New Books In Communications

Famed across the known world, jealously guarded by private collectors, built up over centuries, destroyed in a single day, ornamented with gold leaf and frescoes, or filled with bean bags and children's drawings--the history of the library is rich, varied, and stuffed full of incident. In The Library: A Rich and Fragile History (Basic Books, 2021), historians Andrew Pettegree and Arthur der Weduwen introduce us to the antiquarians and philanthropists who shaped the world's great collections, trace the rise and fall of literary tastes, and reveal the high crimes and misdemeanors committed in pursuit of rare manuscripts. In doing so, they reveal that while collections themselves are fragile, often falling into ruin within a few decades, the idea of the library has been remarkably resilient as each generation makes--and remakes--the institution anew. Beautifully written and deeply researched, The Library is essential reading for booklovers, collectors, and anyone who has ever gotten blissfully lost in the stacks

“Made of light and later sound, the film experience cannot be touched, but that does not mean it is immaterial.” So writes Dr. Caetlin Benson-Allott in her third academic monograph, The Stuff of Spectatorship: Material Cultures of Film and Television (University of California Press, April 2021). In The Stuff of Spectatorship, Dr. Benson-Allott turns away from that canonical concept of medium specificity to explore the nature of material specificity. How might the cinematic and televisual apparatus be expanded to incorporate the lost off-the-air recording, the decaying VHS tape, the mediocre branded Cabernet, and the eruption of violence at your local multiplex? It is not just what you watch, but how you watch, that makes meaning. This reframing not only has profound implications for how critics and fans enjoy their preferred media, while laying bare the racist and classist commitments at the heart of our shared material media cultures. In this discussion, Dr. Benson-Allott describes the origin of her latest p

Photographers and their images were critical to the making of Mozambique, first as a colony of Portugal and then as independent nation at war with apartheid in South Africa. When the Mozambique Liberation Front came to power, it invested substantial human and financial resources in institutional structures involving photography, and used them to insert the nation into global debates over photography's use. The materiality of the photographs created had effects that neither the colonial nor postcolonial state could have imagined. Filtering Histories: The Photographic Bureaucracy in Mozambique, 1960 to Recent Times (U Michigan Press, 2021) tells a history of photography alongside state formation to understand the process of decolonization and state development after colonial rule. At the center of analysis are an array of photographic and illustrated materials from Mozambique, South Africa, Portugal, and Italy. Thompson recreates through oral histories and archival research the procedures and regulations that e

In this episode, I interview Shaoling Ma, professor of Humanities (Literature) at Yale-NUS about her new book, The Stone and the Wireless: Mediating China, 1861-1906 (Duke UP, 2021). In this fascinating book, Ma grapples with theoretical and historical questions of media and mediation in the late Qing. Calling on a diverse set of sources, including diplomatic records, science fiction novels, modern poetry, and telegraphic dispatches among many others, Ma’s examines “mediation in terms of the discursive interactions with physical devices and material processes of communication” (49). By reading the treatment of documents and labor in Wu Jianren’s New Story of the Stone against representations of the new, “stoney” lithographic practices of the Dianshizhai Pictorial, or showing how the Boxer crisis shaped understandings of telegraphy and transmission, The Stone and the Wireless enriches not only Chinese studies, but also speaks broadly to scholarship on media and technology. In her conclusion, Ma teases readers

Several months ago, Saskia Wieringa joined her co-authors Jess Melvin and Annie Pohlman on the show to talk about their edited volume The International People's Tribunal for 1965 and the Indonesian Genocide.   This time, Wieringa is on the show to talk about another co-edited volume.  Propaganda and the Genocide in Indonesia (Routledge, 2018) is a kind of companion volume to the first study. Wieringa and Katjusungkana focus here on the way in which propaganda set the stage for, encouraged participation in and offered explanations for the genocide. This campaign portrayed communists as enemies of the Indonesian nation. But more than that, the propaganda leveraged already existing political and gender stereotypes, presenting communists as atheists, hypersexualized and amoral. This propaganda was and remains widely accepted in Indonesia, enabling mass violence in the 1960s and political persecution in the decades since. But the book expands at time from its core focus on propaganda, shedding new light on the eve

Listen to this interview of William Germano, Professor of English at Cooper Union, New York, We talk about his new book On Revision: The Only Writing That Counts (U Chicago Press, 2021), about writers, and about readers and about text — everyone involved in the revision process. William Germano : "There an almost endless number of things one can say about revision because it is so crucial and yet so underdiscussed. In recent years, there have been a couple of events, or conversations, that have appeared, with other writers, and in particular writers who work on fiction, who have been addressing the enigma of revision. I'm so happy that revision is kind of (I hope) getting its due. Maybe this is revision's moment!" Watch Daniel Shea edit your science here. Write Daniel at writeyourresearch@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Research Methods in Digital Food Studies (Routledge, 2021) offers the first methodological synthesis of digital food studies. It brings together contributions from leading scholars in food and media studies and explores research methods from textual analysis to digital ethnography and action research. In recent times, digital media has transformed our relationship with food which has become one of the central topics in digital and social media. This spatiotemporal shift in food cultures has led us to reimagine how we engage in different practices related to food as consumers. The book examines the opportunities and challenges that the new digital era of food studies presents and what methodologies are employed to study the changed dynamics in this field. These methodologies provide insights into how restaurant reviews, celebrity webpages, the blogosphere and YouTube are explored, as well as how to analyse digital archives, digital soundscapes and digital food activism and a series of approaches to digital eth

Today I talked to David Avrin about his new book Why Customers Leave (And How to Win Them Back) (Career Press, 2019). There are three central themes to this book: immediacy (customers want instant gratification), individuality (offer flexible, customized assistance) and humanity (show interest and concern for those you are assisting). Of them, as David Avrin notes in this pleasing, semi-rant of an interview, immediacy should be the easiest for companies to act on. Unfortunately, automation is paradoxically making immediacy often harder to achieve. Other ironies worth noting from Avrin’s perspective include: companies trying to head off negative off-line reviews with surveys that don’t bring about change; and front-line employees who can figure out quicker than their managers what could and should be improved on. If upgrades don’t happen, what’s the solution? Run an exercise where employees are encouraged to formulate plans on how a competitor could undercut the company they currently work for by making the ch

Eric Berkowitz has written a short history of a censorship, a large topic that has been a phenomenon since the advent of recorded history. In Dangerous Ideas: A Brief History of Censorship in the West from the Ancients to Fake News (Beacon Press, 2021), Berkowitz reviews the motives and methods of governments, religious authorities, and private citizens to quell freedom of thought and expression. One theme Berkowitz reveals is how ineffective many censorship efforts have been. For example, after the printing press multiplied the sources available to readers and the opportunities for the Church and governments to suppress books and pamphlets, the attempts to censor speech served to heighten interest and encourage more dissent, creating profitable black markets for forbidden topics. Some publishers actually encouraged authors to write something likely to be forbidden. Yet, Berkowitz forthrightly acknowledges the dangers under which free thinker have lived and continue to live in our contemporary world. The dang

Brazil markets itself as a racially mixed utopia. The United States prefers the term melting pot. Both nations have long used the image of the mulatta to push skewed cultural narratives. Highlighting the prevalence of mixed race women of African and European descent, the two countries claim to have perfected racial representation-all the while ignoring the racialization, hypersexualization, and white supremacy that the mulatta narrative creates. In Imagining the Mulatta: Blackness in U. S. and Brazilian Media (U Illinois Press, 2020), Jasmine Mitchell investigates the development and exploitation of the mulatta figure in Brazilian and U.S. popular culture. Drawing on a wide range of case studies, she analyzes policy debates and reveals the use of mixed-Black female celebrities as subjects of racial and gendered discussions. Mitchell also unveils the ways the media moralizes about the mulatta figure and uses her as an example of an "acceptable" version of blackness that at once dreams of erasing undesirable bl

How did it happen that, in the 13th century, Europe's largest library owned fewer than 2,000 volumes while Baghdad alone boasted of several libraries holding from 200,000 to 1,000,000 books each? In The Rise of the Arabic Book (Harvard UP, 2020), Beatrice Gruendler traces the story of the beginning of the revolution in book culture that happened in the first centuries of the Abbasid period in the Islamic lands of the Middle East. She does so by looking at the lives of people specializing and fulfilling different roles in a society that underwent a drastic technological revolution to accomodate them. Focusing on a range of social classes such as scholars and poets, craftsmen and traders, up to the large aristocratic book collectors, we read of the protagonists of this momentous revolution in knowledge, science, and book culture. Miguel Monteiro is a PhD student in Near Eastern Languages and Civilizations at Yale University. Twitter @anphph Learn more about your ad choices. Visit megaphone.fm/adchoices Support

What is digital vigilantism? How do Chinese citizens seek justice online? How does digital vigilantism reflect contemporary Chinese technological and socio-political development? In a conversation with Joanne Kuai, a visiting PhD Candidate at the Nordic Institute of Asian Studies, Qian Huang, lecturer and PhD Candidate at Erasmus University Rotterdam, explains the growing phenomenon of online collective action against an individual to protect a shared value and the consequences of it. Digital vigilantism refers to citizens’ practice of weaponising online visibility for retaliation when collectively offended. Qian Huang speaks to the Nordic Asia Podcast about her research on Chinese digital vigilantism, a part of the research project funded by the Netherlands Organisation for Scientific Research (NWO) entitled Digital Vigilantism: Mapping the terrain and assessing societal impacts. Qian Huang is also the co-editor of the book Introducing Vigilant Audiences (Open Book Publishers, 2020) The Nordic Asia Podcast i

Book Industry Month continues with a memory-lane voyage back to a beloved early RtB episode. This conversation with Martin Puchner about the very origins of writing struck us as perfect companion to Mark McGurl's wonderful insights (in RtB 67, published earlier this month) about the publishing industry's in 2021, or as Mark tells it, the era of "adult diaper baby love." Aside from being a fabulous conversation about Martin's wonderful history of book production through the ages (The Written World) this episode brings back happy memories of Elizabeth and John piling their guests into a cozy sound booth at Brandeis, the kind of place that's utterly taboo in Pandemic America.So travel with us back to 2019 for a close encounter with the epic of Gilgamesh. The three friends discuss the different stages of world writing--from the time of the scribes to the time of great teachers like Confucius, Socrates and Jesus Christ, who had a very complicated relationship to writing. In Recallable Books, Martin recommends the

What happens when the human brain, which evolved over eons, collides with twenty-first-century technology? Machines can now push psychological buttons, stimulating and sometimes exploiting the ways people make friends, gossip with neighbors, and grow intimate with lovers. Sex robots present the humanoid face of this technological revolution―yet although it is easy to gawk at their uncanniness, more familiar technologies based in artificial intelligence and virtual reality are insinuating themselves into human interactions. Digital lovers, virtual friends, and algorithmic matchmakers help us manage our feelings in a world of cognitive overload. Will these machines, fueled by masses of user data and powered by algorithms that learn all the time, transform the quality of human life? Robert Brooks, Artificial Intimacy: Virtual Friends, Digital Lovers, and Algorithmic Matchmakers (Columbia UP, 2021) offers an innovative perspective on the possibilities of the present and near future. The evolutionary biologist Rob

Japan's nationalist right have used the internet to organize offline activism in increasingly visible ways. Jeffrey J. Hall, investigates the role of internet-mediated activism in Japan's ongoing historical and territorial disputes. He explores the emergence of two right-wing activist organizations, Nihon Bunka Channel Sakura and Ganbare Nippon, which have played a significant role in pressure campaigns against Japanese media outlets, campaigns to influence historical memorials, and campaigns to assert Japan's territorial claim to the Senkaku/Diaoyu Islands.  In Japan's Nationalist Right in the Internet Age: Online Media and Grassroots Conservative Activism (Routledge, 2021), Hall analyses how activists maintained cohesion, raised funds, held protests that regularly drew hundreds to thousands of participants, and used fishing boats to land activists on disputed islands. Detailing events that took place between 2004 and 2020, he demonstrates how skilled social actors built cohesive grassroots protest organizat

In the early 2000s, mainstream international news outlets celebrated the growth of Weblogistan—the online and real-life transnational network of Iranian bloggers—and depicted it as a liberatory site that gave voice to Iranians. As Sima Shakhsari argues in Politics of Rightful Killing: Civil Society, Gender, and Sexuality in Weblogistan (Duke UP, 2020), the common assumptions of Weblogistan as a site of civil society consensus and resistance to state oppression belie its deep internal conflicts. While Weblogistan was an effective venue for some Iranians to “practice democracy,” it served as a valuable site for the United States to surveil bloggers and express anti-Iranian sentiment and policies. At the same time, bloggers used the network to self-police and enforce gender and sexuality norms based on Western liberal values in ways that unwittingly undermined Weblogistan's claims of democratic participation. In this way, Weblogistan became a site of cybergovernmentality, where biopolitical security regimes disc

In The Charismatic Gymnasium: Breath, Media, and Religious Revivalism in Contemporary Brazil (Duke University Press, 2021), Maria José de Abreu examines how Charismatic Catholicism in contemporary Brazil produces a new form of total power through a concatenation of the breathing body, theology, and electronic mass media. De Abreu documents a vast religious respiratory program of revival popularly branded as “the aerobics of Jesus.” Pneuma—the Greek term for air, breath, and spirit—is central to this aerobic program, whose goal is to labor on the athletic elasticity of spirit. Tracing the rhetoric, gestures, and spaces that together constitute this new theological community, de Abreu exposes the articulating forces among evangelical Christianity, neoliberal logics, and the rise of right-wing politics. By calling attention to how an ethics of pauperism vitally intersects with the neoliberal ethos of flexibility, de Abreu shows how paradoxes do not hinder but expand the Charismatic gymnasium. The result, de Abre

At the New Books Network, we love university presses. So we're happy to tell you about University Press Week, the annual celebration of UPs and their important work. Today I talked to Lisa Bayer, the director of the University of Georgia Press and the president of the Association of University Presses. We discuss a lot of things--open access, business models, libraries, peer review, careers in UP publishing--all knit together by a theme, that being how UPs keep up with everything that is going on, scholarly-communications-wise. Enjoy.  Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The female form has been a fraught site of filmic meaning – of desire and violence, of sex and death – from the very beginnings of cinema. But how deep do these meanings travel? How are our understandings of gender and sexuality not the stuff of screen representation but shaped by film technology and culture as well? Published in November 2020 by Fordham University Press, Genevieve Yue’s Girl Head: Feminism and Film Materiality, “in rich archival and technical detail… examines three sites of technical film production: the film laboratory, editing practices, and the film archive. Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film. The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art.” In this discussion, Dr. Yue articulates her relationship to interdisciplinary research, traces her personal journey from dissertation to book, a

Hate speech can happen anywhere - in Charlottesville, Virginia, where young men in khakis shouted, "Jews will not replace us"; in Myanmar, where the military used Facebook to target the Muslim Rohingya; in Cape Town, South Africa, where a pastor called on ISIS to rid South Africa of the "homosexual curse." In person or online, people wield language to attack others for their race, national origin, religion, gender, gender identity, sexual orientation, age, disability, or other aspects of identity. Caitlin Ring Carlson's Hate Speech (MIT Press, 2021) examines hate speech: what it is, and is not; its history; and efforts to address it. Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https: