Art Gallery Of South Australia

Thank you for listening to this track produced by the Art Gallery of South Australia. Join exhibition curators Tracey Lock and Elle Freak as they introduce AGSA's latest exhibition, Dangerously Modern: Australian Women Artists in Europe 1890–1940. For more information visit agsa.sa.gov.au Image: Hilda Rix Nicholas, born Ballarat, Victoria 1884, died Delegate, New South Wales 1961, The pink scarf, 1913, Paris, oil on canvas, 80.5 x 65.0 cm; Gift of Mrs Roy Edwards through the Art Gallery of South Australia Foundation 1993, Art Gallery of South Australia, Adelaide.

Thank you for listening to this talk produced by the Art Gallery of South Australia. Hear from Maria Zagala, Curator of Prints, Drawings and Photographs, as she discusses the work of Donald Judd in celebration of the 50th anniversary of his topographical object, Untitled. For more information visit agsa.sa.gov.au Photo: Saul Steed

Thank you for listening to this track produced by the Art Gallery of South Australia. Join artist Stephanie Radok in conversation with Maria Zagala, Curator, Prints, Drawings and Photographs, about her drawings Pages from a Twenty-first century Herbal currently on display. For more information visit agsa.sa.gov.au

Thank you for listening to this talk produced by the Art Gallery of South Australia. Mansoureh Rajabitanha, University of Adelaide, and Russell Kelty, Curator, Asian Art, as they discuss the poetry of the thirteenth century Sufi mystic, Jalāl al-Dīn Muḥammad Rūmī or Rumi (1207-1273), and his pervasive influence on historical and contemporary culture in Iran and across the world. For more information visit agsa.sa.gov.au Image: India, 'Mathnavi' of Jalal al-Din Muhammad Rumi, 13 April 1641, Shahjahanabad (Delhi), India, ink, opaque watercolour and gold on polished paper, leather, 474 folio bound volume, 24.8 x 16.8 cm (volume, closed); M J M Carter AO Collection through the Art Gallery of South Australia Foundation 2013, Art Gallery of South Australia, Adelaide.

Thank you for listening to this talk produced by the Art Gallery of South Australia. Join renowned Italian Professor and art historian Chiara Rostagno, Deputy Director of the Pinacoteca di Brera, Milan and Executive Director of the National Museum of the Last Supper of Leonardo da Vinci as she shares her extensive knowledge of Leonardo da Vinci's The Last Supper. Celebrate the final week of Reimagining the Renaissance at AGSA with a highlight on Da Vinci, one of the most significant Italian Renaissance masters. Professor Rostagno's visit is proudly supported by the Consulate of Italy in Adelaide. For more information visit agsa.sa.gov.au Image: Leonardo da Vinci, The Last Supper, 1495–1498, Basilica di Santa Maria delle Grazie, Milan, Italy.

Thank you for listening to this talk produced by the Art Gallery of South Australia. Join David Washington, Executive Director of The Don Dunstan Foundation, in conversation with AGSA Deputy Director, Emma Fey, as they discuss Don Dunstan's legacy and the 50th anniversary of the decriminalisation of homosexuality in South Australia. For more information visit agsa.sa.gov.au Image: Pink shorts worn by South Australian Premier Don Dunstan. c1972, polyester, 30.0 x 48.0 cm; History Trust of South Australia; photo: Mark Eckermann

Thank you for listening to this talk produced by the Art Gallery of South Australia. Did you know the Art Gallery of South Australia has a significant historic dress collection? Ingrid Goetz, Vernon-Roberts Assistant Curator of Decorative Arts & Design, will discuss this tartan dress from 1860-65, currently on display in Gallery 2, and talk about the ongoing project to research and photograph the historic dress collection. For more information visit agsa.sa.gov.au Image: Tartan dress, worn by Mrs Josephine Geyer 1860-65, cotton, silk, wood, metal, 83.0 cm (diam) (bust), 60.0 cm (diam) (waist), 55.5 cm (diam) (front length), 10.0 cm (depth); Gift of Miss G.J. Madigan 1937, Art Gallery of South Australia, Adelaide

Thank you for listening to this talk produced by the Art Gallery of South Australia. Hear from Rebecca Evans, Exhibition Curator and Curator of Decorative Arts, as she discusses fashion in Radical Textiles. For more information visit agsa.sa.gov.au Image: installation view: Radical Textiles, Art Gallery of South Australia, Adelaide; photo: Saul Steed.

Thank you for listening to this track produced by the Art Gallery of South Australia. Join Mary-Anne Gooden and Kristen Phillips, textiles conservators at Artlab, as they discuss the care and display of textile and costume collections in Radical Textiles. For more information visit agsa.sa.gov.au Image: installation view: Radical Textiles, Art Gallery of South Australia, Adelaide; photo: Saul Steed.

Thank you for listening to this track produced by the Art Gallery of South Australia. Join artist Peter Adsett and Nici Cumpston, Curator of Aboriginal and Torres Strait Islander Art and Artistic Director, Tarnanthi, in conversation to discuss the significant new display Two Laws One Big Spirit. Image: left: Rusty Peters, Gija people, Western Australia, born Springvale Station, Western Australia, 1935, died Kununurra, Western Australia 2020, Different Languages for Aboriginal and non-Aboriginal People from the series Two Laws One Big Spirit, 2000, Humpty Doo, Northern Territory, earth pigments on linen, 135.0 x 122.0 cm © the artist/Copyright Agency. right: Peter Adsett, born Gisborne, Aotearoa New Zealand 1959, Painting number 8, from the series Two Laws One Big Spirit, 2000, Humpty Doo, Northern Territory, synthetic polymer paint on linen, 135.0 x 122.0 cm © Peter Adsett. Gift of GRANTPIRRIE through the Art Gallery of South Australia Contemporary Collectors 2024. Donated through the Australian Government

Thank you for listening to this talk produced by the Art Gallery of South Australia. Join AGSA Director, Jason Smith, for an introductory talk. For more information visit agsa.sa.gov.au Photo: Saul Steed

Thank you for listening to this talk produced by the Art Gallery of South Australia. Join visiting artist Nell as she shares the stories sewn into her monumental quilt featured in Radical Textiles. The NELL ANNE QUILT includes embroidered patches made by 441 people from across the world, each patch honouring a significant woman by name. Nell's quilt emerged from a residency idea she had for the Colin McCahon House in Aotearoa New Zealand. Although McCahon's paining is often reflected in Nell's work, she wanted to honour his wife, Anne (née Hamblett, 1915–1993), an artist in her own right. Nell explained that ‘each patch and story is a world unto itself, and I felt the responsibility of honouring those stories. The time and love that went into the patches surprised me. It was a beautiful gift cycle, where people donated their mental, emotional and manual energy to something greater than one woman’s story, to form a chorus of female stories’. For more information visit agsa.sa.gov.au Photo: Alisha Gore

Thanks for listening to this track produced by the Art Gallery of South Australia. Join Radical Textiles artist Amber Cronin as she discusses her work on display in the vestibule. For more information visit agsa.sa.gov.au Image: Installation view: Radical Textiles, featuring Against the Rush of the Arrow: Wreath, Vestment, Parament, Talisman by Amber Cronin, Art Gallery of South Australia, Adelaide; photo: Josh Vanner

Thank you for listening to this track produced by the Art Gallery of South Australia. Hear from Gallery Guide, Helen Bulis, as she discusses The Adoration of the Magi, by William Morris and co. For more information visit agsa.sa.gov.au Image: Detail: Morris & Co., manufacturer, operating 1861-1940, Edward Burne-Jones, designer, born Birmingham, England 28 August 1833, died London 17 June 1898, John Henry Dearle, designer of floral ground, born London 1859, died London 1932, manufacturer, The Adoration of the Magi, 1900-02; designed 1887, London, wool, silk, 251.2 x 372.5 cm; Morgan Thomas Bequest Fund 1917, Art gallery of South Australia, Adelaide

Thank you for listening to this track produced by the Art Gallery of South Australia. Hear from fashion designer, Radical Textiles artist and the Studio feature artist Stavroula Adameitis, aka Frida Las Vegas, as she discusses her practice. For more information visit agsa.sa.gov.au Photo: Samuel Graves.

Thank you for listening to this track produced by the Art Gallery of South Australia. Hear from Natalie Badcock, Community Education & Engagement Manager. Parliament of South Australia, as she discusses the Women’s Suffrage Centenary Community Tapestries on display as part of Radical Textiles. For more information visit agsa.sa.gov.au Image: installation view: Radical Textiles, featuring the Women's Suffrage Centenary Tapestries by Kay Lawrence, Art Gallery of South Australia, Adelaide;; photo: Saul Steed.

WARDROBE CRISIS with Clare Press Tapestry! Embroidery! Quilting! Tailoring! Can Textiles Change the World? You Bet Season 10, Ep. 227 Friday, December 6, 2024 From Victor & Rolf's "Get Mean" frock through Jordan Gogos's radical upcycling projects to Paul McCann's "Sovereignty Never Ceded" gown, certain items of clothing speak loudly - with intention - about the times we find ourselves in. Let's not forget the long traditions of tapestry-making, quilting, embroidery, and the newer but related concepts of stitch-n-bitch craftivism. Cloth can be a radical medium. You might call it soft power, for its undeniable tactility - but don't mistake soft for weak.

Thank you for listening to this track produced by the Art Gallery of South Australia. Join Tim Roberts, Curator at The David Roche Foundation and researcher of LGBTQ+ memory, as he discusses the AIDS memorial quilt on display in Radical Textiles. For more information visit agsa.sa.gov.au Photo: Rob Spark

Join Senior Curator, Prints, Drawings & Photographs, Julie Robinson as she discusses the work of artist Ann Newmarch.

Thank you for listening to this track produced by the Art Gallery of South Australia. Join Public Programs Officer, Isobel Clemow-Meyer and Neo Ambassadors, Aryan, Mia and Victoria as they discuss youth arts programs. For more information visit agsa.sa.gov.au Image: Sam Roberts