New Books In Communications

Not all Christians are anti-science or climate change deniers; on the contrary, the intersection of climate change and Christianity ranges from deniers to bargainers to harmonizers. On this episode of the New Books Network, Dr. Lee Pierce (she/they) interviews Dr. Emma Frances Bloomfield (she) about this intersection and how different segments of Christians talk about climate change and how others can use communication to engage them. While existing studies have discussed environmentalism as a factor within the religious community, Communication Strategies for Engaging Climate Skeptics (Routledge, 2019) positions religion as an important factor in environmentalism and focuses on how identities play a role in environmental conversation. Rather than thinking of religious skeptics as a single unified group, Emma Frances Bloomfield argues that it is essential to recognize there are different types of skeptics so that we can better tailor our communication strategies to engage with them on issues of the environmen

In Watching Sympathetic Perpetrators on Italian Television: Gomorrah and Beyond (Palgrave MacMillan, 2019), Dana Renga offers the first comprehensive study of recent, popular Italian television. Building on work in American television studies, audience and reception theory, and masculinity studies, her book examines how and why viewers are positioned to engage emotionally with—and root for—Italian television antiheroes. Italy’s most popular exported series feature alluring and attractive criminal antiheroes, offer fictionalized accounts of historical events or figures, and highlight the routine violence of daily life in the mafia, the police force, and the political sphere. Renga argues that Italian broadcasters have made an international name for themselves by presenting dark and violent subjects in formats that are visually pleasurable and, for many across the globe, highly addictive. Taken as a whole, this book investigates what recent Italian perpetrator television can teach us about television audiences,

The way that we talk about living beings can raise or lower their perceived value. On this episode of the New Books Network, Dr. Lee Pierce (s/t) interviews Dr. Allison L. Rowland (s) about zoetropes and zoerhetorics or ways of talking about living beings that promote (#blacklivesmatter) or demote (“collateral damage”) lives and groups of lives. Zoetropes and the Politics of Humanhood (Ohio State University Press, 2020)looks at a variety of these zoerhetorics and the zoetropes or rhetorical devices those discourses contain, and how they build on the necropolitical concept that we are constantly parsing populations into worthy lives, subhuman lives, and lives sentenced to death. Through a series of case studies, including microbial life (at the American Gut Project), fetal life (at the National Memorial for the Unborn), and vital human life (at two of the nation’s premier fitness centers)—and in conversation with cutting-edge theories of race, gender, sexuality, and disability—this book brings to light the dis

How could a peasant in Shandong in the Qing dynasty come to know enough about a specific law that he felt confident enough to kill his own wife and his lover’s husband and think that he could get away with it? As Ting Zhang’s new book, Circulating the Code: Print Media and Legal Knowledge in Qing China (University of Washington Press, 2020) shows, there was a whole range of ways: he could have read the entire statute himself, in either an official or a commercial edition of the Qing Code, or found a simple explanation of it in a popular legal handbook. He could have heard a community lecture on it, or seen the statute dramatized on stage. The state might have intended or tried to control the popular dissemination of legal information, but thanks to commercial printing and a thriving book market, legal knowledge circulated and disseminated far and wide in the Qing – right down to a peasant with murder on his mind. Circulating the Code is a beautiful combination of legal history and print culture history. Compa

In Record Cultures: The Transformation of the U.S. Recording Industry (University of Michigan Press, 2020), Kyle Barnett tells the story of the smaller U.S. record labels in the 1920s that created the genres later to be known as blues, country, and jazz. Barnett also engages the early recording industry as entertainment media, considering the ways in which sound recording, radio, and film converge in the late 1920s. Record Cultures explores Gennett Records and jazz; race records, with a focus on the African American-owned Black Swan Records, as well as the white-owned Paramount Records; the origins of old-time music as a category that will become country; the growth of radio; the intersections of music and film; and the recording industry’s challenges in the wake of the Great Depression. Kyle Barnett is Associate Professor of Media Studies in the Department of Communication at Bellarmine University. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literat

What does it take to both fit in and yet also prosper and grow as a person in the workplace? In today's interview, I discuss this question and others with noted psychologist Arthur B. Markman. Markman is a professor of Psychology and Marketing at the University of Texas at Austin, where he also runs the university’s Human Dimensions of Organizations program. Besides his books, Art writes blogs for Psychology Today and Fast Company, and has a radio show/podcast called Two Guys on Your Head. Topics covered in this episode include: The emotions that often get exhibited in relation to each of the Big 5 traits of Openness, Conscientiousness, Extraversion, Agreeableness and Neuroticism – as well as how a “dream team” working on a special project will embody a variety of those traits. What it means to be a boss who punishes negligence instead of failure. What are the kinds of signals you should be alert to in a job interview in order to get a grasp on what kind of corporate culture you might be stepping into. Da

How have we used twentieth- and twenty-first-century sound technologies to carve out sonic space out of the hustle and bustle of contemporary life? In search for an answer, in this episode I speak with Mack Hagood, Blayney Associate Professor of Comparative Media Studies at Miami University, writer, and podcaster about his book, Hush: Media and Sonic Self-Control (Duke University Press, 2011). In Hush, Hagood examines a variety of twentieth- and twenty-first-century technologies of sonic self-control that includes nature recordings, clinical audiometric tools, and “sound conditioners” through to top-selling white noise apps and the noise-canceling headphones offered under the commercially succesfull Bose and Beats brands. What this assortment of tools and technologies have in common, Hagood argues, is that they are all “orphic media”: kinds of media that carry or generate content that is designed to efface itself as such. Orphic media can be understood as tactics and technologies that offer us respite from po

From the films of Larry Clark to the feminist comedy of Amy Schumer to the fall of Louis C. K., comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse. The contributors to Abjection Incorporated: Mediating the Politics of Pleasure and Violence (Duke University Press, 2020) move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested mode of political and cultural capital—empowering for some but oppressive for others. Escaping abjection's usual confines of psychoanalysis and aesthetic modernism, core to theories of abjection by thinkers such as Kristeva and Bataille, the contributors examine a range of media, including literature, photography, film, television, talking dolls, comics, and manga. Whether analyzing how comedic abjection can help mobilize feminist politics or how expressions of abjection inflect class, race, and gender hierarchies, the contributors demonstrate t

How are algorithms shaping our experience of the internet? In Making it Personal: Algorithmic Personalization, Identity, and Everyday Life (Oxford University Press), Tanya Kant, a lecturer in Media And Cultural Studies at the University of Sussex interrogates the rise of algorithmic personalization, in the context of an internet dominated by platform providers and corporate interests. Using detailed empirical case studies, along with a rich and deep theoretical framework, the book shows the negative impact of algorithmic personalization, the nuances and ambivalences in user behaviours, and their modes of resistance. As we increasingly live our lives online, the book is essential reading across the humanities and social sciences, as well as for anyone interested in understanding how algorithms regulate our lives. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the midst of the COVID-19 pandemic, we’re hearing an awful lot about the fraught relationship between science and media. In his book, News from Mars: Mass Media and the Forging of a New Astronomy, 1860-1910 (University of Pittsburgh Press, 2019), historian of science Joshua Nall shows us that a blurry boundary between science and journalism was a key feature—not a bug—of the emergence of modern astronomy. Focusing on objects and media, such as newspapers, encyclopedias, cigarette cards, and globes, Nall offers a history of how astronomers’ cultivation of a mass public shaped their discipline as it managed controversies over the possibility of canals on Mars, and even interplanetary communication. This book is strongly recommended for historians of science and communication, as well as those with an eye for material culture. Joshua Nall is curator of modern sciences at the Whipple Museum of the History of Science in the Department of the History and Philosophy of Science at the University of Cambridge. Mike

What are best-practices for alleviating stress in the workplace? Today I talked to Cary Cooper about his new book The Apology Impulse: How the Business World Ruined Sorry and Why We Can’t Stop Saying It (Kogan Page, 2020). Cooper explains why managers should say “Sorry, I Wasn’t Feeling." Cooper is the author/editor of over 250 books, and the president of the British Academy of Management. An advisor to the World Health Organization and the EU, he’s received both a knighthood and the CBE award from the Queen of England for “extraordinary contributions” to society. Topics covered in this episode include: The difference between operational and cultural failures, and why CEOs find it easier to apologize for the latter by pretending the problem has to do with the former. The percentage of workers who feel bullied by a boss at work on a constant basis, and Cooper’s estimation of the percentage of bosses who won’t be able to benefit from EQ-training and, therefore, should be given roles that don’t involve managin

In this episode, I speak with Dr. Trena Paulus of Eastern Tennessee State University and Dr. Alyssa Wise of New York University on their new book, Looking for Insight, Transformation, and Learning in Online Talk (Routledge, 2019). The book offers a comprehensive discussion of conducting research on online talk, which includes but is not limited to synchronous and asynchronous interactions on social media, discussion forums, and other forms of digital communication platforms. It walks readers through the different stages and procedures of conducting online research, addresses the major challenges that researchers often encounter in doing this type of work, and presents a new research framework for conceiving online research. The book has a strong emphasis on supporting researchers to unpack their implicit assumptions and make informed decisions. It also pays close attention to the unique ethical challenges in doing research online. In an era of physical distancing, many social and educational research activiti

The Blackface minstrel show is typically thought of a form tied to the 19th century. While the style was indeed developed during the Antebellum period, its history stretches well into 20th- and even 21st-century America. Far from being the endpoint posited by much of the existing literature on the topic, the Jazz age of the 1920s actually saw a flourishing of Minstrel activity, as new forms of media allowed the circulation of Blackface images in ever greater profusion. This circulation, these images, and the performances that lay behind them make up the focus of Dr. Kevin James Byrne’s Minstrel Traditions: Mediated Blackface in the Jazz Age (Routledge, 2020). Minstrel Traditions examines the technologically-mediated interactions that developed between live performances and their circulating images during this fraught period. It does so through a set of case studies: the last musical of Bert Williams, the live career of (now-former) pancake brand/performer Aunt Jemima, amateur minstrel shows and the companies

Mexico today is one of the most dangerous places in the world to report the news, and Mexicans have taken to the street to defend freedom of expression. As Benjamin T. Smith demonstrates in his history of the press and civil society, The Mexican Press and Civil Society, 1940-1976: Stories from the Newsroom, Stories from the Street (University of North Carolina Press, 2018) the cycle of violent repression and protest over journalism is nothing new. He traces it back to the growth in newspaper production and reading publics between 1940 and 1976, when a national thirst for tabloids, crime sheets, and magazines reached far beyond the middle class. As Mexicans began to view local and national events through the prism of journalism, everyday politics changed radically. Even while lauding the liberty of the press, the state developed an arsenal of methods to control what was printed, including sophisticated spin and misdirection techniques, covert financial payments, and campaigns of threats, imprisonment, beatings

The United States takes pride in its democratic model and the idea that citizens deliberate in a process to form political opinions. However, in recent years, division and partisanship have increased while deliberation and the actual discussion of competing ideas have decreased. More and more, citizens are siloed, interacting only with those with whom they agree, and there is more negative animus directed at the opposition. In his new book, A Change is Gonna Come: How to Have Effective Political Conversations in a Divided America (Oxford University Press, 2020), Political Scientist Brian F. Harrison critiques many of the current methods of communicating and explores the growing divide within political discourse. He demonstrates how, in our contemporary environment, political debate includes more name-calling and far less of a desire to understand political opponents. But hope is not lost. Looking at recent history, Harrison argues that conversations about lesbian, gay, bisexual, and transgender rights success

When we talk about technology we always talk about the future—which makes it hard to figure out how to get there. In Future Histories: What Ada Lovelace, Tom Paine, and the Paris Commune Can Teach Us about Digital Technology (Verso), Lizzie O’Shea argues that we need to stop looking forward and start looking backwards. Weaving together histories of computing and social movements with modern theories of the mind, society, and self, O’Shea constructs a “usable past” that help us determine our digital future. What, she asks, can the Paris Commune tell us about earlier experiments in sharing resources—like the Internet—in common? Can debates over digital access be guided by Tom Paine’s theories of democratic economic redistribution? And how is Elon Musk not a visionary but a throwback to Victorian-era utopians? In engaging, sparkling prose, O’Shea shows us how very human our understanding of technology is, and what potential exists for struggle, for liberation, for art and poetry in our digital present. Future Hi

If gun violence kills so many Americans, why don’t we see more effective solutions? How much does the way we frame an issue impact how we feel about it? How often are hot button issues deeply polarized due to the biased or intentionally manipulated ways they are presented to the public? In Warped Narratives: Distortion in the Framing of Gun Policy (University of Michigan Press, 2020), Melissa K. Merry (Associate Professor of Political Science, University of Louisville) applies these questions to gun policy highlighting the ways both sides warp the gun policy narrative to fit and further their separate agendas. Noticing the way gun control advocates highlight white victims’ of mass shootings, while gun rights advocates stress self-defense rights, Merry concludes this type of framing serves to further polarize the public leaving policy makers less able to form coalitions and agree to compromise. In this way, warping has consequences for both policy and politics. Employing a social science lens and employing thr

In Terrorizing Gender: Transgender Visibility and the Surveillance Practices of the U.S. Security State, Mia Fischer traces how media and state actors collude in the violent disciplining of trans women, exposing the traps of visibility by illustrating that dominant representations of trans people as deceptive, deviant, and threatening are integral to justifying, normalizing, and reinforcing the state-sanctioned violence enacted against them. Bringing together transgender, queer, critical race, legal, surveillance, and media studies, Fisher analyzes the cases of Chelsea Manning, CeCe McDonald, and Monica Jones and shows how the heightened visibility of transgender people has actually occasioned a conservative backlash characterized by the increased surveillance of trans people by the security state. Terrorizing Gender concludes that the current moment of trans visibility constitutes a contingent cultural and national belonging, given the gendered and racialized violence that the state continues to enact again

dSoon after atomic bombs exploded over Hiroshima and Nagasaki in 1945, MGM set out to make a movie studio chief Louis B. Mayer called “the most important story” he would ever film: a big budget dramatization of the Manhattan Project and the invention and use of the revolutionary new weapon. Greg Mitchell’s The Beginning or the End: How Hollywood—and America—Learned to Stop Worrying and Love the Bomb (The New Press, 2020) chronicles the first efforts of American media and culture to process the Atomic Age. A movie that began as a cautionary tale inspired by atomic scientists aiming to warn the world against a nuclear arms race would be drained of all impact due to revisions and retakes ordered by President Truman and the military. Greg Mitchell blogs at http://gregmitchellwriter.blogspot.com and is on Twitter at @GregMitch. Joel Tscherne can be followed on Twitter at @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices

Television informs our perceptions and expectations of leaders and offers a guide to understanding how we, as organizational actors, should communicate, act, and relate. Join NBN host Lee Pierce (s/t) and editor/contributor Dr. Creshema Murray as they discuss Leadership Through the Lens: Interrogating Production, Presentation, and Power (Rowman and Littlefield, 2017) an edited collection of television case studies about how the pervasive medium impacts our expectations of leadership, organizational life, and pedagogy. Looking at a variety of case studies, including classroom research in television media, The Americans, Black women in cable television news, workgroups, Total Divas, and electronic church leaders (to name just a few) this intriguing edited collection considers leadership and television through three predominant themes: production of knowledge, presentation of identity, and power of opportunity Recorded just after the murder of George Floyd, the interview focuses particularly on the complexities