New Books In Communications

Sergey Brin, a cofounder of Google, once compared the perfect search engine to “the mind of God.” As the modern face of promiscuous knowledge, however, Google’s divine omniscience traffics in news, maps, weather, and porn indifferently. Promiscuous Knowledge: Information, Image, and Other Truth Games in History (U Chicago Press, 2020), begun by the late Kenneth Cmiel and completed by his close friend John Durham Peters, provides a genealogy of the information age from its early origins up to the reign of Google. It examines how we think about fact, image, and knowledge, centering on the different ways that claims of truth are complicated when they pass to a larger public. To explore these ideas, Cmiel and Peters focus on three main periods—the late nineteenth century, 1925 to 1945, and 1975 to 2000, with constant reference to the present. Cmiel’s original text examines the growing gulf between politics and aesthetics in postmodern architecture, the distancing of images from everyday life in magical realist ci

Listen to this interview of Kit Nicholls, Director of Cooper Union Center for Writing. We talk about writing, thinking, the university, and what everyone cares about. Interviewer : "That's the key, and the sense that I get from many students, and even also from faculty, when it comes to the point that they're writing up their results––well, it's basically, this is just a necessity, a thing that's just sort of got to be got around, got through. But if you can actually provide them with the view that the writing is the research, that you're doing your research right now as well. Or even if you can get them to drop the 'as well' and say, 'I'm doing my research still.'" Kit Nicholls : "Yeah, it's not like you do sort of all this prior work and then you sit down and write. That's a surefire way to produce some pretty terrible writing. It's much better to write your way through, which is exactly why the Center for Writing offers ongoing sessions, because otherwise students almost automatically come to the assumptio

"Few freedoms in the United States are as cherished as freedom of the press." So begins Chapter One of Democracy Without Journalism?: Confronting the Misinformation Society (Oxford University Press, 2020). The book by Victor Pickard, Professor of Media Policy and Political Economy at the Annenberg School for Communication makes it clear, however, that mainstream American news media are not really free at all, but have been pressed into service over more than a century to generate profits for a few rich owners bent on selling eyeballs and ears to advertisers. Dr. Pickard points out that this system of "toxic commercialism” is in crisis as advertisers flee to cheaper social media outfits like Facebook. In this NBN interview, he says the old TV news adage, "If it bleeds it leads," has been supplemented by a new one, "If it's outrageous, it's contagious" as internet platforms profit from misinformation and even outright lies that engage (and enrage) their readers and keep them coming back for more. Democracy With

In this episode of New Books in Literary Studies we speak with Lissette Lopez Szwydky, author of the new book Transmedia Adaptation in the Nineteenth Century (Ohio State UP, 2020) A comprehensive study of adaptation across media, form and genre, this book argues passionately for the importance of adaptation to our understanding of literary texts. For Lopez Szwydky, adaptation does not just constitute the afterlife of the adapted work, but instead it forms part of the dynamic process that brings the work to life. Transmedia Adaptation in the Nineteenth Century explores a range of works by authors such as Mary Shelley, Charles Dickens, Lord Byron, John Keats and many more. Filled with engaging case studies, this book charts the evolution of literary narratives across novels, illustrations, stage plays, chapbooks, commercial merchandise and more. Lissette Lopez Szwydky is Associate Professor of English at the University of Arkansas in Fayetteville where she teaches courses in Nineteenth-Century Literature and Cu

When I put down Getting it Published: A Guide for Scholars and Anyone Else Serious about Serious Books (University of Chicago Press, 2016), I looked up and began to wonder. I wondered about the book on gnomic poetry in Medieval Greek I had read over the weekend. I wondered about the PDF conference volume on my desktop between other PDFs downloaded at my university library. Casting an eye to the bookshelves along my wall, I looked at the spines of all the books there, upright and peaceful in their rows, and I wondered just who did the publishing of those books. Who printed the bindings and pages? Who stocked backlisted copies in the warehouse? Who encouraged booksellers to buy? Who adopted the project early stages? Who chauffeured the manuscript through marketing? Which editor oversaw production while which harried professor, between lectures biting into a sandwich, flipped the pages and weighed the arguments and challenged the ideas? Getting It Published opens up the other spaces which are inside of every boo

What are the possibilities and what are the inequalities of the digital world? In The Digital Lives of Black Women in Britain (Palgrave, 2020), Francesca Sobande, a lecturer in Digital Media Studies at Cardiff University explores the experiences of Black women as producers and as consumers of digital media. The book offers a rich combination of archival and interview material, along with a theoretical framework crossing boundaries of digital, media, and communication studies, along with feminist and critical race theory. It also thinks through the role of platforms such as Twitter and YouTube, demonstrating how Black women are using digital spaces as alternatives forms of media, whilst still facing discrimination and abuse. At a time when inequalities across media industries are under scrutiny, alongside organisational and institutional responses to Black Lives Matter, the book is essential reading for anyone keen to understand the struggles of Black women in the digital world, alongside the possibilities for

How do you keep the cracks in Starry Night from spreading? How do you prevent artworks made of hugs or candies from disappearing? How do you render a fading photograph eternal—or should you attempt it at all? These are some of the questions that conservators, curators, registrars, and exhibition designers dealing with contemporary art face on a daily basis. In Still Life: Ecologies of the Modern Imagination at the Art Museum (University of Chicago Press, 2020), Fernando Domínguez Rubio delves into one of the most important museums of the world, the Museum of Modern Art (MoMA) in New York, to explore the day-to-day dilemmas that museum workers face when the immortal artworks that we see in the exhibition room reveal themselves to be slowly unfolding disasters. Still Life offers a fascinating and detailed ethnographic account of what it takes to prevent these disasters from happening. Going behind the scenes at MoMA, Domínguez Rubio provides a rare view of the vast technological apparatus—from climatic infrastr

What are the limitations of relying on logic as an upfront filter in pursuing ideas? Find out as I talk to Rory Sutherland about his new books Alchemy: the Dark Art and Curious Science of Creating Magic in Brands, Business, and Life (William Morrow, 2019) Sutherland is Vice Chairman of Ogilvy, a legendary advertising agency. He’s also a columnist for The Spectator and a past president of the London-based Institute of Practitioners in Advertising (IPA). His TED Talks have been viewed over 6.5 million times. Topics covered in this episode include: What’s to be gained from realizing that evolution likes fitness, not accuracy. Why biology is different from physics, thereby meaning that there will likely never be a Newton of biology, of marketing, or other fields, where universal laws don’t apply. Instead, the focus is on noting the exceptions and finding patterns. Realizing how much people are context-dependent in realizing solutions to problems. Many forms of measurement create more problems than successful o

Open Access is spelled with a capital O and a capital A at the Public Library of Science (or PLOS, for short), a nonprofit Open Access publisher. Among PLOS's suite of journals, PLOS One is the nonprofit's largest in number of articles published and its broadest in coverage, ranging as it does over all topics in the natural sciences and medicine, to include, as well, some in the social sciences, too. PLOS One appears only online, a format the staff bring into service to foster Open Access Science, whether they do this through initiatives for Open Citations and Open Abstracts, or through Transparent Peer Review, or also through PLOS One's newest endeavor, registered reports. Since its inception in 2006, PLOS One has been at the forefront of Open Access publishing. And today, against the trend to equate Impact Factors with journal names, PLOS One does not promote their own Impact Factor because the measure has been shown to be, at best, only an approximate indicator of research significance. However, in true PL

What is the relationship between race, technology and sound? How can we access the ways that Latin Americans in the 19th and early 20th centuries thought about, and importantly, heard, race? In his book Audible Geographies in Latin America: Sounds of Race and Place (Palgrave Macmillan, 2019), Dylon Robbins approaches this question in a stunning series of chapters that move between Cuba and Brazil just as both nations were moving into post-emancipation and increasingly intense appeals to nationalist ideologies. New media such as the phonograph, as well as changing techniques in medicine and ethnography contributed to the complex entanglements of race, place and voice. Robbins uncovers new sites in which to explore these questions, such as the Experimental Phonetics Laboratory in Havana and revisits more familiar material, such as the work of Alejo Carpentier, with new frameworks. Learn more about your ad choices. Visit megaphone.fm/adchoices

The implied answer to the titular question of All Bullshit and Lies? (Oxford University Press 2020) is no, it’s not. In this book, subtitled Insincerity, Irresponsibility, and the Judgment of Untruthfulness, Chris Heffer argues that to analyze untruthfulness, we need a framework which goes beyond these two kinds of speech acts, bullshitting and lying. With his TRUST framework (Trust-related Untruthfulness in Situated Text), Heffer analyzes untruthfulness which includes irresponsible attitudes towards truth, like dogma and distortion, as well as manipulations of the putatively true, like withholding information or misleading. He considers not only epistemic responsibility but moral culpability, taking up real-world cases such as presidential tweets and sloganeering. The book draws on work in philosophy of language, linguistics, and epistemology, along with discourse analysis, psychology, and sociology to provide a flexible framework which can help cut through increasing epistemic partisanship, believing for th

It is 21st century commonsense that India is an “emerging” economy. But how did this common sense itself emerge? How did India’s global image shift from that of a poverty-infested Third World country to that of a frontier of boundless economic opportunity? In her nimbly researched and lucidly narrated new book Brand New Nation: Capitalist Dreams and Nationalist Designs in Twenty-First-Century India (Stanford UP, 2020), Prof. Ravinder Kaur tracks the over two decades of mega-publicity campaigns which have gone into producing “Brand India” as a desirable commodity for global investors. What can government- and corporate-sponsored media campaigns like India Shining in 2004 and Lead India in 2009 tell us about the resounding success of the post-2014 acche din (“good days”) campaign which we are living with to this day? How do cultural nationalism and capitalist growth together produce images of a modern India which is nevertheless rooted in a decisively Hindu antiquity? How does the figure of the aam aadmi or com

What are we to make of the year’s first presidential debate? Listen in as John R. Hibbing, Jonathan Weiler and I discuss this question and others surrounding the 2020 presidential race. Hibbing is a Foundation Regents University Professor of political history and psychology at the University of Nebraska-Lincoln. He’s been a Guggenheim Fellow, a NATO Fellow and a Senior Fulbright Fellow. He is the author of Predisposed: Liberals, Conservatives, and the Biology of Political Differences (Routledge, 2014). Weiler is the director of undergraduate studies and a professor of global studies at the University of North Carolina. He is the author of Prius or Pickup? How the Answers to Four Simple Questions Explain America’s Great Divide (Houghton Mifflin Harcourt, 2018) Topics covered in this episode include: • How well did Donald Trump and Joe Biden each do respectively in attracting undecided voters, who might slightly favor either a liberal/fluid or conservative/fixed innate perspective. • The role of disgust in affi

Nature is the premier weekly journal of science, the journal where specialists go to read and publish primary research in their fields. But Nature is also a science magazine, a combination unusual in journal publishing because in an issue of Nature, research stands side by side with editorials, news and feature reporting, and opinion articles. In fact, over two-thirds of the pieces Nature publishes are journalism and opinion content. This is the remit of Helen Pearson. Helen Pearson is Chief Magazine Editor of Nature. After her PhD, Helen wanted a "broader view" of science, and so she chose science journalism. Helen has written award-winning journalism, and she is the author of The Life Project, voted 2016's best science book by The Observer and a best book of the year by The Economist. Today, Helen can look back on a distinguished career at Nature, where she continues to make a significant contribution to conversations around and in the scientific communities Nature aims to reach. Scholarly Communications is

We think that we live in democracies: in fact, we live in mediarchies. Our political regimes are based less on nations or citizens than on audiences shaped by the media. We assume that our social and political destinies are shaped by the will of the people without realizing that ‘the people’ are always produced, both as individuals and as aggregates, by the media: we are all embedded in mediated publics, ‘intra-structured’ by the apparatuses of communication that govern our interactions. In his new book Mediarchy (Polity Press, 2019), Yves Citton maps out the new regime of experience, media and power that he designates by the term “mediarchy.” To understand mediarchy, we need to look both at the effects that the media have on us and also at the new forms of being and experience that they induce in us. We can never entirely escape from the effects of the mediarchies that operate through us but by becoming more aware of their conditioning, we can develop the new forms of political analysis and practice which ar

How does the music industry work in the modern world? In Selling Out: Culture, Commerce and Popular Music (Bloomsbury, 2020), Bethany Klein, a Professor of Media and Communication at the University of Leeds, explores the relationship between music and money, from the early years of the pop industry to contemporary society’s ‘promotional culture’. The book conceptualises ‘selling out’, and offers a nuanced understanding of how the idea developed and how it might still be important and relevant. Crucially, the book stresses the changing nature of selling out, not only over time but also through thinking critically about key categories such as race and gender. The book is packed with examples from across a range of genres and gives an overview of key theories to help understand the importance of ‘selling out’. The book is essential reading across the humanities and social scientists, as well as for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

Selling Antislavery: Abolition and Mass Media in Antebellum America (University of Pennsylvania Press) is a richly illustrated history of the American Anti-Slavery Society and its print, material, and visual artifacts. Beginning with its establishment in the early 1830s, the American Anti-Slavery Society (AASS) recognized the need to reach and consolidate a diverse and increasingly segmented audience. To do so, it produced a wide array of print, material, and visual media: almanacs and slave narratives, pincushions and gift books, broadsides and panoramas. Building on the distinctive practices of British antislavery and evangelical reform movements, the AASS utilized innovative business strategies to market its productions and developed a centralized distribution system to circulate them widely. In Selling Antislavery, Teresa A. Goddu shows how the AASS operated at the forefront of a new culture industry and, by framing its media as cultural commodities, made antislavery sentiments an integral part of an emer

In this episode, I speak with fellow New Books in Education host, Jonathan Haber, about his book, Critical Thinking (The MIT Press, 2020). This book explains the widely-discussed but often ill-defined concept of critical thinking, including its history and role in a democratic society. We discuss the important role critical thinking plays in making decisions and communicating our ideas to others as well as the most effective ways teachers can help their students become critical thinkers. Haber oversees the projects, Critical Voter, LogicCheck, and Degree of Freedom, and can be reached at jonathan@degreeoffreedom.org. His recommended resources included the following: Thank You for Arguing, Fourth Edition: What Aristotle, Lincoln, and Homer Simpson Can Teach Us About the Art of Persuasion by Jay Heinrichs (Broadway Books, 2020) Think Again I: How to Understand Arguments Critical Thinker Academy The Dream of Reason: A History of Western Philosophy from the Greeks to the Renaissance by Anthony Gottlieb (W.

In the aftermath of the First World War, many people sought to use the new mass medium of radio as a tool for world peace, believing that it could promote understanding across national boundaries. In his book Wireless Internationalism and Distant Listening: Britain, Propaganda, and the Invention of Global Radio, 1920-1939 (Oxford UP, 2020), Simon J. Potter describes these efforts to use radio to promote global harmony and how they were eclipsed by nationalism and the weaponization of broadcasting as a propaganda tool. As Potter details, the nature of early radio lent itself to this internationalist vision, with listeners often picking up signals and enjoying broadcasts from other countries. By the 1930s, however, a more nationalistic vision for radio took hold, as Germany led the way in using the airwaves to advance nationalistic goals. Though famed today for its global radio services, Britain lagged in response to this, only belatedly employing the British Broadcasting Corporation’s Empire Service as a tool

How is communicating virtually Is like eating Pringles forever? Find out as I talk to Nick Morgan about his new book Can You Hear Me? How to Connect with People in a Virtual World (Harvard Business Review Press, 2018). Morgan is one of America’s top communication theorists and coaches. He’s written for Fortune 50 CEOs as well as for political and educational leaders, and coached people for events ranging from TED talks to giving testimony to Congress. Topics covered in this episode include: What’s the likeliest way to lose the trust of others during a conference call, and how can you best hope to restore it? Why are most online webinars a disaster and what kind of format improves them best? If powerpoint presentations are no longer the way to go in selling to prospects in online calls, what’s the alternative? Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. To check out his “Faces of the Week” blog, visit https://emotionswizard.com. Learn more about your ad choices. Visit megapho