New Books In Music

During the nadir of race relations in the United States South from 1877 to 1932, African Americans faced segregation, disfranchisement, and lynching. Among many forms of resistance, African Americans used their musical and theatrical talents to challenge white supremacy, attain economic opportunity, and transcend segregation. In Rough Tactics: Black Performance in Political Spectacles, 1877-1932 (University Press of Mississippi, 2021), Dr. Mark A. Johnson argues that African Americans, especially performers, retooled negative stereotypes and segregation laws to their advantage. From 1877 to 1932, African Americans spoke at public rallies, generated enthusiasm with music, linked party politics to the memory of the Civil War, honored favorable candidates, and openly humiliated their opposition. Dr. Mark A. Johnson is Lecturer at the University of Tennessee at Chattanooga.  Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about

How can music change the world? In Sonic Intimacy: Reggae Sound Systems, Jungle Pirate Radio and Grime YouTube Music Videos (Bloomsbury, 2020), Malcolm James, Senior Lecturer in Media and Cultural Studies at the University of Sussex, introduces the concept of sonic intimacy to think through the social, cultural, and political importance of three key moments in the history of British music. The book blends the history of music, society, and technology to show the moments of community and resistance fostered by the vibe of sound systems and the hype of Jungle Pirate Radio, along with the advent of new modes of engagement fostered by Grime on YouTube. With important implications for the future of critical scholarship, as well as our current cultural context, the book is essential reading for cultural studies and social science scholars, as well as for anyone interested in music and culture. Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Le

Believing Your Ears: Examining Auditory Illusions is based on an extensive filmed conversation between Howard Burton and Diana Deutsch, Professor of Psychology at UC San Diego and one of the world’s leading experts on the psychology of music. This conversation provides behind the scenes insights into her discovery of a large number of auditory illusions, including the so-called Octave Illusion, which concretely illustrate how what we think we’re hearing is often quite different from the actual sounds that are hitting our eardrums. Howard Burton is the founder of the Ideas Roadshow, Ideas on Film and host of the Ideas Roadshow Podcast. He can be reached at howard@ideasroadshow.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Throughout her career, spanning more than two decades, Jessica Hopper, a revered and pioneering music critic, has examined women recording and producing music, in all genres, through an intersectional feminist lens. The First Collection of Criticism by a Living Female Rock Critic (MCD x Fsg Originals, 2021) features oral histories of bands like Hole and Sleater Kinney, interviews with the women editors of 1970s-era Rolling Stone, and intimate conversations with iconic musicians such as Björk, Robyn, and Lido Pimienta. Hopper journeys through the truths of Riot Grrrl's empowering insurgence; decamps to Gary, Indiana, on the eve of Michael Jackson's death; explodes the grunge-era mythologies of Nirvana and Courtney Love; and examines the rise of emo. The collection also includes profiles and reviews of some of the most-loved, and most-loathed, women artists making music today: Fiona Apple, Kacey Musgraves, M.I.A., Miley Cyrus, Lana Del Rey. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduat

The Science of Siren Songs: Stradivari Unveiled is based on an in-depth filmed conversation between Howard Burton and master violinmaker and acoustician Joseph Curtin, recipient of a prestigious MacArthur Fellowship. This in-depth conversation explores Curtin’s long quest to characterize the sound of a Stradivari violin and the rigorous series of double-blind tests he and his colleagues developed to probe whether or not professional musicians can really tell the difference between a Stradivari and a modern violin. The conversation also covers violin acoustics and how Joseph Curtin marries acoustic science to the art of violin making and merges time-honoured techniques with new materials and design. Howard Burton is the founder of the Ideas Roadshow, Ideas on Film and host of the Ideas Roadshow Podcast. He can be reached at howard@ideasroadshow.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Pablo Palomino's The Invention of Latin American Music (Oxford UP, 2020) reconstructs the transnational history of the category of Latin American music during the first half of the twentieth century, from a longer perspective that begins in the nineteenth century and extends the narrative until the present. It analyzes intellectual, commercial, state, musicological, and diplomatic actors that created and elaborated this category. It shows music as a key field for the dissemination of a cultural idea of Latin America in the 1930s. It studies multiple music-related actors such as intellectuals, musicologists, policymakers, popular artists, radio operators, and diplomats in Argentina, Mexico, Brazil, the United States, and different parts of Europe. Palomino proposes a regionalist approach to Latin American and global history, by showing individual nations as both agents and result of transnational forces—imperial, economic, and ideological. The author argues that Latin America is the sedimentation of over two c

For more than thirteen centuries, caravans transported millions of enslaved people from Africa south of the Sahara into what is now the Kingdom of Morocco. Today there are no museums, plaques, or monuments that recognize this history of enslavement, but enslaved people and their descendants created the Gnawa identity that preserves this largely suppressed heritage. This pioneering book describes how Gnawa emerged as a practice associated with Blackness and enslavement by reviewing visual representation and musical traditions from the late nineteenth century to the present. Cynthia J. Becker addresses the historical consciousness of subaltern groups and how they give Blackness material form through modes of dress, visual art, religious ceremonies, and musical instruments in performance. She examines what it means to self-identify as Black in Morocco (a country typically associated with the Middle East and the Arab world), especially during this time of increased contemporary African migration, which has made B

Music from East Asia has recently been making its way round the world on waves created and mediated by new technologies and global interconnections. This may seem like something very novel, but as Andrew Jones shows in Circuit Listening: Chinese Popular Music in the Global 1960s (U Minnesota Press, 2020), popular music from this region – and here specifically varieties of Chinese music – has been riding revolutionary technological and socioeconomic currents for a long time. Events during the 1960s, that quintessentially musical decade, prove this, and Jones’ book asks the key questions about genre and periodisation which help us understand whether there was a ‘global 60s’, while also examining the geopolitical currents connecting and dividing Taiwan, China and Hong Kong at this time. The book is thus not only a rich source of insights into stars such as Grace Chan, Teresa Teng and Taiwanese folk troubadour Chen Da, but also offers a whole framework for understanding the shifts in globalisation and communicati

The First World War poet and composer Ivor Gurney (1890–1937) spent the last fifteen years of his life confined in a Kent mental hospital before dying prematurely of tuberculosis. How good was Gurney's war poetry, and has his music stood the test of time? Why did try to re-write Shakespeare's plays? How far do recently uncovered archives transform our understandings both of Ivor Gurney's troubled life and his remarkable work?  Kate Kennedy of the Oxford Centre for Life-Writing discusses her ground-breaking biography of Ivor Gurney Dweller in Shadows (Princeton 2021) with Duncan McCargo, in an unusual podcast that includes readings of his poetry, and two specially recorded examples of his music. The podcast opens and closes with Kate Kennedy (cello) and Simon Over (piano) performing Gurney's song Sleep. We also hear Simon accompany Dominic Bevan as he sings Severn Meadows, a rare example of Gurney setting his own words to music.  Rare treats lie in store for the listener.  Learn more about your ad choices. Vis

Brooke McCorkle Okazaki’s Shonen Knife’s Happy Hour, part of the 33 1/3 music history and culture series, is a joyful romp through the career of the internationally successful Japanese trio, Shonen Knife. The book focuses on the intersection of food, gender, and music for these pioneers of what Okazaki calls “josei rock,” in other words, music by women in the Japanese scene that does not fit into heavily produced and marketed categories such as “girls bands” and “idols.” The book combines history, musical and lyrical exegesis, visual analysis, and interviews to create a layered portrait of an influential and important artist. What we learn is that Shonen Knife is in many ways a study in contrasts and deliberately clashing aesthetics, mixing cute and cool, playing with gender roles and consumerism, bending genres, appropriating Orientalist stereotypes, and singing in English. As Okazaki shows, Shonen Knife’s music, videos, and on-stage personality manage to be subversive and, in a word, punk. As the title of c

We live in a networked world. Online social networking platforms and the World Wide Web have changed how society thinks about connectivity. Because of the technological nature of such networks, their study has predominantly taken place within the domains of computer science and related scientific fields. But arts and humanities scholars are increasingly using the same kinds of visual and quantitative analysis to shed light on aspects of culture and society hitherto concealed. Written by Ruth Ahnert, Sebastian Ahnert, Nicole Coleman, and Scott Weingart, The Network Turn: Changing Perspectives in the Humanities (Cambridge UP, 2021) contends that networks are a category of study that cuts across traditional academic barriers, uniting diverse disciplines through a shared understanding of complexity in our world. Moreover, we are at a moment in time when it is crucial that arts and humanities scholars join the critique of how large-scale network data and advanced network analysis are being harnessed for the purpos

Southern women of all classes, races, and walks of life practiced music during and after the Civil War. Dr. Candace Bailey examines the history of southern women through the lens of these musical pursuits, uncovering the ways that music's transmission, education, circulation, and repertory help us understand its meaning in the women's culture of the time. Bailey pays particular attention to the space between music as an ideal accomplishment—part of how people expected women to perform gentility—and a real practice—what women actually did. At the same time, her ethnographic reading of binder’s volumes, letters and diaries, and a wealth of other archival material informs new and vital interpretations of women’s places in southern culture. A fascinating collective portrait of women's artistic and personal lives, Unbinding Gentility: Women Making Music in the Nineteenth-century South (University of Illinois Press, 2021) challenges entrenched assumptions about nineteenth-century music and the experiences of the so

In Punks in Peoria: Making a Scene in the American Heartland (University of Illinois, 2021) Jonathan Wright and Dawson Barret explore do-it-yourself scene built by Peoria punks, performers, and scenesters in the 1980s and 1990s. Peoria, Illinois the quintessential Midwest town, where "if it could play in Peoria, it could play anywhere," was fertile ground for the boredom- and anger-fueled fury of punk rock. From fanzines to indie record shops to renting the VFW hall for an all-ages show, Peoria's punk culture reflected the movement elsewhere, but the region's conservatism and industrial decline offered a richer-than-usual target environment for rebellion. Eyewitness accounts take readers into hangouts and long-lost venues, while interviews with the people who were there trace the ever-changing scene and varied fortunes of local legends like Caustic Defiance, Dollface, and Planes Mistaken for Stars. What emerges is a sympathetic portrait of a youth culture in search of entertainment but just as hungry for comm

“What are we thinking about when we think about music in non-naturalistic terms?” asks Benjamin Steege—Associate Professor of Music Theory, Columbia University—in his new book An Unnatural Attitude: Phenomenology in Weimar Musical Thought (University of Chicago Press, 2021). This deceptively subtle question exercised the minds of some of Europe's most delicate musical thinkers at a time of great social and political upheaval, and continues to be of interest to musicologists today. Putting a little-discussed set of German-language primary sources into historical context (among others, the writing of Günther Anders (né Stern), Gustav Güldenstein, and Herbert Eimert) and expertly introducing them to an Anglophone audience, Steege explains the shared interests of a post–World War I constellation of musical thinkers whose disinterest in psychological and music-historical orthodoxy coalesces into a vital, if not entirely homogeneous, program for the phenomenology of music. Enriched by convincing music-analytical ex

Children’s folklore is simultaneously a conservator of tradition and a site for creativity and innovation. For over five decades, Dr. Jeanne Pitre Soileau documented and collected the jokes, chants, rhymes, and games that that she observed on school playgrounds throughout her career as a public school teacher in southern Louisiana. From the early days of integration to the first decade of the 21st century, Dr. Soileau has taken note of the evolving forms in which children’s play take and its reflections of contemporary times. Her book, Yo’ Mama, Mary Mack, and Boudreaux and Thibodeaux: Lousiana Children’s Folklore and Play (University Press of Mississippi, 2016), examines forty-four years of children’s folklore and play collected in southern Louisiana schools. The book has won the 2018 Chicago Folklore Prize for excellence in folklore scholarship and the 2018 Opie Prize for the best published scholarly book on children’s folklore. In this podcast, we hear about Dr. Soileau’s early fascination with the sounds

Theological Stains: Art Music and the Zionist Project (Oxford UP, 2020) offers the first in-depth study of the development of art music in Israel from the mid-twentieth century to the turn of the twenty-first. In a bold and deeply researched account, author Assaf Shelleg explores the theological grammar of Zionism and its impact on the art music written by emigrant and native composers. He argues that Israeli art music, caught in the tension between a bibliocentric territorial nationalism on the one hand and the histories of deterritorialized Jewish diasporic cultures on the other, often features elements of both of these competing narratives. Even as composers critically engaged with the Zionist paradigm, they often reproduced its tropes and symbols, thereby creating aesthetic hybrids with 'theological stains.' Drawing on newly uncovered archives of composers' autobiographical writings and musical sketches, Shelleg closely examines the aesthetic strategies that different artists used to grapple with establi

It is now just over a decade since protests in Cairo's Tahrir Square started Egypt's chapter in the events of the Arab Spring. Much has been made in western criticism of art and culture's role in the revolution, but the everyday cultural production of studio artists, graffiti artists, musicians, and writers since has attracted less attention. How have artists responded personally and artistically to the political transformation ? What has social role of art been in these periods of transition and uncertainty? What are the aesthetic shifts and stylistic transformations present in the contemporary Egyptian art world? Caroline Seymour-Jorn speaks with Pierre d'Alancaisez about her many years of research in Cairo that goes beyond the current understandings of creative work solely as a form of resistance or political commentary, providing a more nuanced analysis of creative production in the Arab world. Caroline suggests that young artists like Hany Rashed or The Choir Project have turned their creative focus incr

George Frederick Bristow, born in 1825, was a significant musical figure in the United States from the 1850s until his death in 1898. Now, almost one hundred years after his birth, Katherine Preston has just written his first biography--George Frederick Bristow (University of Illinois Press, 2020)-- as part of the American Composers Series.  Bristow led a professional life that today’s classical musicians would surely recognize. He patched together a living from performing, composing, conducting, teaching, church jobs, and even some business ventures and celebrity endorsements. He composed in every major genre of the period and wrote "Rip Van Winkle," the first grand opera by an American composer. Preston situates his life within the booming musical economy in New York and his music within the critical and artistic currents of the nineteenth century, while illuminating the little-known creative and performance culture that Bristow helped define and create. Kristen M. Turner is a lecturer in the music and hono

Richard Thompson's Beeswing: Losing My Way and Finding My Voice 1967-1975 (Algonquin Books, 2021) gives fans of his music a tale as rollicking and entertaining as the reels and ballads he recorded with the band Fairport Convention. Fairport Convention was one of the central bands in the British Folk Rock scene, blending traditional English songs and melodies with the energy and irreverence of rock and roll. Thompson's memoir of his time with the band discusses the process of recording their classic albums, as well as run-ins with figures like Buck Owens, Nick Drake, and Jimi Hendrix. He also discusses his childhood in post-war London, his relationship with his then-wife and collaborator Linda Thompson, and his search for spiritual purpose, which he eventually found in Sufi Islam. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adch

Boy On Fire: The Young Nick Cave (HarperCollins, 2020) is the first volume of a long-awaited, near-mythical biography of Nick Cave by award-winning writer, Mark Mordue. A beautiful, profound and poetic biography of the formative years of the dark prince of Australian rock 'n' roll, Boy on Fire is Nick Cave's creation story. This is a portrait of the artist as, first, a boy, and then as a young man. A deeply insightful work which charts his family, friends, influences, milieu and, most of all, his music, it reveals how Nick Cave shaped himself into the extraordinary artist he would become. As well as a powerfully compelling biography of a singular, uncompromising artist, Boy on Fire is a fascinating social and cultural biography, a vivid and evocative rendering of a time and place, from the fast-running dark river and ghost gums of Wangaratta, to the nascent punk scene which hit staid 1970s Melbourne like an atom bomb, right through to the torn wallpaper, sticky carpet and the manic, wild energy of nights at t