New Books In Communications

This interview was recorded and first published in early 2020 when the NBN had about a million downloads a month. Since then the downloads have increased more than four-fold to just below 5 million monthly downloads at the end of 2021 and the number of hosts has increased greatly as well. On the New Books Network authors to talk about their books with a specialist host. Founded in 2007 by Marshall Poe, formerly a Russian history professor from the US. The NBN has grown to be the most downloaded podcast of its type in the world.  New Books Network website NBN on Stitcher NBN on Apple Podcasts NBN on Spotify Marshal Poe on Wikipedia About your host Richard Lucas Richard is a business and social entrepreneur who founded, led and/or invested in more than 30 businesses, Richard has been a TEDx event organiser, supports the pro-entrepreneurship ecosystem, and leads entrepreneurship workshops at all levels: from pre-schools to leading business schools. Richard was born in Oxford and moved to Poland in 1991. R

How can we make creative industries fair and inclusive? In Reimagining the Creative Industries: Youth Creative Work, Communities of Care (Routledge, 2021), Miranda Campbell, an associate professor in the School of Creative Industries at Ryerson University, explores this question theoretically and empirically to present a new vision for both young creative workers and creative production itself. Drawing on ideas of ordinariness and the everyday, along with the need for care and inclusivity, the book is critical of current creative industry practice at corporate level, whilst offering new models and new methods for making culture. With examples from a range of art and cultural forms, the book is essential reading for creative industries, arts and humanities, and social science scholars, as well as for creative practitioners everywhere. Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adcho

What does artistic resistance look like in the twenty-first century, when disruption and dissent have been co-opted and commodified in ways that reinforce dominant systems? In The Play in the System: The Art of Parasitical Resistance (Duke UP, 2020), Anna Watkins Fisher locates the possibility for resistance in artists who embrace parasitism, a tactic of complicity that effect subversion from within hegemonic structures. Anna Watkins Fisher speaks to Pierre d'Alancaisez about the underhand tactics of the parasite - artists like the collective Ubermorgen, Núria Güell, the writer Chris Krauss, or Roisin Byrne - by which it appropriates the logic of their hosts - Amazon, the Spanish State, Dick, and in the case of Byrne, Watkins Fisher herself. Ubermorgen, Amazon Noir Núria Güell, Stateless by Choice, Humanitarian Aid Marina Abramović, The Artist is Present Ann Liv Young archive.org capture, Sheryl Is Present Lauren Barri Holstein Anna Watkins Fisher is a cultural and media theorist whose research sp

Listen to this interview of Ayelet Baram-Tsabari. We talk about the accessibility of science using Google to scholars and students in languages beyond English and how scholars can de-jargonize their research to ensure increase their reach. Avi Staiman is the founder and CEO of Academic Language Experts Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Inhospitable World: Cinema in the Time of the Anthropocene (Oxford UP, 2018) explores the connection between cinema and artificial weather, climates, and even planets in or on which hospitality and survival are at stake. Cinema’s dominant mode of aesthetic world-making is often at odds with the very real human world it is meant to simulate. The chapters in this book take the reader to a scene —the mise-en-scène— where human world-making is undone by the force of human activity, whether it is explicitly for the sake of making a film, or for practicing war and nuclear science, or for the purpose of addressing climate change in ways that exacerbate its already inhospitable effects. The episodes in this book emphasize our always unnatural and unwelcoming environment as a matter of production, a willed and wanted milieu, however harmful, that is inseparable from but also made perceivable through film. While no one film or set of films adds up to a totalizing explanation of climate change, cinema enables us to glim

In Visions of Beirut: The Urban Life of Media Infrastructure (Duke UP, 2021), Hatim El-Hibri explores how the creation and circulation of images has shaped the urban spaces and cultural imaginaries of Beirut. Drawing on fieldwork and texts ranging from maps, urban plans, and aerial photographs to live television and drone-camera footage, El-Hibri traces the histories of how the technologies and media infrastructure that visualize the city are used to consolidate or destabilize regimes of power. Throughout the twentieth century, colonial, economic, and military mapping projects helped produce and govern its spaces. In the 1990s, the imagery of its post-civil war downtown reconstruction cast Beirut as a site of financial investment in ways that obscured its ongoing crises. During and following the 2006 Israel/Hizbullah war, Hizbullah's use of live television broadcasts of fighting and protests along with its construction of a war memorial museum at a former secret military bunker demonstrate the tension between

In the second edition of her book, The Sisters Are Alright: Changing the Broken Narrative of Black Women in America (Berrett-Koehler, 2021), Tamara Winfrey Harris interviews over 100 diverse Black women about marriage, motherhood, health, sexuality, beauty, and more. Winfrey Harris examines the Mammy, Sapphire, and Jezebel stereotypes that persist in American popular media and culture.   Winfrey Harris explores the evolution of stereotypes of Black women, with new real-life examples, such as the rise of blackfishing and digital blackface (which help white women rise to fame) and the media’s continued fascination with Black women’s sexuality (as with Cardi B or Megan Thee Stallion). The second edition includes a new chapter on Black women and power that explores how persistent stereotypes challenge Black women’s recent leadership and achievements in activism, community organizing, and politics. The chapter includes interviews with activists and civic leaders and interrogates media coverage and perceptions of S

Today I talked to Sarah and Larry Nannery about their new book What to Say Next: Successful Communication in Work, Life, and Love with Autism Spectrum Disorder (Tiller Press, 2021). What’s it like to live a life where there’s a time delay as you process what others are saying, what it might mean, and how you feel in response? Sarah Nannery knows that experience intimately, gaining in ability over the years to navigate everything from office politics to her personal life more adeptly given her ASD Brain. As a “neurotypical brain” person, her husband Larry Nannery adds his “two-cents” perspective here in terms of observing and helping Sarah and himself navigate their experiences together. Highlights of this conversation include: what internalization means to Sarah in coping with being “bottled up inside” more than perhaps most people, and how one makes a “conversational sandwich” as a way of handling small talk when it looms large as a challenge. Sarah Nannery is the director of development for Autism Initiativ

In Living Books: Experiments in the Posthumanities (MIT Press, 2021), Janneke Adema proposes that we reimagine the scholarly book as a living and collaborative project -- not as linear, bound and fixed, but as fluid, remixed, and liquid, a space for experimentation. She presents a series of cutting-edge experiments in arts and humanities book publishing, showcasing the radical new forms that book-based scholarly work might take in the digital age. Adema's proposed alternative futures for the scholarly book go beyond such print-based assumptions as fixity, stability, the single author, originality, and copyright, reaching instead for a dynamic and emergent materiality. Our conversation highlights the performative nature of publishing, the possibilities and limitations of open access, balancing experimentation with fixity, and how publishing practices are intertwined with neoliberalism, scholarly identity, technology, and culture. In addition, we discuss the different forms that this work has manifested as, inc

In a series of talks and essays in 1937, H. G. Wells proselytized for what he called a World Brain, as manifested in a World Encyclopedia--a repository of scientifically established knowledge--that would spread enlightenment around the world and lead to world peace. Wells, known to readers today as the author of The War of the Worlds and other science fiction classics, was imagining something like a predigital Wikipedia. The World Encyclopedia would provide a summary of verified reality (in about forty volumes); it would be widely available, free of copyright, and utilize the latest technology. Of course, as Bruce Sterling points out in the foreword to this new edition of Wells's work, the World Brain didn't happen; the internet did. And yet, Wells anticipated aspects of the internet, envisioning the World Brain as a technical system of networked knowledge (in Sterling's words, a hypothetical super-gadget). Wells's optimism about the power of information might strike readers today as naïvely utopian, but poss

In Indirect Subjects: Nollywood's Local Address (Duke UP, 2021), Matthew H. Brown analyzes the content of the prolific Nigerian film industry's mostly direct-to-video movies alongside local practices of production and circulation to show how screen media play spatial roles in global power relations. Scrutinizing the deep structural and aesthetic relationship between Nollywood, as the industry is known, and Nigerian state television, Brown tracks how several Nollywood films, in ways similar to both state television programs and colonial cinema productions, invite local spectators to experience liberal capitalism not only as a form of exploitation but as a set of expectations about the future. This mode of address, which Brown refers to as “periliberalism,” sustains global power imbalances by locating viewers within liberalism but distancing them from its processes and benefits. Locating the wellspring of this hypocrisy in the British Empire's practice of indirect rule, Brown contends that culture industries li

Mediatized Taiwanese Mandarin: Popular Culture, Masculinity, and Social Perceptions (Springer, 2021) explores how language ideologies have emerged for gangtaiqiang through a combination of indexical and ideological processes in televised media. Gangtaiqiang (Hong Kong-Taiwan accent), a socially recognizable form of mediatized Taiwanese Mandarin, has become a stereotype for many Chinese mainlanders who have little real-life interaction with Taiwanese people. Using both qualitative and quantitative approaches, the author examines how Chinese millennials perceive gangtaiqiang by focusing on the following questions: 1) the role of televised media in the formation of language attitudes, and 2) how shifting gender ideologies are performed and embodied such attitudes. This book presents empirical evidence to argue that gangtaiqiang should, in fact, be conceptualized as a mediatized variety of Mandarin, rather than the actual speech of people in Hong Kong or Taiwan. The analyses in this book point to an emerging real

In his new book Fantasy, Online Misogyny and the Manosphere: Male Bodies of Dis/Inhibition (Routledge, 2021), Jacob Johanssen takes us on a journey into the dark masculinist recesses of the internet. He analyses original data from online communities of Involuntary Celibate (Incel) men, women-denigrating “Men Going Their Own Way”, anti-porn crusading NoFap users and the manifestos of mass shooters. By making use of the work of Willhelm Reich, Elisabeth Young-Bruehl and Klaus Theweleit, he is able to construct a convincing and sinister portrait of this dis/inhibited online culture, in which intermingling fantasies of victimhood and destructive annihilation of the feminine Other create a seething mélange of hatred and misogyny. It is testament to the power of the psychoanalytically informed approach of gathering “identificatory knowledge” that Johanssen does not stop at painting a damning picture of these men, but tries to grasp the psychodynamics at play in their polarized and fragmented world views and identit

Traditions of Eloquence: The Jesuits and Modern Rhetorical Studies (Fordham UP, 2016) explores the important ways Jesuits have employed rhetoric, the ancient art of persuasion and the current art of communications, from the sixteenth century to the present. Much of the history of how Jesuit traditions contributed to the development of rhetorical theory and pedagogy has been lost, effaced, or dispersed. As a result, those interested in Jesuit education and higher education in the United States, as well as scholars and teachers of rhetoric, are often unaware of this living 450-year-old tradition. Written by highly regarded scholars of rhetoric, composition, education, philosophy, and history, many based at Jesuit colleges and universities, the essays in this volume explore the tradition of Jesuit rhetorical education-that is, constructing "a more usable past" and a viable future for eloquentia perfecta, the Jesuits' chief aim for the liberal arts. Intended to foster eloquence across the curriculum and into the

In her new book Madrid on the Move: Feeling Modern and Visually Aware in the Nineteenth Century (Manchester UP, 2021), Vanesa Rodríguez-Galindo explains how the modernization of this great city shaped and was shaped by print media and mass culture. A growing population, industrial immigration, mass connection with the wider world (making it both smaller and bigger), and the twilight of an empire shaped the Madrileños, their sense of identity, and their feelings of being modern and visually aware. A history of print media—and itself an example of print media—the book shows how people adapted to the dawning of a transnational, information age (perhaps a timely and familiar topic for today’s listener?) and presents a remarkable ‘glocal’ history of this event. Vanesa Rodriguez Galindo is a cultural and visual historian, working in urban studies, print cultures in Spain and Latin America, transnationalism, and women’s studies. She holds an MA in Metropolitan History from the Institute of Historical Research, Unive

Several high-profile cases of sexual harassment and assault have helped the #MeToo movement in China continue to make impacts on a society that is highly controlled and surveilled. Most recently, tennis star Peng Shuai’s saga has accused former top Chinese Communist Party leader, Zhang Gaoli of sexual assault. Although Peng did not say that she is part of the #MeToo movement, her speaking out has given fresh impetus to the campaign. Joining us to talk to Julie Chen about the #MeToo movement in China is Dusica Ristivojević, Kone Foundation Bold Initiatives Senior Researcher at the University of Helsinki. Dušica works in the areas of interdisciplinary Chinese studies, media studies, and international relations. Recently, she published a co-authored journal article on the #MeToo movement in China. See Jing Xiong and Dušica Ristivojević (2021) #MeToo in China: How do the Voiceless Rise Up in an Authoritarian State? in Politics & Gender. Julie Yu-Wen Chen is Professor of Chinese Studies at the Department of Cultur

Today I talked to Jamie Mustard about his new book The Iconist: The Art and Science of Standing Out (BenBella Books, 2019). Ever feel like you’re “screaming” to be heard but in a world saturated by social media messages, et cetera, your “messages” are falling on deaf ears? If so, Jamie Mustard has a solution to propose. In short, you need to follow the Primal Laws of Attention. In essence, that means be bigger, brighter, and bolder than ever before in history to break through the clutter. In greater detail, those laws entail steps like the following: use repetition, deliver an emotional jolt by addressing the audience’s primary emotional concern, and practice transparency that establishes your authenticity. Most of all, engage in radical simplicity. If what you are saying can’t be readily understand, forget it. Then to back up that radical simplicity, the “shaft” behind that arrowhead of simplicity is sufficient information to make the messaging worthwhile. All of that—and more—delivered by Mustard in an impa

By March 2020, the spread of COVID-19 had reached pandemic proportions, forcing widespread shutdowns across industries, including Hollywood. Studios, networks, production companies, and the thousands of workers who make film and television possible were forced to adjust their time-honored business and labor practices. In Hollywood Shutdown: Production, Distribution, and Exhibition in the Time of COVID (U Texas Press, 2021), Kate Fortmueller asks what happened when the coronavirus closed Hollywood. Hollywood Shutdown examines how the COVID-19 pandemic affected film and television production, influenced trends in distribution, reshaped theatrical exhibition, and altered labor practices. From January movie theater closures in China to the bumpy September release of Mulan on the Disney+ streaming platform, Fortmueller probes various choices made by studios, networks, unions and guilds, distributors, and exhibitors during the evolving crisis. In seeking to explain what happened in the first nine months of 2020, th

Alisa Freedman's book Japan on American TV: Screaming Samurai Join Anime Clubs in the Land of the Lost (Association for Asian Studies, 2021) explores political, economic, and cultural issues underlying depictions of Japan on U.S. television comedies and the programs they inspired. Since the 1950s, U.S. television programs have taken the role of “curators” of Japan, displaying and explaining selected aspects for viewers. Beliefs in U.S. hegemony over Japan underpin this curation process. Japan on American TV takes a historical perspective to understand the diversity of Japan parodies and examines six main categories of television portrayals representing different genres and comedic forms: (1) stereotypes of judo instructors (1950s and 1960s); (2) samurai parodies (prevalent in the 1970s); (3) the Bubble Economy Era in Sesame Street’s Big Bird in Japan (1988); (4) “Cool Japan” parodies (1990s through the present); (5) eager fans in sketch series (2010s); and (6) makeover reality shows (2019). These examples sho

Investigating the communicative practices of indigenous Santali speakers in eastern India, this book examines the overlooked role of script in regional movements for autonomy to provide one of the first comprehensive theoretical and ethnographical accounts of 'graphic politics'. Based on extensive fieldwork in the villages of southwestern West Bengal, Nishaant Choksi explores the deployment of Santali scripts, including a newly created script called Ol Chiki, in Bengali-dominated local markets, the education system and in the circulation of print media. He shows how manipulating the linguistic landscape and challenging the idea of a vernacular enables Santali speakers to delineate their own political domains and scale their language on local, regional and national levels. In doing so, they contest Bengali-speaking upper castes' hegemony over public spaces and institutions, as well as the administrative demarcations of the contemporary Indian nation-state. Combining semiotic theory with ethnographically ground