New Books In Communications

Today I talked to John Thompson, Emeritus Professor, Fellow of Jesus College, Cambridge, about his new book Book Wars: The Digital Revolution in Publishing (Polity, 2021). We discuss crowdfunding, audio books, distribution chains, social media, self-publishing, ebooks, Amazon, retail, and oh, also those things that are made of paper and glued together and have words printed in them. Interviewer: "One of the real eye-openers for me in the book was the distance, historically speaking, between readers and publishers. Now, as I think about it, and as I compare what a company like Amazon does to what traditional publishers do, well, I begin to notice that publishers are on the side of authors and content and that publishers have an obligation, even, on that side." John Thompson: "Yes, they have an obligation to authors. Publishers are good and professional at developing content. And if they're good publishers, they have a well thought-through and sophisticated marketing and publicity operation that helps to create

What is the impact of surveillance capitalism on our right to free speech? The Internet once promised to be a place of extraordinary freedom beyond the control of money or politics, but today corporations and platforms exercise more control over our ability to access information and share knowledge to a greater extent than any state. From the online calls to arms in the thick of the Arab Spring to the contemporary front line of misinformation, Jillian York charts the war over our digital rights. She looks at both how the big corporations have become unaccountable censors, and the devastating impact it has had on those who have been censored. In Silicon Values: The Future of Free Speech Under Surveillance Capitalism (Verso Book, 2021), leading campaigner Jillian York, looks at how our rights have become increasingly undermined by the major corporations desire to harvest our personal data and turn it into profit. She also looks at how governments have used the same technology to monitor citizens and threatened

Today I talked to Jon Levy about his new book You’re Invited: The Art and Science of Cultivating Influence (Harper Business, 2021). Jon Levy is a behavioral scientist who over a decade ago founded The Influencer Dinner, a secret dining experience for industry leaders. He’s the author of The 2 AM Principle: Discover the Science of Adventure and has also served as a consultant on influence, connectivity and decision making for companies looking to transform how they do business. This episode starts with discussing Jon’s idea of launching dinners where famous people would come together to cook a meal, talk, and clean up afterwards. It grew from there to covering why connectivity is so important, and what can make an event compelling: generosity, novelty, (good) curation, and the ability to create a sense of awe. Without pushing oneself, in other words, the event can’t by definition be remarkable. Another insight is what Jon calls the IKEA Effect; just as putting your own furniture together makes you commit more

How Non-being Haunts Being reveals how the human world is not reducible to “what is.” Human life is an open expanse of “what was” and “what will be,” “what might be” and “what should be.” It is a world of desires, dreams, fictions, historical figures, planned events, spatial and temporal distances, in a word, absent presences and present absences. In his new book How Non-Being Haunts Being: On Possibilities, Morality, and Death Acceptance (Fairleigh Dickinson UP, 2020), Dr. Corey Anton draws upon and integrates thinkers such as Jean-Paul Sartre, Henri Bergson, Kenneth Burke, Terrence Deacon, Lynn Margulis, R. D. Laing, Gregory Bateson, Douglas Harding, and E. M. Cioran. He discloses the moral possibilities liberated through death acceptance by showing how living beings, who are of space not merely in it, are fundamentally on loan to themselves. Dr. Corey Anton (he/him) is Professor of Communication Studies at Grand Valley State University and host of the YouTube channel Corey Anton. Dr. Lee Pierce (they & she

In this episode, we are talking to writer and editor Chris Lehmann, an editor of The Baffler, a former managing editor of The New Republic and a former editor of In These Times. He was described by the TNR’s owner as someone, who “who was able to restore stability of The New Republic after a decade of incessant turmoil.” Chris is an author of political and cultural thought long-form journalism himself and the author of two books about money – Rich People Things: Real Life Secrets of the Predator Class (Haymarket, 2011) and The Money Cult: Capitalism, Christianity, and the Unmaking of the American Dream (Melville, 2017) – about the influence of Christianity on American capitalism. He is working on another book proposal. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In this episode Astrid Norén-Nilsson of Lund University discusses her latest research about the Cambodian online news outlet Fresh News with Duncan McCargo, the Director of NIAS. Fresh News has become an indispensable source of information for Cambodia’s political and bureaucratic elite – but just how independent is the platform from the ruling Cambodian People’s Party? How can we classify the role that such new media platforms perform in a hybrid authoritarian political system? Astrid is an associate professor at Lund University’s Centre for East and Southeast Asian Studies and a leading expert on Cambodian politics. Her article “Fresh News, innovative news: popularizing Cambodia’s authoritarian turn” appeared in the journal Critical Asian Studies in November 2020. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for E

From ships and novels to Mardi Gras, water, and television, how does the legacy of the Middle Passage, the leg of the Atlantic through which African people were trafficked as slaves, reverberate through the creations of writers and authors of the African diaspora? In this episode of New Books Network, Dr. Lee M. Pierce interviews Dr. Tara G. Green about her latest book on the Middle Passage, rebirth, trauma, water, social death, and resistance. In Reimagining the Middle Passage: Black Resistance in Literature, Television, and Song (Ohio State UP, 2018), Tara T. Green turns to twentieth- and recent twenty-first-century representations of the Middle Passage created by African-descended artists and writers. Examining how these writers and performers revised and reimagined the Middle Passage in their work, Green argues that they recognized it as a historical and geographical site of trauma as well as a symbol for a place of understanding and change. Their work represents the legacy African captives left for resis

What does it mean to tie your cloth to that of another person, as in the Ghanaian tradition, or to be in full dress? How is fashion photography in a colonial and decolonial context more than just a "look" but in fact a looking and a looking at? Join author Catherine McKinley (she/her) and host Lee M. Pierce (they) for a discussion of these provocative questions in the context of fashion photography by and about pan-African women from the 1870s to the 1970s. Most of us grew up with images of African women that were purely anthropological—bright displays of exotica where the deeper personhood seemed tucked away. Or they were chronicles of war and poverty—“poverty porn.” But now, curator Catherine E. McKinley draws on her extensive collection of historical and contemporary photos, spanning the 150-year arc of photography on the continent, to tell a different story of African women: how deeply cosmopolitan and modern they are in their style; how they were able to reclaim the tools of the colonial oppression that

Jack Black, Race, Racism and Political Correctness in Comedy (Routledge 2021). In what ways is comedy subversive? This vital new book critically considers the importance of comedy in challenging and redefining our relations to race and racism through the lens of political correctness. On this episode of New Books Network, your host Lee M. Pierce (they) interviews author Jack Black (he) about psychoanalysis, PC culture, The Office, and the subversive potential of comedy to change our collective experience. Race, Racism and Political Correctness in Comedy engages with the social and cultural tensions inherent to our understandings of political correctness, arguing that comedy can subversively redefine our approach to ‘PC debates’, contestations surrounding free speech and the popular portrayal of political correctness in the media and society. Aided by the work of both Slavoj Žižek and Alenka Zupančič, this unique analysis adopts a psychoanalytic/philosophical framework to explore issues of race, racism and pol

For more than a hundred years, Britain’s signals intelligence agency, GCHQ, has played a central role in the conduct of British statecraft. But the organization has traditionally operated from the shadows, leaving many questions about its internal operations and its impact on policy. Now, the story of GCHQ can be told with greater clarity: A few years ago, GCHQ opened parts of its archive to John Ferris, a Professor of History at the University of Calgary, and asked him to write an authoritative history of the intelligence agency. The result is Ferris’s monumental new book, Behind the Enigma: The Authorized History of GCHQ, Britain’s Secret Cyber-Intelligence Agency (Bloomsbury Publishing, 2020). On this episode, I talk with Professor Ferris about the origins of British signals intelligence, its impact on British policy in World War I and World War II, the type of people who have filled the organization’s ranks over time, and how GCHQ is adapting to the “second age” of computerized signals intelligence. Learn

There is no better person to start this journey than with journalist Nicholas Lemann, who has been observing the industry, also long-form journalism, for almost 50 years. Lemann started at the age of 17 in an alternative weekly in New Orleans, and since then he has been a staff writer for a number of magazines, including The New Yorker – since 1999. Lemann is also a former dean and current professor at Columbia University Graduate School of Journalism. In this episode, we are talk about the piece he wrote in February 2020 for the The New York Review titled: "Can Journalism Be Saved" Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How do race and sexuality intersect in the American sitcom? In The Generic Closet: Black Gayness and the Black-Cast Sitcom (Indiana University Press, 2021),  Alfred L Martin, an assistant professor of communication studies at The University of Iowa, explores the production and reception of Black-cast sitcoms, along with a detailed analysis of the representations of gay men within this genre. At the centre of the book is a theorisation of the generic closet, both as a way to explain the absence of nuanced and complex representations of Black gay men on screen, and to account for the limited, decentred, and peripheral place offered to Black gay men in the Black-cast sitcom. Offering detailed engagement with the history and political economy of television, along with insights into writers’ rooms, production decisions, and audience responses, the book is essential reading across humanities and social sciences, as well as for anyone interested in understanding contemporary culture. Dave O'Brien is Chancellor's Fel

Steven Capsuto's book Alternate Channels: Queer Images on 20th-Century TV (2020) explores the fight for lesbian and gay visibility on 20th-century American television, as gay activists faced off with powerful, often vicious "traditional values" crusaders, with TV executives caught in the crossfire. It documents countless programs, characters, and political skirmishes, examining lesbian and gay portrayals and the few pioneering depictions of bisexual and trans people. The first edition was a semifinalist for what is now the Stonewall Book Award and has been widely used in universities. This revised edition, fact-checked from scratch, reinstates material that the original publisher cut and adds about 100 photos of TV shows from the early days to the year 2000. The author built this account of events from archival materials, a thousand broadcast recordings, and his interviews with showrunners, network and studio executives, and early activists. Steven Capsuto began researching sexual-minority images on televisio

Bernadette Barton, Ph.D. exposes the double standard we attach to women’s sexuality in The Pornification of America: How Raunch Culture is Ruining Our Society (NYU Press, 2021) Pictures of half-naked girls and women can easily be found on screens, billboards, and advertisement across the United States of America. There are pole-dancing courses that can be purchased by women who desire to stay fit. Men share dick pics to nonconsensual passengers on planes and trains. The last American President has also bragged about grabbing women “by their pussy.” This pornification of society is what Barton calls “raunch culture.” In this book, she explores what raunch culture is, why it matters, and how it is ruining America. She exposes how what is shown on the internet has a driving force in what is displayed on the programs, advertisement, and social media we watch. These images then make their way to content that is displayed on our cellphones, available for us to purchase in the fashion industry, and fantasies/desires

Today I talked to Mathew Sweezy about his new book The Context Marketing Revolution: How to Motivate Buyers in the Age of Infinite Media (Harvard Business Review Press, 2020). Mathew Sweezey is Principal of Marketing Insights for Salesforce. His work has appeared in leading publications such as AdAge, Forbes, Brand Quarterly, The Economist, and The Observer. He’s also the author of Marketing Automation for Dummies. On June 24, 2009, we entered the era when private individuals became the largest producers of media in the world, eclipsing businesses and traditional media outlets. A perfect case-in-point is Tesla, which follows a market-sell-build-market (some more) model that engages customers with a greater purpose (weaning us off fossil fuels) and invites customers to co-create the cars they want. Tesla spends about $6 on advertising per car it sells, versus the nearly $1,000 that Mercedes-Benz spends per car sold. This episode explores the Tesla example, how Gen I members want to be “influencers” as their d

Digitization is reshaping creative industries. Old gatekeepers in music, publishing, television, movies, and other industries no longer play such an important role, and digital piracy makes it easy for consumers to avoid paying companies, artists, and writers for what they produce. On the other hand, independents can now cheaply produce and distribute creative works both to niche and mass market audiences. In Digital Renaissance: What Data and Economics Tell Us about the Future of Popular Culture (Princeton UP, 2020), Economist Joel Waldfogel uses data about the quantity, quality, and mass appeal of these works to make the case that this has on balance made us all better off, resulting in a digital renaissance. In this interview, we discuss the findings in his book and how he arrives at them. I also get his perspective on some developments since his book came out, like the rise of Spotify, non-fungible tokens (NFTs), and the impact of the pandemic on digitization. He also unwittingly gives me the opportunity

What is the story of race in American fiction? In Redlining Culture: A Data History of Racial Inequality and Postwar Fiction (Columbia University Press, 2020), Richard Jean So, an assistant professor of English in the Department of English at McGill University, uses computational and quantitative methods, alongside close textual analysis, to demonstrate the institutional whiteness of the US publishing industry. Even as the rise of multiculturalism has been celebrated in American fiction, So shows how publishing houses, reviewers, prize givers, and audiences still focused on a minority of Minority authors, with little evidence of change during the second half of the twentieth century. Moreover, although as the struggle for recognition seemed to be won within universities, the literary world continued to exclude authors of colour. In addition, the book engages with, and draws inspiration from, the work and career of Toni Morrison, offering findings that will engage across both the humanities and social sciences

Successful word-coinages--those that stay in currency for a good long time--tend to conceal their beginnings. We take them at face value and rarely when and where they were first minted. Engaging, illuminating, and authoritative, Ralph Keyes's The Hidden History of Coined Words (Oxford University Press, 2021) explores the etymological underworld of terms and expressions and uncovers plenty of hidden gems. He also finds some fascinating patterns, such as that successful neologisms are as likely to be created by chance as by design. A remarkable number of new words were coined whimsically, originally intended to troll or taunt. Knickers, for example, resulted from a hoax; big bang from an insult. Casual wisecracking produced software, crowdsource, and blog. More than a few resulted from happy accidents, such as typos, mistranslations, and mishearing (bigly and buttonhole), or from being taken entirely out of context (robotics). Neologizers (a Thomas Jefferson coinage) include not just scholars and writers but c

In an era of increasing social isolation, platforms like Facebook and Twitter are among the most important tools we have to understand each other. We use social media as a mirror to decipher our place in society but, as Christopher A. Bail explains, it functions more like a prism that distorts our identities, empowers status-seeking extremists, and renders moderates all but invisible. Breaking the Social Media Prism: How to Make Our Platforms Less Polarizing (Princeton University Press, 2021) challenges common myths about echo chambers, foreign misinformation campaigns, and radicalizing algorithms, revealing that the solution to political tribalism lies deep inside ourselves. Drawing on innovative online experiments and in-depth interviews with social media users from across the political spectrum, this book explains why stepping outside of our echo chambers can make us more polarized, not less. Bail takes you inside the minds of online extremists through vivid narratives that trace their lives on the platfor

Listen to this interview of Christopher Thaiss, author of Writing Science in the Twenty-First Century (Broadview Press 2019). We talk about the research article, about writing styles, and about the uses of rhetoric to scientists. Interviewer: "Too many students learning to write in the sciences lack helpful feedback on their writing, and this causes them to experience, quite personally, that disconnect we were talking about, between doing science and writing science." Christopher Thaiss: "Feedback is one of the things I return to again and again in the book. And in my teaching, I think that one of the ways that feedback is used––I think that the most effective way that feedback is used is not so much the feedback that I give students about their writing, although the students will always say, 'We love your feedback!' But what's really important is the feedback that they learn to give and get in peer response workshops. I'm very careful in designing peer response so that students feel that sense of responsibil