New Books In Communications

Can a subject be sovereign in a hegemony? Can creativity be reined in by forces of empire? The Audacious Raconteur: Sovereignty and Storytelling in Colonial India (Cornell UP, 2020) argues that even the most hegemonic circumstances cannot suppress "audacious raconteurs": skilled storytellers who fashion narrative spaces that allow themselves to remain sovereign and beyond subjugation. The book tells the stories of four Indian narrators who lived in colonial India: a Goan Catholic ayah, a Telugu lawyer from the Raju community, a Tamil brahmin archaeologist, and a librarian from the medara (basket-weavers) caste. These four Indian narrators, through their vigorous orality, maverick use of photography, literary ventriloquism, and bilingualism, dismantle the ideological bulwark of colonialism—colonial modernity, history, science, and native knowledge. This book is open access.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Listen to this interview of Elisa De Ranieri, Editor-in-Chief of Nature Communications. We talk about knowing the research you have done, but communicating the message you want said. Interviewer: "When a submission lands on your desk, or better said, you call it up on your screen, what are you pleased to see, what makes your work easier?" Elisa De Ranieri: "Yeah, well, I guess what makes the job easier for an editor is to receive a paper that is well-written and well-constructed and where the authors are so experienced that they know how to pitch their story. It's nice because it, obviously, spares the editor the trouble of having to unpick what's being said. You know, there are papers where––I'm not saying that they're badly written––but they are so dense because it's not a story, it's a dump of facts, so that you have to start unpicking the facts until you've made your own version of the story that the authors are trying to tell, and only then can you assess that story based on your criteria." Daniel Shea,

In Fiction: A Philosophical Analysis (Oxford University Press, 2020), Catharine Abell draws our attention to the character of Emma Woodhouse. She is handsome, clever, and rich. Or, at least, that's what Jane Austen writes about her in her fictional novel Emma. But why should we consider this a work of fiction, if it says true things about 19th century England? And if it's a fiction, how should we understand and interpret its content? Do we need to know what Austen intended to understand what she says about Emma? And how can we judge the truth of claims about a fictional entity? Do these characters need to exist for us to talk about them? Abell answers these questions in a unifying account of the epistemology and metaphysics of fiction which engages with existing and influential theories. Fictions are institutions governed by rules. On this view, we understand the content of fictive utterances by convention, though we can draw inferences to the best explanation about those utterances to a work's interpretive c

Leigh Thompson is a Professor of Dispute Resolution and Organizations at the Kellogg School of Management, Northwestern University. An acclaimed researcher, author, and speaker, she has developed several online and in-person courses on negotiation, leading teams, creativity, and virtual collaboration. Leigh is a best-selling author of 10 books including Negotiating the Sweet Spot: The Art of Leaving Nothing on the Table (HarperCollins, 2020). This episode covers why dividing the pie and supposedly win/win solutions aren’t good enough. Myths about negotiations successfully are addressed, as well as the differences between scripted and unscripted negotiations. Specific “hacks” or solutions are raised, including The Anger Hack in personal life negotiations and The Dessert Tray hack in business situations. Finally, how virtual negotiations involves their own dynamics is covered, too. Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. To check out his related “Dan Hill’s EQ Spotlight” blog,

Former social media executives tell us that the system is an addiction-machine. We are users, waiting for our next hit as we like, comment and share. We write to the machine as individuals, but it responds by aggregating our fantasies, desires and frailties into data, and returning them to us as a commodity experience. The Twittering Machine (Verso, 2020) is an unflinching view into the calamities of digital life: the circus of online trolling, flourishing alt-right subcultures, pervasive corporate surveillance, and the virtual data mines of Facebook and Google where we spend considerable portions of our free time. In this polemical tour de force, Richard Seymour shows how the digital world is changing the ways we speak, write, and think. Through journalism, psychoanalytic reflection and insights from users, developers, security experts and others, Seymour probes the human side of the machine, asking what we’re getting out of it, and what we’re getting into. Social media held out the promise that we could mak

Conspiracy theories prove to be popular and widely-spread. As a rule, we do not tend to take them seriously, but it would be wrong to suggest that audiences are not intrigued by them. What can conspiracy theories communicate about those who engage with them and about those who are this way or the other implicated?  With Conspiracy Culture: Post-Soviet Paranoia and the Russian Imagination (University of Toronto Press, 2020), Keith A. Livers explores the conspiracy theory on the theoretical and practical levels. The book offers a solid background that helps historicize the conspiracy preoccupations in Russia. By connecting the conspiracy manifestations in Russian culture across the centuries, Livers successfully demonstrates how deeply engrained the conspiracy culture is in Russia. The book analyzes in detail a diverse cultural material that includes, among others, Pelevin’s and Bekmambetov’s works: by combining chronologically diverse material, Livers looks into and dissects the mechanism of the persistent sus

In their new collection, Monstrous Women in Comics (University Press of Mississippi, 2020), Samantha Langsdale and Elizabeth Rae Coody put together a critical volume on the ways women are made monstrous in popular culture. This edited volume examines the coding of woman as monstrous and how the monster as dangerously evocative of women/femininity/the female is exacerbated by the intersection of gender with sexuality, race, nationality, and disability. The five sections of this book look at the cultural context surrounding varied monstrous voices: embodiment, maternity, childhood, power, and performance. This volume probes into the patriarchal contexts wherein men are assumed to be representative of the normative, universal subject, such that women frequently become monsters. The collection includes contributions by Novia Shih-Shan Chen, Elizabeth Rae Coody, Keri Crist-Wagner, Sara Durazo-DeMoss, Charlotte Johanne Fabricius, Ayanni C. Hanna, Christina M. Knopf, Tomoko Kuribayashi, Samantha Langsdale, Jeannie L

On this episode of the New Books Network, Dr. Lee Pierce (s/t) Dr. Dannagal Goldthwaite Young (s/h) about why liberals love satire and conservative love outrage and how the two are merging and diverging in today’s world of media consolidation and political polarization. In Irony and Outrage: The Polarized Landscape of Rage, Fear, and Laughter in the United States (Oxford UP, 2019), Young looks at two distinct genres of communication—irony and outrage—and their respective appeals to liberals and conservatives. Whereas liberal minds lean toward the ambiguity and play of irony, as exemplified in the daily show, conservative minds lean toward certainty and vigilance, as exemplified by Sean Hannity. Young argues that the roles that these two genres play for their viewers are strikingly similar: galvanizing the opinion of the left or the right, mobilizing citizens around certain causes, and expressing a frustration with traditional news coverage while offering alternative sources of information and meaning. One key

In Batman and The Joker: Contested Sexuality in Popular Culture (Routledge, 2020), Chris Richardson presents a cultural analysis of the ways gender, identity, and sexuality are negotiated in the rivalry of Batman and The Joker. Richardson's queer reading of the text provides new understandings of Batman and The Joker and the transformations of the Gotham Universe throughout its 80-year existence. In particular, Richardson investigates how artists, writers, and fans engage with, challenge, and interpret gendered and sexual representations of this influential and popular rivalry. Fans of Batman and The Joker will find this work engaging and applicable across a range of scholarly fields and popular interests. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Today we are joined by Travis Vogan, Associate Professor of Journalism and American Studies at the University of Iowa, and the author of ABC Sports: The Rise and Fall of Network Sports Television (University of California Press, 2018). In our conversation, we discussed the special role that ABC Sports played in the promotion of sports television, the innovations of sports broadcasting executive Roone Arledge, and the collapse of network sport broadcasting in the cable-TV era. In ABC Sports, Vogan traces the cultural impact of ABC Sports rise in the 1950s until its demise in the 1990s. Under the aegis of Roone Arledge, ABC developed a innovative approach to sports programming that changed viewers experiences for the better. They foregrounded narrative, introduced documentary style reporting, developed new film and recording practices. Along the way, the network produced iconic sports programming such as Wide World of Sports and Monday Night Football. They nurtured a range of media personalities including Howar

The politics of identity have played center stage in many political debates in the last few years, and is often seen somewhat pejoratively as an epiphenomenal manifestation of the dynamics of capitalism. Some scholars, however, see this as a reductive mistake, not just for any attempt to organize against capitalism, but also as part of a mistaken understanding of what ‘identity’ is. This is one of the animating ideas of Ani Maitra in his new book Identity, Mediation and the Cunning of Capital (Northwestern University Press, 2020). Utilizing the insights of philosophy, psychoanalysis and critical theory, the book looks at radio transmissions and films dispersed through the Algerian revolution and its aftermath; it examines experimental prose and imagery around Asian-American identity produced by neoliberal academic institutions; and it looks at the orientations on display at an LGBTQ+ film festival in an India struggling to join the world market while still maintaining its own distinct identity. The book is a

Listen to this interview of Shyam Sharma, author of Writing Support for International Graduate Students: Enhancing Transition and Success (Routledge, 2020). We talk about international students and rhetoric, international students and confidence, international students and community-based programming, and vision. Interviewer : "Could you give an example for how teachers can foster agency among international students?" Shyam Sharma : "Let's say you walk into a class and you ask, 'How do people greet in a formal academic setting.' If you say, 'How do people greet in a formal academic setting, in your local community' –– Just add that phrase at the end –– what happens is that the Chinese student versus the American student versus the Brazilian student get to share their ideas about how people (in English, of course), about how people greet each other formally. But by giving them a platform where their ideas can be brought in order to explore, that allows many of things, one being to set the terms of engagement w

Social media has become a crucial avenue for political discourse in Southeast Asia, given its potential as a “liberation technology” in both democratising and authoritarian states. Yet the growing decline in internet freedom and increasingly repressive and manipulative use of social media tools by governments means that social media is now an essential platform for control. “Disinformation” and “fake news” production is growing rapidly, and national governments are creating laws which attempt to address this trend, but often only exacerbate the situation of state control. In this episode, Dr Aim Sinpeng and Dr Ross Tapsell discuss their new book, From Grassroots Activism to Disinformation: Social Media in Southeast Asia (ISEAS Publishing, 2020), with Dr Thushara Dibley, and explore some of the more recent controversies surrounding social media use in Southeast Asia. Aim Sinpeng is a Senior Lecturer in Comparative Politics at the University of Sydney. Her research interests centre on the relationships between

In Diners, Dudes, and Diets: How Gender and Power Collide in Food Media and Culture (UNC Press, 2020), Emily Contois argues that the figure of The Dude was invented (or perhaps only capitalized on) by marketing and advertising firms to combat “gender contamination” and sell what may be perceived as “feminine” foods to men. Contois suggests that this figure coalesced in response to the 2008 recession and the “gender crisis” that it created. Not only were job losses higher for men during this “mancession,” but struggling companies sought to improve sales by marketing products to men that had previously been targeted exclusively at women including diet sodas and low-calorie yogurts, as well as cookbooks, food television, and weight loss programs. In short, The Dude – represented by Jeff Bridges’s famous character in The Big Lebowski – is a male figure who “resit[s] the demands of manhood like competitiveness and breadwinning” by “simply opt[ing] out of the struggle.”  Contois devotes an entire chapter to the fig

While Hollywood’s images present a veneer of fantasy for some, the work to create such images is far from escapism. In Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood (Duke University Press, 2020), anthropologist Vanessa Díaz examines the raced and gendered hierarchies and inequalities that are imbricated within the work of producing celebrity in Los Angeles, CA. Díaz’s ethnography follows reporters and paparazzi to examine their everyday practices of work and labor that bring celebrity images and stories into being on the pages of celebrity magazines. Grounded in media workers’ perspectives and everyday life, this book carefully situates Latino paparazzi and women reporters in relationship to the particular vulnerabilities that they face. For example, Díaz traces a shift in the demographic of the paparazzi from white men to Latino men, and with it a significant shift in the tone of insults levied against them. Women reporters remain vulnerable to sexual harassment and other dangers

What is the history of equal rights in Hollywood? In A Piece of the Action: Race and Labor in Post–Civil Rights Hollywood (Columbia UP, 2019), Eithne Quinn, a senior lecturer in American Studies at the University of Manchester, explores the transitional years following the civil rights movement of the 1960s, in order to chart the struggle by Black film makers for rights, recognition and representation. The book combines analysis of on-screen representations, with research on both the production and political economy of Hollywood films. Attentive to questions of gender and race, alongside a critical perspective on Hollywood’s myths of equality and diversity, the book will be essential reading across arts, humanities, and social sciences, as well as for anyone interested in understanding why inequality persists in Hollywood today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Conspiracy theories are as old as politics. But conspiracists today have introduced something new—conspiracy without theory. And the new conspiracism has moved from the fringes to the heart of government with the election of Donald Trump. In A Lot of People Are Saying: The New Conspiracism and the Assault on Democracy (Princeton University Press, 2019), Russell Muirhead and Nancy L. Rosenblum show how the new conspiracism differs from classic conspiracy theory, why so few officials speak truth to conspiracy, and what needs to be done to resist it. Classic conspiracy theory insists that things are not what they seem and gathers evidence—especially facts ominously withheld by official sources—to tease out secret machinations. The new conspiracism is different. There is no demand for evidence, no dots revealed to form a pattern, no close examination of shadowy plotters. Dispensing with the burden of explanation, the new conspiracism imposes its own reality through repetition (exemplified by the Trump catchphrase

Conspiracy theories are as old as politics. But conspiracists today have introduced something new—conspiracy without theory. And the new conspiracism has moved from the fringes to the heart of government with the election of Donald Trump. In A Lot of People Are Saying: The New Conspiracism and the Assault on Democracy (Princeton University Press, 2019), Russell Muirhead and Nancy L. Rosenblum show how the new conspiracism differs from classic conspiracy theory, why so few officials speak truth to conspiracy, and what needs to be done to resist it. Classic conspiracy theory insists that things are not what they seem and gathers evidence—especially facts ominously withheld by official sources—to tease out secret machinations. The new conspiracism is different. There is no demand for evidence, no dots revealed to form a pattern, no close examination of shadowy plotters. Dispensing with the burden of explanation, the new conspiracism imposes its own reality through repetition (exemplified by the Trump catchphrase

Most people recognize that the internet is growing at an exponential rate. But few have thought as deeply as Laura DeNardis, a Professor and Interim Dean at the School of Communication at American University, about what those changes will mean for privacy, security, human rights, and democracy. In The Internet in Everything: Privacy and Security in a World With No Off Switch (Yale, 2020), Professor DeNardis shows that the policy tools and normative constructs we have built around the internet are outdated. The internet has evolved from a system of communication to one of control—and that demands a new approach to internet governance. On this episode, I talked with Dr. DeNardis about why we need to move beyond an understanding of internet governance as content governance; whether governments can resist exploiting cybersecurity vulnerabilities; and why she thinks ‘internet freedom’ is a “somewhat fetishized ideal.” At one point, Dr. DeNardis’s dog weighs in on the virtues of techno-libertarianism. We wrap up wi

What do university presses do? And how do they contributed to public discourse? November 9 is the beginning of University Press Week, and today I had the honor of talking to Niko Pfund, the president of the Association of University Presses and the head of Oxford University Press. In the interview, we discuss the work of university presses and their value to the production of knowledge and a vibrant exchange of ideas. We also talked about the challenges UPs face generally and in the time of COVID. Pfund began his career at Oxford University Press (OUP) in New York in 1987 as an editorial assistant in law and social science before moving to NYU Press as an editor in 1990. He served as editor in chief at NYU before becoming director in 1996 and returned to Oxford in 2000 as its academic publisher. Currently he is responsible for the development of OUP’s acquisitions and editorial program for research books and reference, as well as for the management of the its North American offices. Marshall Poe is the founde