For The Record With Gg And Adam

The debut album from British quartet Divorce is a catchy, emotional rollercoaster ride that you can sing along to in the car with the windows down. We discuss "Drive to Goldenhammer" on episode #230 of "For the Record."

After Tik Tok fame, many singles, and years of touring, Annie diRusso's debut album is a polished powerhouse that captures all the ways people found her irresistible to begin with. We discuss "Super Pedestrian" in-depth on episode #229 of "For the Record.

Singer-songwriter Geneviève Beaudoin of the Maine-based project Dead Gowns has been making music all her life, but this is the band's first full-length record. We discuss "It's Summer, I Love You, and I'm Surrounded by Snow" on episode #228

Jasmine.4.t's Boygenius-produced debut album is a dazzlingly varied, emotional, and beautiful journey. We discuss "You Are the Morning" in detail on episode #227 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com. 

Brighton-based Lambrini Girls mix righteous punk fury with a strong helping of humor and self-awareness. We discuss their debut album, "Who Let the Dogs Out" on episode #226 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com. 

On their dreamy, dizzyingly varied fourth album, L.A.-based Peel Dream Magazine wrap their listeners in childhood nostalgia for New York City. We discuss "Rose Main Reading Room" on episode #225 of "For the Record."

On their third LP, Irish six-piece Silverbacks break new ground with complex indie rock that embraces a variety of sounds. We discuss "Easy Being a Winner" on episode #224 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com. 

On his third solo album, Swedish artist Henrik Appel conveys earnest emotion by combining energetic garage rock and jazzy improvisation. We discuss "Shadows" on episode #223 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com.

36 years after Pixies released “Surfer Rosa,” indie rock icon Kim Deal has come out with her first solo record, “Nobody Loves You More.” We discuss it in-depth in episode #222 of “For the Record.”

Montreal-based PYPY’s second album, 10 years after their first, is an exhilarating blend of psych rock and new wave, with virtuosic instrumentals and otherworldly vocals. We discuss “Sacred Times” on Episode #221 of For the Record.

L.A. singer-songwriter Marina Allen breaks through with her clarion voice and beautiful Laurel Canyon sound on her third album, "Eight Pointed Star." We discuss it in depth on episode #220 of "For the Record."

Oakland trio Fake Fruit’s second album faces an uncertain world with blistering guitars, off-kilter rhythms, and an appealing blend of earnestness and humor. We discuss “Mucho Mistrust” on episode #219 of “For the Record.”

Welsh duo The Bug Club combine high-energy, melodic garage rock with absurd, witty lyrics on their Sub Pop debut, "On the Intricate Inner Workings of the System." We discuss it in-depth in episode #218 of “For the Record.”

Wishy's debut album is filled with hooky, melodic rock that sounds like it's been beamed through time from your favorite 1990s alternative radio station, while somehow still sounding fresh.

Themes of loss and grief lend an intensity and urgency to the debut album from the Bay Area's own Sour Widows. We discuss "Revival of a Friend" in-depth in episode #216 of “For the Record.” For all the past episodes, visit ForTheRecordPodcast.com. 

Detroit singer-songwriter Odie Leigh fuses indie pop, folk, and Americana in her charming debut album, "Carrier Pigeon." We discuss it in-depth in episode #215 of “For the Record.”

After decades in bands like Wolf Parade, The Arcade Fire, Handsome Furs, Divine Fits, and Operators, Dan Boeckner has released his first solo album. We discuss "Boeckner!" on episode #214 of “For the Record.”

Montreal trio Cola was born out of the ashes of post-punk band Ought, but they bring a more melodic, jazzy feel to songs that still maintain the undercurrent of dissonance and anxiety that was Ought's calling card.

The sophomore album from Ducks Ltd. brings sunny, jangle-pop melodies with layered production that mask lyrical themes of anxiety and depression. We discuss "Harm's Way" on episode #212 of “For the Record.”

Middle Kids are a trio from Sydney, Australia who swing for the fences on their third album, with glossy pop that has stadium-filling energy. We discuss “Faith Crisis Pt. 1” on episode 211 of “For the Record.”