New Books In Communications

Media is usually seen as a feature of the modern world enabled by the latest technologies. Scholars, educators, parents, and politicians often talk about media as something people should be wary of due to its potential negative impact on their lives. But do we really understand what media is? In Media Is Us: Understanding Communication and Moving Beyond Blame (Rowman and Littlefield, 2021), Elizaveta Friesem argues that instead of being worried about media or blaming it for what’s going wrong in society, we should become curious about uniquely human ways we communicate with each other. Media Is Us proposes five key principles of communication that are relevant both for the modern media and for people’s age-old ways of making sense of the world. In order to understand problems of the contemporary society revealed and amplified by the latest technologies, we will have to ask difficult questions about ourselves. Where do our truths and facts come from? How can we know who is to blame for flaws of the social syst

For nine years, Stephen Colbert’s persona “Colbert”?—a Republican superhero and parody of conservative political pundits--informed audiences on current events, politics, social issues, and religion while lampooning conservative political policy, biblical literalism, and religious hypocrisy. To devout, vocal, and authoritative lay Catholics, religion is central to both the actor and his most famous character. Yet many viewers wonder, “Is Colbert a practicing Catholic in real life or is this part of his act?” This book examines the ways in which Colbert challenges perceptions of Catholicism and Catholic mores through his faith and comedy. Religion and the foibles of religious institutions have served as fodder for scores of comedians over the years. What set “Colbert” apart on his show, The Colbert Report, was that his critical observations were made more powerful and harder to ignore because he approached religious material not from the predictable stance of the irreverent secular comedian but from his positio

Politics for the Love of Fandom: Fan-Based Citizenship in a Digital World (Louisiana State Press, 2019) examines what Ashley Hinck calls “fan-based citizenship”: civic action that blends with and arises from participation in fandom and commitment to a fan-object. Examining cases like Harry Potter fans fighting for fair trade, YouTube fans donating money to charity, and football fans volunteering to mentor local youth, Hinck argues that fan-based citizenship has created new civic practices wherein popular culture may play as large a role in generating social action as traditional political institutions such as the Democratic Party or the Catholic Church. Hinck considers the ways in which fan-based social engagement arises organically, from fan communities seeking to change their world as a group, as well as the methods creators use to leverage their fans to take social action. The modern shift to networked, fluid communities, Hinck argues, opens up opportunities for public participation that occurs outside of

In the last two decades, amid the global spread of smartphones, state killings of civilians have increasingly been captured on the cameras of both bystanders and police. Screen Shots: State Violence on Camera in Israel and Palestine (Stanford UP, 2021) studies this phenomenon from the vantage point of the Israeli occupation of Palestinian territories. Here, cameras have proliferated as political tools in the hands of a broad range of actors and institutions, including Palestinian activists, Israeli soldiers, Jewish settlers, and human rights workers. All trained their lens on Israeli state violence, propelled by a shared dream: that advances in digital photography-closer, sharper, faster-would advance their respective political agendas. Most would be let down. Drawing on ethnographic work, Rebecca L. Stein chronicles Palestinian video-activists seeking justice, Israeli soldiers laboring to perfect the military's image, and Zionist conspiracy theorists accusing Palestinians of "playing dead." Writing against t

In the Qing dynasty (1644-1911), China experienced far greater access to political information than suggested by the blunt measures of control and censorship employed by modern Chinese regimes. A tenuous partnership between the court and the dynamic commercial publishing enterprises of late imperial China enabled the publication of gazettes in a wide range of print and manuscript formats. For both domestic and foreign readers these official gazettes offered vital information about the Qing state and its activities, transmitting state news across a vast empire and beyond. And the most essential window onto Qing politics was the Peking Gazette, a genre that circulated globally over the course of the dynasty. The Peking Gazette in Late Imperial China: State News and Political Authority (U Washington Press, 2021) presents a comprehensive history of the Peking Gazette and frames it as the cornerstone of a Qing information policy that, paradoxically, prized both transparency and secrecy. Gazettes gave readers a gli

Matthew Ricketson joins to discuss how newsrooms, the engine rooms of reporting, have shrunk. A generation of journalists has borne witness to seismic changes in the media and this book shares their stories as essays and narrative interviews. Names include  from more than 50 Australian journalists – including Amanda Meade, David Marr and Flip Prior – Upheaval: The Great Digital Disruption in Journalism and Its Aftermath (NewSouth, 2021) reveals the highs and the lows of those who were there to see it all. Matthew takes us inside frenetic and vibrant newsrooms at the peak of their influence, and the difficulties of adapting to ever-accelerating news cycles with fewer resources. Some left journalism altogether while others stayed in the media — or sought to reinvent it. Normally the ones telling other people’s stories, in Upheaval journalists share the rawness of losing their own job or watching others lose theirs. They reveal their anxieties and hopes for the industry’s future and their commitment to reporting

The documentary has achieved rising popularity over the past two decades, thanks to streaming services like Netflix and Hulu. Despite this fact, documentary studies still tends to favor works that appeal primarily to specialists and scholars. Reclaiming Popular Documentary (Indiana UP, 2021) reverses this longstanding tendency by showing that documentaries can be--and are--made for mainstream or commercial audiences. Editors Christie Milliken and Steve Anderson, who consider popular documentary to be a subfield of documentary studies, embrace an expanded definition of popular to acknowledge documentary's many evolving forms, including branded entertainment, fictional hybrids, and works with audience participation. Together, these essays address emerging documentary forms--including web-docs, virtual reality, immersive journalism, viral media, interactive docs, and video-on-demand--and offer the critical tools that viewers need in order to analyze contemporary documentaries and consider how they are persuaded

Today, journalists, legal professionals, activists, and artists challenge the state's monopoly on investigation and the production of narratives of truth. They probe corruption, human rights violations, environmental crimes, and technological domination. Organisations such as WikiLeaks, Bellingcat, or Forensic Architecture pore over open-source videos and satellite imagery to undertake visual investigations. This combination of diverse fields is what Fuller and Weizman call 'investigative aesthetics': the mobilisation of sensibilities associated with art, architecture, and other such practices in order to challenge power. Investigative Aesthetics draws on theories of knowledge, ecology and technology; evaluates the methods of citizen counter-forensics, micro-history and art. These new practices take place in the studio and the laboratory, the courtroom and the gallery, online and in the streets, as they strive towards the construction of a new common sense. Matthew Fuller and Eyal Weizman speak to Pierre d'Al

How have Black women lead a digital revolution? In Digital Black Feminism (NYU Press, 2021), Catherine Knight Steele, an assistant professor of communication at the University of Maryland, places digital Black feminism within the longer-term context of Black feminism and Black women’s experiences in America. The book considers examples from the Black feminist blogosphere and offers a comparative analysis of early Black feminist pioneers and key contemporary voices. Posing questions as to the dangers of commodification and the limits of the digital sphere, as well as celebrating Black feminist success, the book is essential reading across the humanities and social sciences and for anyone interested in digital life today. Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Rebirth of the English Comic Strip: A Kaleidoscope, 1847-1870 (UP of Mississippi, 2021) enters deep into an era of comic history that has been entirely neglected. This buried cache of mid-Victorian graphic humor is marvelously rich in pictorial narratives of all kinds. Author David Kunzle calls this period a "rebirth" because of the preceding long hiatus in use of the new genre, since the Great Age of Caricature (c.1780-c.1820) when the comic strip was practiced as a sideline. Suddenly in 1847, a new, post-Töpffer comic strip sparks to life in Britain, mostly in periodicals, and especially in Punch, where all the best artists of the period participated, if only sporadically: Richard Doyle, John Tenniel, John Leech, Charles Keene, and George Du Maurier. Until now, this aspect of the extensive oeuvre of the well-known masters of the new journal cartoon in Punch has been almost completely ignored. Exceptionally, George Cruikshank revived just once in The Bottle, independently, the whole serious, contrasting Hoga

From A New Hope to The Rise of Skywalker and beyond, this book offers the first complete assessment and philosophical exploration of the Star Wars universe. Lucasfilm: Filmmaking, Philosophy, and the Star Wars Universe (Bloomsbury, 2021) examines the ways in which these iconic films were shaped by global cultural mythologies and world cinema, as well as philosophical ideas from the fields of aesthetics and political theory, and now serve as a platform for public philosophy. Cyrus R. K. Patell also looks at how this ever-expanding universe of cultural products and enterprises became a global brand and asks: can a corporate entity be considered a "filmmaker and philosopher"? More than any other film franchise, Lucasfilm's Star Wars has become part of the global cultural imagination. The new generation of Lucasfilm artists is full of passionate fans of the Star Wars universe, who have now been given the chance to build on George Lucas's oeuvre. Within these pages, Patell explores what it means for films and thei

Sign Language Linguistics is based on an in-depth filmed conversation between Howard Burton and renowned researcher of sign languages Carol Padden, the Sanford I. Berman Chair in Language and Human Communication at UC San Diego. This extensive conversation covers a wide range of topics related to sign language, such as growing up with ASL, Carol’s early work with Bill Stokoe, the linguistic complexity, structure and properties of ASL and other sign languages, the development of new sign languages throughout the world, the role of gesture and embodiment. Howard Burton is the founder of the Ideas Roadshow, Ideas on Film and host of the Ideas Roadshow Podcast. He can be reached at howard@ideasroadshow.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The story of the American newsroom is that of modern American journalism. In The American Newsroom: A History, 1920-1960 (University of Missouri Press, 2021), Will Mari documents a time of great change and controversy in the field, one in which journalism was produced in "news factories" by news workers with dozens of different roles, and not just once a day, but hourly, using the latest technology and setting the stage for the emergence later in the century of the information economy.  While newspapers have come to be seen as an integral part of American democracy, Mari's work shows that newsrooms themselves were far from democratic during this period. They were largely not available to women and people of color, and the leadership style of some editors and mangers bordered on authoritarian. Those standards shifted over the time The American Newsroom documents, thanks in part to the rise of newsroom unions, changing practices around human resources, and the continued transformation of journalism into a profe

On this episode, J.J. Mull interviews author Hannah Zeavin about her new book, The Distance Cure: A History of Teletherapy (MIT Press, 2021). Among Zeavin’s central interventions in the book is to reframe what is normally understood as the “therapeutic dyad” as always already a triad: therapist, patient, and mediating communication technology. Across the book’s chapters, she traces teletherapy’s history from Freud’s epistolary treatments to contemporary algorithmic therapies. Her account of the “distanced intimacy” characteristic of all therapeutic encounters complicates narratives of technologically mediated treatments as somehow inherently “less than.” J.J. Mull is a poet, training clinician, and fellow in the Program for Psychotherapy at Cambridge Health Alliance. Originally from the west coast, he currently lives and bikes in Somerville, MA. He can be reached at: jay.c.mull@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newb

Listen to this interview of Josh Schimel and Karl Ritz, Editors-in-Chief of Soil Biology and Biochemistry. We talk about the people who all scientists are, and we demonstrate why all that matters to your next submission. Karl Ritz : "It is definitely important that authors take seriously matters of text presentation and formatting. And one of the reasons, perhaps, people don't understand as to why it matters, as to why we need things in a specific format and following certain rules — the reason is that there are rules here that form the framework, and you can stick your creativity on top of that. Because if there's a consistency and coherence in the fonts and in the spacing and in the headings and in the structure of the manuscript — this makes the process for the editors and the reviewers considerably more straightforward, because then they know what they're dealing with in terms of the actual process part of the procedure versus the creative and the intellectual part of it. And if we have to mess around dea

At the dawn of the digital era in the final decades of the twentieth century, film and media studies scholars grappled with the prospective end of what was deemed cinema: analog celluloid production, darkened public movie theaters, festival culture. The notion of the “end of cinema” had already been broached repeatedly over the course of the twentieth century—from the introduction of sound and color to the advent of television and video—and in Ends of Cinema (U Minnesota Press, 2020), contributors reinvigorate this debate to contemplate the ends, as well as directions and new beginnings, of cinema in the twenty-first century. In this volume, scholars at the forefront of film and media studies interrogate multiple potential “ends” of cinema: its goals and spaces, its relationship to postcinema, its racial dynamics and environmental implications, and its theoretical and historical conclusions. Moving beyond the predictable question of digital versus analog, the scholars gathered here rely on critical theory and

Listen to this interview of Elena Cotos, Director of the Center for Communication Excellence at the Graduate College (Iowa State University) and also Associate Professor in the English Department (Iowa State University). We talk about the needs of both students and faculty for training in scholarly communication, and we talk about one excellent way that those needs are being met, the Center for Communication Excellence. Elena Cotos : "When I'd begun, as a student, to write academic texts, you know, initially I'd thought it was my English that was to blame, but then I discovered I just didn't know the genre. Because, when I started, I wasn't really thinking about how a genre has certain conventions that are accepted by the disciplinary community and that are expected by the readership in a field—and not only in just a field, but across fields, because conventions are also cross-disciplinary. And this is what I discovered through my research. This is what I uncovered when I looked at multiple disciplines and sa

For decades, lesbian feminists across the United States and Canada have created information to build movements and survive in a world that doesn't want them. In Information Activism: A Queer History of Lesbian Media Technologies (Duke UP, 2020), Cait McKinney traces how these women developed communication networks, databases, and digital archives that formed the foundation for their work. Often learning on the fly and using everything from index cards to computers, these activists brought people and their visions of justice together to organize, store, and provide access to information. Focusing on the transition from paper to digital-based archival techniques from the 1970s to the present, McKinney shows how media technologies animate the collective and unspectacular labor that sustains social movements, including their antiracist and trans-inclusive endeavors. By bringing sexuality studies to bear on media history, McKinney demonstrates how groups with precarious access to control over information create th

When Google announced that it planned to digitize books to make the world's knowledge accessible to all, questions were raised about the roles and responsibilities of libraries, the rights of authors and publishers, and whether a powerful corporation should be the conveyor of such a fundamental public good. Along Came Google: A History of Library Digitization (Princeton University Press, 2021) traces the history of Google's book digitization project and its implications for us today. In this conversation, we hear from Roger Schonfeld about, not just the history of book digitization, but the dynamic and intricate relationships amongst libraries, publishers, and technology corporations. In addition, we talk about the ongoing conversations and community-lead projects that hint at what the future of book and scholarship digitization could look like.  Sarah Kearns (@annotated_sci) reads about scholarship, the sciences, and philosophy, and is likely over-caffeinated. Learn more about your ad choices. Visit megapho

Perspectives on Mass Communication is based on an in-depth filmed conversation between Howard Burton and Denis McQuail (1935-2017), who was Emeritus Professor at the University of Amsterdam and Visiting Professor at the University of Southampton. He is widely considered to be one of the most influential scholars in the history of mass communication studies. This wide-ranging conversation provides detailed insights into how examining the media, and in particular mass media, necessarily involves a careful, probing look at our societal values; the concepts, metrics and ideas that McQuail developed to measure the sociological influence of the media; the critical role of journalism in society and more. Howard Burton is the founder of the Ideas Roadshow, Ideas on Film and host of the Ideas Roadshow Podcast. He can be reached at howard@ideasroadshow.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communicatio