circus-iest (breadiest and circusiest?) of tracks, guest host Jenny Owen Youngs comes out strong for Waits and his political diatribe... while Sam and Martin are more equivocal. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: In the Colosseum, Bone Machine, Tom Waits (1992) Pretend We're Dead, Bricks Are Heavy, L7 (1992) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Amateur meteorologist and part-time Muppet Tom Waits takes another stab at bleak reportage in this song about loss and the threat to childhood. Jenny Owen Youngs returns for another discussion around Randy Newman, Django Reinhardt and our old friend the Smooth Marble Egg. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: A Little Rain, Bone Machine, Tom Waits (1992) I Think It's Going To Rain Today, Randy Newman, Randy Newman (1968) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Our guest-host Jenny Owen Youngs (of the Buffering The Vampire Slayer podcast) joins us as Waits goes full-spiritual for this street-corner preacher scream. We chat about ironic or revolutionary attitudes to religion in LA and Scotland, some of our own religious experiences in music, and the role of coughing in exorcisms. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Jesus Gonna Be Here, Bone Machine, Tom Waits (1992) Jesus Wants Me For A Sunbeam, Enter The Vaselines, The Vaselines (1987/2009) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artist

For our third track with Eliza and Greg, we delve into a bleaker and more introspective world in Waits's atmospheric poem contemplating seaside suicide. Returning to his attitude to alcohol and growing up, we also take a look at a longer theatrical piece for comparison, via the work of Samuel Beckett. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: The Ocean Doesn't Want Me, Bone Machine, Tom Waits (1992) A Piece Of Monologue, Sound For Spaces, Scanner/Robin Rimbaud/Samuel Beckett (1979/1998) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a

Greg and Eliza return to question Martin and Sam’s identity in this fifth track from Bone Machine, as Waits challenges an old lover, or maybe interrogates the music industry, or both? We make comparisons with a more even-handed musical picture of a breakup, and discuss how the song represents Waits and/or Brennan’s ideas of relationships. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Who Are You, Bone Machine, Tom Waits (1992) Somebody That I Used To Know, Making Mirrors, Gotye feat. Kimbra (2011) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee ar

As Song by Song progresses through Bone Machine, Sam & Martin welcome Eliza Rickman and Greg Alison for a conversation around the ambience of the album, both thematically as well as sonically. We discuss the overlap of religion and sexuality in this song, the presence of material things in this song as well as our interval artist Bessie Smith, and the antiquing opportunities around the Sebastopol, CA area. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: All Stripped Down, Bone Machine, Tom Waits (1992) Nobody Knows You When You're Down And Out, The Best of Bessie Smith, Bessie Smith (1929) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or onl

A third week with guest hosts Vanessa & Kent brings Martin & Sam to Poetic Analysis 101 in this funhouse-mirror love song to Brennan. We talk about the depth of imagery that Waits employs, the vocal storytelling that he and our interval artist deploy, and Vanessa finally books that gig at Martin’s much-anticipated funeral! Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Such a Scream, Bone Machine, Tom Waits (1992) Acrobat, Half Way Home, Angel Olson (2012) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibl

More music chat (which is the goal, after all) with Kent, Vanessa, Martin & Sam, as Waits releases some of the tension established in the previous track with this weird breathy hymn to the end of life. With discussion of other weird vocal styles, a comparison between bleakness vs acceptance in death, plus an exciting bonus track featuring the resonant space inside Sam’s mouth, Song by Song continues it’s journey through Bone Machine. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Dirt in the Ground, Bone Machine, Tom Waits (1992) Satisfied Mind, For Pete's Sake, Pete Drake & His Talking Steel Guitar (1965/2005) Jockey Full of Bourbon, Rain Dogs, Tom Waits [feat. the inside of Sam's mouth] (1985/2019) We think your Song by Song experience will be enhanced

Hey there - how’s it going? Oh nothing much, you? Yeah, it has been a while, but you know how it goes. Hey, you want to talk about some new Tom Waits songs? Cool. As we embark on our 14th season, Sam and Martin welcome Vanessa Lowe and Kent Sparling to talk through the quasi-religious eco-disaster anthem which opens Waits’s 1992 offering. We take a look at the contributors to this track and their relationship to Waits, the technical expertise both in this as well as the the work of Primus... plus Martin Austwick’s Tom Waits Secret Origin story, true believers! Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Earth Died Screaming, Bone Machine, Tom Waits (1992) Tommy The Cat, Sailing the Seas of Cheese, Primus (1991) We think your Song by Song experience will be en

Martin & Sam welcome back friends of the show Simon Renshaw and Sam Clements to have a little chat about Coppola's jazz-odyssey The Cotton Club. There's some real difficulties for all four hosts with this one, although there are some standout scenes which seem to generate a little more enthusiasm; from the dancing of Gregory Hines, the crosscutting of dance-numbers and train stations, and the horse-drawing of Bob Hoskins. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: The Cotton Club trailer, via YouTube (dir. Coppola, 1984) Ill Wind, from the film The Cotton Club, Lonette McKee (1984) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online

Kevin Smokler rejoins Martin & Sam for another dip into a teen-drama Hinton/Coppola/Dillon collaboration, as Song by Song takes a look at 1983's Rumble Fish. There's some discussion about the acting styles of the Dillon/Rourke/Hopper family, the symbolism of elements like colour and sound (as well as the relationship between Rusty James and his brother), as well as the theatrical/dream-like quality of the film in general. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Rumble Fish trailer, via YouTube (dir. Coppola, 1983) Don't Box Me In, Rumble Fish OST, Stan Ridgway/Stewart Copeland (1983) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or o

To educate us all on the history of the Brat Pack, Sam & Martin welcome Kevin Smokler to take a look at Coppola's adaptation of S.E Hinton's coming of age novel, The Outsiders. While Kevin educates us as to the historical and social context of this story, we also debate the success of the scoring choices, try to chart Coppola's creative/commercial rise and fall, and get confused about fires in schoolhouses or churches. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: The Outsiders trailer, via YouTube (dir. Coppola, 1983) Stay Gold, The Complete Stevie Wonder, Stevie Wonder (1983/2005) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online p

Back for a second week, Matthew Crosby joins Martin and Sam to take a look at Jim Jarmusch's 1989 multiple-narrative movie Mystery Train. While we're all full of love and excitement for the quirks and details of the film, there's some debate as to the strength of some of the acting performances, the narrative coherence, as well as whether it's Elvis or Carl Perkins. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Jockey Full of Bourbon, Rain Dogs, Tom Waits (1985) Tango Til They're Sore, Rain Dogs, Tom Waits (1985) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services wh

Sam and Martin welcome friend of the show Matthew Crosby to dig into one of Waits's most sizeable film roles, the 1986 Jim Jarmusch classic Down By Law. Immediately proving their analytic credentials by remembering at least two of the main characters' names, Matthew, Sam and Martin discuss the acting strengths (and weaknesses…?) of the three protagonists, the improvisational elements in the scripting, as well as Jarmusch's ability and willingness to film actors listening. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Jockey Full of Bourbon, Rain Dogs, Tom Waits (1985) Tango Til They're Sore, Rain Dogs, Tom Waits (1985) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your

Song by Song welcomes back Helen Zaltzman to talk through the film that launched a podcasting power-couple, Jim Jarmusch’s 1991 taxi-based anthology Night On Earth. With some mixed feelings about the various segments, along with overall admiration for the ambition of the piece, Helen, Martin & Sam pick through the emotional connections (or lack thereof) between the characters, the sense of space, time and tone found in the chapters, and the contribution of whichever random guy wrote the music. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Good Old World (Gypsy), Night On Earth, Tom Waits (1991) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop